Posted in: Software, Technique by: Thomas Pindelski
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28 Feb 2006
A tweak in Photoshop CS2
I’m finding the definition of the Canon 24-105mm IS L lens to be equal to anything on medium format or from Leica on 35mm. What is not so good, however, is that at 24mm you get noticeable barrel distortion (the sides bow outwards) and darkening in the corners.
Sometimes these aberrations […]
Posted in: Software by: Thomas Pindelski
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27 Feb 2006
That’s digital workflow to you.
I did a fair bit of corresponding with people much more experienced with digital photography than I am, which is to say just about every photographer I know, asking how they manage the work flow for an efficient, low risk result.
Not surprisingly, the range of responses was about as broad as […]
Posted in: Canon EOS 5D, Software, Humor by: Thomas Pindelski
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26 Feb 2006
Either someone at Canon has a great sense of humor or they need better English-speaking programmers
I checked out the Canon software that came with the 5D; it’s not bad but doesn’t seem to add much to my preferred working method which is to drop all the files into an iPhoto ‘06 album (RAW included), preview […]
Posted in: Photographers by: Thomas Pindelski
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26 Feb 2006
A Photoblog to satisfy your need for a daily fix
When I left Manhattan’s West Side in 1987 for Los Angeles, the two closest friends I had in the world were the limo driver who would take me home from the southern tip of the island at ridiculous hours and my doorman. The driver was […]
Posted in: Canon EOS 5D by: Thomas Pindelski
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26 Feb 2006
Or I’ll be blowed!
Mooching around some of the Canon digital fora out there one recurring complaint seeems to be how much dust the EOS 5D attracts to its viewfinder.
Now while most of my pictures over the years have been snapped on rangefinder 35mm film cameras, with few dust bearing surfaces between subject and film, every […]
Posted in: Photographers, Book reviews by: Thomas Pindelski
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24 Feb 2006
Henri Cartier-Bresson - Book review
The man couldn’t take a good color picture. His portrait pictures are, for the most part, eminently forgettable. His street pictures invariably use maximum depth of field and are without exception, humorless. He claimed to be a revolutionary while spending the last thirty years of his life in a multi-million dollar […]