Monthly Archives: October 2013

Shooz

In Cypress Alley at 24th Street.

Nikon D3x, 20mm UD Nikkor. Snapseed effect.

The purpose of each pair of shoes is amusingly marked in chalk on the soles, something I did not spot until after importing the file into Lightroom.

Sancho Panza

On 24th Street.

A nice way to decorate a utility box.

Nikon D3x, 20mm UD Nikkor. You have to make crazy large prints and stick your nose in them to see the definition falling off toward the edges. Even then, the UD comfortably out resolves the latest 16-35mm f/4 AFS G IF zoom, which I just sold, owing to its poor ergonomics and vast bulk.

Cops

Off 24th Street.

Nikon D3x, 20mm UD Nikkor.

During the past three weeks I have featured images taken in San Francisco’s Mission District using the Nikon D3x full frame DSLR with the 20mm UD Nikkor lens, one which I first wrote about here. All of these were snapped in one afternoon. The UD Nikkor, an older lens, first sold in 1967, comes with very high quality construction and optics. It mates perfectly with the bulky full frame Nikon DSLR bodies, especially those with a built in vertical grip (D3, D4) or those which have had one added (D600, D700, D800). The balance on these is well nigh perfect and the electronic focus confirmation light makes focusing easy and fast.

If you can handle the limitations of Manual Focus – hardly that great in a 20mm lens with its great depth of field – this is an outstanding addition to any Nikon full frame outfit. VR is unnecessary in a lens this wide.

Use of this lens on an APS-C (D2x, D3000/5000/7000 etc.) body is pointless – you get all the bulk and weight of a full frame lens, but discard half the image, owing to the smaller sensor. Worse, you get an effective focal length of 32mm which is hardly what this optic is all about. If you want something this wide on APS-C, get a lens computed for that format of around 12-13mm focal length which will yield the same field of view as 20mm on full frame.

OS X Mavericks

Some issues.

I installed the latest OS X release, the awkwardly named ‘Mavericks’, which purports to honor a surfing spot that no one but surfers have ever heard of, on my Mac Pro. I suppose ‘Yosemite’ would actually have cost Apple money given their stated aim of naming new OS X releases after famous California spots. Then again, they can always use Death Valley down the road when tablets have completely taken over.

The download (my broadband speed is 16mb/s) took 50 minutes then another 35 for the installation to take place.

Some observations germane to still photographers using multiple displays follow. I use three displays and my main photo processing applications are Lightroom 5, Photoshop CS5 and Snapseed. The computer I use is a 2009 Mac Pro with upgraded W5590 3.33gHz CPUs, USB3 and a SATA III Samsung EVO 256gB SSD boot and application drive, running in an Apricorn PCIe card.

Sleep: Sleep works a little differently. Whereas hitting the Sleep button on my wired Kensington Mac keyboard displayed the Sleep/Restart/Power Off/Cancel options under Mountain Lion 10.8.5, with Mavericks hitting that button immediately puts the Mac Pro to sleep. To wake the computer moving the mouse no longer does anything – both wired and wireless. Rather, the left mouse button has to be clicked.

EyeOne Display One: This one is a deal breaker if it does not work. Used with the EyeOne Display One colorimeter it works perfectly, which is amazing given that Xrite has discontinued this popular colorimeter and has an awful history of upgrading the application for the latest version of OS X.

iWork Numbers ’13 and iWork: The file format is changed and not backwards compatible with the previous Numbers ’09. You can save in Numbers ’09 format if required, but once you save in Numbers ’13 there is no way that you can load the file in Numbers ’09. Numbers, Keynote and Pages all come as updates but updating is optional as the old versions continue to run fine. However, if you are sharing iWork files with others, or with other machines, once you upgrade all other machines must be upgraded also. The UI enhancements in Numbers ’13 are an improvement though the clunky Numbers app will never equal Excel in sheer utility and portability.

Multiple display use: Apple has historically done a really poor job of supporting multiple displays. Mavericks maintains that low reputation. They have finally added the display of the menu bar on all displays, where it formerly showed on only one. A workaround was to use SecondBar but that only supported two displays, not three. If you set the menu bar to be solid (translucent is very hard to use) then the active display (the one last clicked) shows the bar with the other two (in my case) being shaded but just visible. Nice. Further, the Dock is meant to appear (or hide) on all connected displays but the code is faulty. I can get it to show on two displays and it’s not even consistent on which two. My three displays are connected using DVI (2) and Display Port (1) with an aftermarket non-Mac Zotac nVidia GTX660 GPU. The same faulty result occurs if you do not set the Dock to ‘Hide’.

Continuity across screens when dragging files is a mess.


File partially dragged to left display.

First, you can no longer extend a file across multiple displays. So that means that extra broad spreadsheets can only be viewed on one display at a time. What on earth was Apple thinking of here? Second, as you drag a window from one display to another, the dragged part becomes translucent on the destination display until most of the window is dragged over, changing eventually to solid. This makes it impossible to make that simplest of tests for consistent display calibration by part dragging a file acrtoss two displays and comparing colors. Bad, bad, bad.

After all the time Apple has delayed in fixing multiple display support this is easily the worst ‘upgrade’ in Mavericks and seems like an excuse to show off fancy coding than respecting user needs.

PCI fan: After a cold start this would spool up to 2100rpm and stay there for anything between 15 minutes to a couple of hours, before settling back down to 800rpm. Now the Mac Pro starts the PCI fan at 800rpm and keeps it there until an increase is needed. Good.

Moom: This is a key application for multiple display users, arranging windows in any one of a number of preset layouts. You have to go to System Preferences->Accessibility->Security & Privacy->Privacy to enable Moom after which it works perfectly. I highly recommend this application.

Sound over HDMI: On my other Mac Pro which delivers sound over HDMI, I had to reinstall the patch described here to get back the HDMI option in System Preferences->Sound.

Finder: This is another application which Apple has been very slow to update, finally adding tabs in the Mavericks version. But it still does not support splitting the Finder window into two screens which is a great help when moving files. So I am sticking with Total Finder which continues to work perfectly and whose maker does an excellent job of timely updates.

The ML Finder allowed you to color file names with the complete row showing the color chosen. An easy way to highlight often used files. Now the Mavericks Finder instead shows a small colored dot by the file name. Basically, the dot is so small as to be useless, defeating the goal of easy file location.


Useless color coding in the Mavericks Finder.

Photoshop CS5: CS5 does not load when you click it or try to round trip from Lightroom 5. To restore proper function download and install the Java update found here. No speed changes noted.

Safari: Comes in a new Version 7 with Mavericks. Some pages seem to load sluggishly but I do not have enough objective data.

Firefox Version 24: No issues noted.

Lightroom 5: No issues found. The first entry to the Develop module continues to take 5 seconds as code loads but remains instantaneous thereafter. No speed changes noted.

Printing: No issues printing to the HP DesignJet 90. As with ML, I print wirelessly, with the printer connected using USB2 to my (ancient) Airport Extreme router, some 35 feet from the Mac Pro, using Lightroom 5. (See the Comment, below, regarding incompatibility with the Epson 3800).

Other commonly used apps: Carbon Copy Cloner (backup app – update required), AppCleaner (update required), Snapseed, Excel 2011, 1Password, Fingerprint (wireless printing app) and Vienna (RSS reader) all work fine with no need for updates. iTunes and Digital Camera RAW Compatibility both require (free) updates. Dropbox, MakeMKV and Mac BluRay Disc Player continue to work well.

Geekbench: This app tests CPU and RAM speed. The best reading in ML was 19,700. This is my result in Mavericks – 0.8% slower. Historically this improves with subsequent OS releases during the life of a major release:

Operating temperatures: No material changes noted.

Should the still photographer upgrade? There are no tangible benefits from upgrading but you can bet that eventually Mavericks will obsolete some apps which run fine under Mountain Lion. So an upgrade is not a front burner item, but likely one which will have to be made eventually. Apple provides the upgrade from the last version of Snow Leopard 10.6.8, Lion and Mountain Lion to Mavericks at no cost.

Early MF Nikkor lenses

Nikkors in a bunch.

Here is my completed ‘metal era’ user set. I have installed CPUs in each and all have been converted to Ai indexing for the modern DSLR.

The designs are much of a muchness here, sharing looks and ergonomics, with but two anomalies. The 24/2.8 uses a diamond patterned aperture ring rather than the scalloped standard, reflecting the presence of a Nikon Ai conversion kit. The 35/2 and 85/1.8 use the original factory aperture rings which came with fluted machining for some reason. Otherwise all lenses use scalloped focusing and aperture collars. The 24mm and 28mm are the only multi-coated optics here. Color rendering across the range is especially notable for its uniformity, and I have published lens correction profiles for each lens, available for free download here.

Average cost was $166 plus $30 for the CPU installed in each. The total spent would buy you one ‘pro’ grade plastic fantastic current lens and will leave you desperately searching for repair parts when the internal motors fail a few years hence.

Age in years in parentheses. Click any link for the related review.

Front row:

Rear row:

The only significant one missing from the era is the 35/1.4. I have the latest 35/1.4 Sigma which is superior to the Nikkor. Also, I have avoided the more pedestrian variants – 35/2.8, etc. – as the faster optics add optical quality and performance. I use no lens hood on the 20mm, where it is useless, or on the 55mm where it is redundant.


Data for the lenses shown.

Each is used extensively, each is a joy to hold and behold and each is wonderful in a special way. No hood on the 20mm (useless) or the 55mm (not required).

Does anyone need all of these? Of course not. Three at most will suit any particular snapping style. For me it would be the 20mm, the 35mm and the 85mm. Yet I adore what the 24 and 28mm can do, would miss the 50mm horribly, the 105mm is frequently just the ticket, as is the 135mm and who could live without that simply divine 200mm? I would, however, warn you never to get one of these, because once you do, you will sell the garbage that passes for your current set of lenses and start getting pre-Ai metal era Nikkors, from the good old days when men were men, closet doors remained firmly bolted and women were pregnant and in the kitchen.

All of these are abundantly available used – mine came from KEH and eBay over a two year period, CPU installation is easy on all but the 50mm optic, the 20mm requires that you fabricate an aperture follower, and handling, performance and build quality are the best anyone ever accomplished. None is collectible, so you will not be competing with white trash collectors for these, nor should you have any qualms about gluing on a CPU and removing the useless aperture claw from the bad old days of film. Manufacturers would have you believe that modern lens designs are specifically for the digital era and if you believe that you can drop me an email and bid on my bridge for sale in Brooklyn.

To see my snaps taken with all of these on the D700, D2x and D3x, simply enter “Nikkor”, the focal length and aperture in the Search box.