Photographs, Photographers and Photography

March 31, 2009

Wind Surfing

Filed under: Photographs — Thomas Pindelski @ 6:26 pm

Not exactly planned

I was driving up California’s finest road today, in search of elephant seals, but was distracted by a bunch (covey? clan? cult?) of wind surfers intent on doing their thing on this blustery afternoon. Given that the Pacific rarely gets above 60F, all these chaps come equipped with rubber suits. Indeed, some look as if they were born in them!


5D, 24-105mm at 55mm, 1/6000, f/6.7, ISO 250

I approached the beach where the surfers were only to find it covered with elephant seals. You make your own luck. A couple of quick snaps of the rubber-suited set (keeping the exposure short to preserve the highlights) and then a far friendlier ‘hullo’ to the somewhat chubbier lot lolling on the beach. I guess 65F is paradise for these denizens of the Pacific.


5D, 24-105mm at 105mm, 1/2000, f/6.7, ISO 250

As my 5D and a few lenses are always in the trunk, there’s no need to remember to ‘always carry a camera’. The surfer snaps reminded me that I must clean the 5D’s sensor – a rare bugaboo in a near perfect tool. The blobs in the huge expanse of sky were retouched in LR2 before publication. You can just see the internal reflection in the sky, as the lens was aimed almost directly into the sun.

March 29, 2009

Back when

Filed under: Photographs — Thomas Pindelski @ 8:07 am

Remembering the old days

With the season-opening Australian Formula One race today, it seems only appropriate to celebrate the ‘business end’ of some 80 years ago, in the shape of the dash and wheel on a classic Bugatti.


5D, 100mm Macro, ring flash, 1/200, f/11, ISO 160

Made back in the days when men were men …. and women were men!

The brakes were no less refined and just as beautiful:


5D, 100mm Macro, ring flash, 1/200, f/9.5, ISO 160

And in case you thought pre-selector gearboxes were the latest and greatest in racing technology, Bugatti had that down in 1930 ….


Gear ‘lever’ on Bugatti’s pre-selector gearbox

March 27, 2009

Tomorrow’s viewfinder

Filed under: Cameras — Thomas Pindelski @ 7:51 am

Well overdue

Take any consumer or better DSLR and you will find it comes with a more than decent lens. Computer design and mass manufacture has made these multi-element wonders but distant relatives of their generally awful forbears.

So worrying about the lens is not the primary matter of concern for the buyer of a good camera.

Ease of use is the decider, I suspect.

And as Apple testifies with its ghastly glossy monitors, first impressions are key to a sale, be it of computers, cars or cameras. No matter that the thing appalls you after a week of ownership. Like that over bright AV system, it looked good in the store.

With cameras, as with people, the eyes are the mirror of the soul, and for a photographer that means the first real feel he gets for a camera is by peering through the viewfinder. Mercifully, with full frame DSLRs, the view is every bit as big and bright as it was through your Nikon F of yore. However, the tradeoff for the (D)SLRs excellent viewfinding is greatly increased bulk, weight and noise, the latter due to the flapping mirror mandated by the design.

This user is cursed with mediocre eyesight. Thus it’s hardly any wonder that some 30 years of my life were spent pressing the button on a Leica M. All it took was one look through the magnificent finder of the M3, or even better, the M2, and you were sold. And the only place you can enjoy a like experience in today’s world is with the M8, at egregious cost. Even if you are Bill Gates, the thought of dropping a $7k camera+lens is going to inhibit your use. It’s the same reason no one drives his Ferrari in anger. So these jewels get little use in the real world.

That’s why I think whoever gets the viewfinder right – the sharp end of the user’s decision process – will be on to a good thing. It will not be Leica – they lack both the electronic skills and the necessary money.

I do think that company will be Panasonic. Recall the press release I referenced here. You have to realize that the Japanese, those masters of modern design, adulate the Leica rangefinder camera. They are leading collectors of the marque and it’s no wonder that a nation with such a refined sense of style and design would find the Leica M as something to look up to. And the Japanese are too smart to deny that imitation is the sincerest form of flattery. As much is obvious to a between-the-lines reading of that Panasonic spokesman’s quote.

So, Panasonic, make that electronic viewfinder bright, blur free and with that fabulous suspended frame defining the field of view floating freely in space. And leave a bit of room around the frame so that the user can literally see what’s coming. Then we will have the best of all worlds. A zoom EVF with suspended brightlines, a slim and small mirror-free body, an offset eyepiece for added stability, no viewfinder hump and nothing more than a whisper when the button is pressed. Then the M2’s sublime design will have come full circle, though its replacement will be a mere fraction of the cost. Heck, give the thing a manual wind-on lever. That will stop gratuitous snapping if nothing else will.


The Leica M2 finder – Panasonic’s design brief. The best yet

March 26, 2009

Colored Window

Filed under: Photographs — Thomas Pindelski @ 11:17 am

Snapped in passing

Nothing beats carrying a camera when walking the dog.


Colored Window. LX1 at 28mm, ISO 80

March 25, 2009

Manet’s Bar

Filed under: Paintings — Thomas Pindelski @ 12:05 pm

Amongst the great benefits of a 1970s higher British education was the complete laxity shown at my school (University College, London) about attendance. Given that I was a mechanical engineering student and realized early on that there was not a living to be made in the subject, I naturally spent most of those three happy years (1973-76) in the art galleries and auction houses of London. As my net worth was my Leica M3 and one pair of jeans, I wasn’t exactly a bidder at Sotheby’s and Christie’s, but they let me in anyway and I managed to luxuriate in some of the greatest art works never to see the inside of a museum.

Of all these great works that became formative influences none surpasses Manet’s ‘A Bar at the Folies-Bergère’. It didn’t hurt that it was owned by the Courtauld Institute which just happened to be across the road from my college.


Manet. A Bar at the Folies-Bergère. 1882

This is the most intensely photographic of paintings. The use of reflections, the amputated Kermit-like legs of the trapeze artist at top left, the action in the mirror, the sad ‘decisive moment’ look on the barmaid’s face – it’s all there. Best of all, the Courtauld exhibited it under a skylight, meaning that you had a 33% chance of catching the picture at its best (it was raining the other two times) when a beam of sun would illuminate the canvas. The result was magic. You could hear the unruly crowds, smell the booze and sweat and generally revel in the sheer reality of it all.

The most photographic of paintings.

And British beer aficionados amongst you will recognize the red triangles on the bottles on the bar.


An established brand for a few hundred years now

As for my grades, magna cum laude was a perfect ROE (Return On Effort) – three months’ work beating the three years’ worth which a summa dictated. A gentleman’s degree!

March 24, 2009

The Red Door

Filed under: Photographs — Thomas Pindelski @ 12:36 pm

Irresistible

Another one of those I simply could not pass by.


5D, 24-105mm at 47mm, 1/1500, f/8, ISO 250

March 23, 2009

Xanadu

Filed under: Photographs — Thomas Pindelski @ 6:33 pm

Simply irresistible

Mooching about on and off Columbus Avenue – that most cosmopolitan and charming of San Francisco streets – I spotted this on Maiden Lane and, well, how on earth could you expect me to resist it?


5D, 24-105mm @ 24mm, 1/125, f/6.7, ISO 400. Verticals and barrel distortion fixed in ImageAlign and PS CS2

The fine 24-105mm Canon L lens has a bad case of barrel distortion at 24mm, which really comes to the fore when strong verticals are involved, so I ran the image through Photoshop CS2 (from Lightroom 2) and the ImageAlign plug-in to fix that, as well as to correct the vertigo-inducing perspective distortion. A matter of a mere few seconds of work for a much improved image.

High time Adobe added this functionality to Lightroom. Do you know of a distortion free zoom lens? I do not.

March 19, 2009

The photo press

Filed under: Photography — Thomas Pindelski @ 10:37 am

Where I get my news

Human nature and the realities of capital costs dictate that most fields of enterprise will have a handful of dominant competitors – be it arms makers, foodstuff manufacturers, clothiers or camera makers. Likewise, there is only one Wall Street Journal and only one Variety, the latter for the Hollywood set.

In photography, growing up in the UK, it was The Amateur Photographer. Sure there were others, but none was published weekly and none published as much of my work as AP did – so obviously I liked it! The closest the US ever got in print was Shutterbug, a magazine whose sycophantic ‘reviews’ of gear reflected nothing more than pandering to their advertisers. An abomination.

Given that print is dead – the next few years will see the New York Times, the WSJ and every major US and UK newspaper cease print publication – where does one go for photography news? For me it has long been DP review which brings with it British journalistic integrity (a concept foreign to US shores) and a no-punches-pulled style to its equipment reviews. Sure, the guys doing the reviews couldn’t take a picture if their lives depended on it, but we are talking test charts here, not the Vogue studios.

A perfect example of the quality of DPR’s work can be seen today in their interview with the big digital cheese at Panasonic. A couple of excerpts indicate just how insightful their work is:

Translation: Dummies. We downloaded what they knew about optics and now have left them behind owing to our vastly superior knowledge of digital processing. No need to pay these fellows royalties for their dated designs any more.

Translation: Yup, another thing we picked up from Leica. The M rangefinder was the most perfect body shape ever made for hand held use. We will make it better.

There are lots of other review sites out there but none compares to DPR for breadth and depth of objective reporting.

And when that M-Panny with a 35mm f/2 lens and a full frame sensor appears, you will have to get behind me in the line.

March 18, 2009

The new Bernie

Filed under: Photographs — Thomas Pindelski @ 10:12 am

Hiding out

If you are going to hide, a big city is the best place, as this shot of a newly-escaped-on-bail-Bernie, snapped on Montgomery Street in San Francisco, testifies.


5D, 24-105mm at 98mm, 1/250, f/5.6, ISO 400

And he can positively guarantee you 1% a month in perpetuity.

March 17, 2009

Oh! deer

Filed under: Photographs — Thomas Pindelski @ 7:57 am

Mind yer ears

One of the charms of rural California is that you can be tooling along in search of spring wild flowers one moment and find yourself photographing deer the next. This white-tailed specimen was busy enjoying lunch when I chanced upon him.


5D, 400mm at f/5.6, 1/1000 hand held, ISO 250

And, as this chap’s ear testifies, the Disney concept of sweet little deer with shining noses being all cute and cuddly could not be further from the truth. How do you think he got that?

When processing in Lightroom 2, I find there are two lenses in my little collection that consistently require my default RAW sharpening-on-import (+46) to be reduced – the 200mm and 400mm L models. At any aperture these are simply breathtakingly sharp, provided you manage to hold them still, that is.

March 15, 2009

Spring at last

Filed under: Photographs — Thomas Pindelski @ 4:19 pm

And with it an abundance of flowers

The days are finally getting longer and color abounds.


5D, 85mm at f/11, ISO 250

March 13, 2009

The American Dream

Filed under: Photographs — Thomas Pindelski @ 8:09 am

Sadly, no more.

I wrote despairingly about America’s End of Empire at the conclusion of last year and now think I was being optimistic. How years of prosperity and growing wealth were flushed away by a corrupt Wall Street, an incompetent series of governments and an all too willing US borrower, all in a matter of a few years, is now ancient history. What is yet to come is a depression of a severity that will fundamentally change the position of the US in the world, which is still in deep denial of the true depth of the chasm we all face.

It was easy to be reminded of this when reading the current issue of Vanity Fair – still the best photography magazine in the US – which profiles the decaying of the American dream. I’m not about to repeat the populist ethic at work here (anyone buying VF for its writing has a serious case of socialism to attend to) but the pictures accompanying the article are extraordinary.

They are reproductions of the enormous posters Kodak hung in Grand Central Station over four decades. Nothing less than an attempt to recreate the world of Norman Rockwell using photography, the result is in equal parts gauche, tasteless and saccharine. A new low in bad taste which, understandably, has not been repeated in a decade or more as Kodak is …. well …. bankrupt. Hardly surprising for a company whose management makes the captain of the Titanic look like a steady hand with great foresight and judgement.

Without further ado, here they are, all copyright of Eastman Kodak, though I’m not sure it’s something I would sue about:

So how many people did you count who are not named Scooter, Chip or Buffy and have colored skin? Are all these people simply stuffed mannequins ready for Madison Avenue’s predators?

In case you missed it, here’s a snap of the new US Treasury Secretary (I believe I am the first to disclose this) – the dude making the rabbit’s ears – from today’s Wall Street Journal.

He’s right to be concerned as the jerk put all his eggs in one basket.

As for Eastman Kodak, well nothing has changed judging by today’s headlines:

March 11, 2009

The Panasonic LX-3

Filed under: LX — Thomas Pindelski @ 12:54 pm

A reader review.

Former LIFE photographer Peter Solmssen has migrated from the Panasonic LX-2 (I still use the LX-1) to the newer LX-3 which makes a couple of stellar changes from its predecessor. First, Panasonic has come to its senses and stopped the lunatic pixel race, opting for fewer pixels with the welcome result of improved image quality. Second, the lens has been stretched to a 24mm focal length at the wide end (35mm full frame equivalent) with less at the telephoto end. This may well be the widest focal length on a pocket-sized point-and-shoot digital and the reduced telephoto range allows for faster apertures across the range. I suppose the addition of HD video will appeal to many, also.

Peter writes:

“Thomas suggested that I provide some comments on the Panasonic DMC LX3 camera; he has written extensively about the earlier LX1 model.

DP Review has selected the LX3 as the best of the “enthusiast” pocket cameras, and rightly so. In this model, Panasonic has finally listened to the many complaints about the megapixel horsepower race and provided a reasonably large sensor without increasing the pixel count. They have also added a new Leica-designed 24-60mm f/2 lens and HD video at 24 fps. The result is a truly useful camera, with the best image quality you will get short of a DSLR, and that still fits into most pockets. There are numerous clever features, including the ability to shoot all three aspect ratios at once – very useful, if like me, you shoot for HDTV and publication at the same time.

While Thomas and I have found it desirable to glue accessory shoes for optical finders onto the earlier models, the LX3 comes with a hot shoe and an optional optical finder. I have yet to see one of the new finders, but the 28mm Voigtlander finder that I have been using on the LX2 works well enough if you ignore the bright lines.

There has been a lot of excitement recently about the quality of video shot with the new Canon 5D Mark II. It is outstanding, but I would say that the LX3 comes fairly close at 10% of the price and a fraction of the size and weight. It boils down to what your purpose is. For my daughter, who is a professional, I bought a 5D. For my personal use (and age!) I am happy with the LX3.

There are always reservations about any model. With the LX3, the problems are the 60mm maximum focal length – some cropping will be inevitable, and you will need another camera for sports and birding. There is no external mic input for the video, and the sound is mono. As on the previous models, the mode dial turns too easily; I jammed some tape underneath to provide a little more drag. For me, the f/2 wide angle and the image quality easily justify accommodating to the limitations.”

Peter has included three pictures taken at 24mm, which I am pleased to reproduce here in their native widescreen (16:9) format:

The extreme wide angle at 24mm is clearly visible in Peter’s pictures. As APS-C sensor EVF cameras are still in the gestation phase – and we will see some truly compact designs with large sensors once manufacturer’s have the courage to drop the ‘professional looking’ faux pentaprism hump – the LX-3 may just be the most usefully equipped point-and-shoot on the market. And, as Peter points out, there’s no more need for a glue pot to keep an external finder in place!

March 9, 2009

At the grocer’s

Filed under: Photographs, Technique — Thomas Pindelski @ 6:29 pm

Amazing what you can find when you try seeing

I really do not like pineapple. Too tart and acidic for my constitution, yet I was struck by the incredible complexity and beauty of the fruit at the local grocery store.


5D, 100mm Macro, ring flash at f/8, 4 images, Helicon Focus Pro

So I picked one up (carefully!) and took four differentially focused snaps, stitching them in Helicon Focus.

The ring flash head was half covered with black tape to add some modeling.

March 8, 2009

Alec Soth

Filed under: Photographers — Thomas Pindelski @ 9:47 am

An interesting artist

When you read that Alec Soth is represented by none other than ace salesman Larry Gagosian, alarm bells tend to go off. Isn’t this the same carpetbagger who persuaded the world that a $100mm diamond encrusted skull was something worth buying?

In Soth’s case the concerns are ill founded, for his work is insightful, sensitive, and original. I especially enjoyed the Fashion magazine section of his web site. It’s a quirky, somewhat sardonic, look at the loons and twits who make up the modern fashion world, a world where publicity and labeling are more important than quality and originality.

Well worth a look.


Two prize twits – Karl Lagerfeld and some other dude at Chanel

Soth’s site has several broken links – inexcusable – but you can also find his work at the Magnum site.

March 2, 2009

MobileMe revisited

Filed under: Software — Thomas Pindelski @ 5:18 pm

It just (mostly) works.

A while back I wrote about Apple’s MobileMe service, at the beginning of my 60 day free trial period.


Amazon pricing on MobileMe

The bottom line is that I am sold and just paid Amazon $68 for a renewal. Apple wants $99 – no thanks. The awful review rating of 2 stars reflects the equally awful early performance of MM which was rushed to the market very much un-debugged. Too bad – it’s a fine piece of software.

Syncing across three Macs and an iPhone is smooth and unremarkable, with emails, Safari bookmarks, iCal events and Address Books being synchronized across all machines with no intervention. Email syncing is especially noteworthy as it’s now event rather than period driven. Get or send an email and the changes are immediately pushed out to all your devices. MM still refuses to sync Bookmark Bar bookmarks but that’s about the only thing I can find wrong with it. The wild emailing of expired iCal reminders has ceased and appears stable.

Finally, a newly added feature allows you to drop large files too big for emails onto the Public section of your iDisk for others to download with one click. A great way to share big photograph files.

Sure you can cobble together other ‘cloud’ syncing approaches for much less, but this one is robust, elegant, invisible and (to use that old car sales trick) less than $1.40 a week.

Recommended for those with multiple devices they wish to keep synchronized. I have no experience (and will be garnering none) of use with Windows computers.

March 1, 2009

LCD screens

Filed under: Displays — Thomas Pindelski @ 9:37 am

The best review site.

A reader kindly pointed me to a UK site which has the best LCD screen reviews – or more specifically, TFT LCD screen reviews – that I have come across.

It’s called TFT Central (OK, no prizes for a catchy name) but the reviews focus on objective measurements rather than subjective pap – none of that “It looks great to me” rot.

That same reader mentioned that he had added a Hewlett-Packard LP2475w 24″ screen to his white iMac 24″ as a second display and mentioned that, if anything, the HP screen is possibly better than the one in the white 24″ iMac. High praise indeed. The maximum brightness of 400 cd/sq.m. is identical to that of the white 24″ iMac – meaning brighter than you will ever want. It doesn’t hurt that the HP has height adjustment (are you listening Apple?) and a built-in 6 port USB hub. Are these boys thinking or what? Anyway, for those looking for better LCD displays for their photo processing, check out the site.

If this sort of thing turns your crank, check here for an explanation of the different LCD panel technologies used – the iMac 24″ and the HP referenced above use the same state-of-the-art technology, named S-IPS or H-IPS. Which just goes to show how ahead of the market the 24″ iMac was when introduced in late 2006!

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