Pop art at SF MOMA.
Short Fat Dagwood by David Gilhooly.
Panny GX7, 12-35mm Panny zoom at f/2.8.
From the 1840s.
The New Tork Times has an interesting piece on early Daguerrotypes taken by the Frenchman Joseph-Philibert Girault de Prangey (1804-1892).
For some bizarre reason they have chosen to leave the awful originals un-retouched in their article, meaning that some perverted sense of authenticity prevails over the common sense one of actually letting the viewer see the pictures in all their glory. Given that every single image ever taken has been subject to some sort of manipulation – exposure, choice of gear, chemicals used, choice of sensor, viewpoint, etc. – why not show images in their best possible light? Some in the article are truly ghastly in their rendering.
A few seconds in LR yields this very decent result of Constantinople in 1843. Click the image for the truly awful ‘original’, whatever that means:
Artistic/curatorial pretense notwithstanding, it’s an interesting piece well worth a read.
A unique accomplishment.
In 1964 the French director Jacques Demy made a unique movie, a story of star crossed lovers where all the words are sung. Not a single one is spoken. This was not an attempt to compete with the great American musical. After all, how do you compete with perfection? No, rather it was a unique approach to telling a story where the quality of the singing is secondary to the narrative of the story in song. And it succeeds spectacularly. The lush score was written by Michel Legrand who passed away last week. Such were his accomplishments that he garnered three best song Oscars with “The Windmills of Your Mind” in the Thomas Crown Affair being the best known to American audiences.
But it’s the raw visual appeal of the movie, photographed by Jean Rabier, which is a standout. The very high contrast rendition – think Kodak Ektar on steroids – coupled with the bubble gum colored sets makes for a special visual statement. And throw in a very young Catherine Deneuve in what would become her breakout movie, and the no less lovely Anne Vernon as her mother and you have the makings of something very special.
Here is a collection of favorite images from this masterpiece:
You can turn on subtitles but why when you can listen to the glories of French instead?
For the follow up musical of 1967, click here.
In San Francisco.
Line of sight. Panasonic G1, kit zoom.
Teeth. Panasonic G1, kit zoom.
Pairing event. Panasonic GX7, 14mm Olympus.
Climb. Panasonic GX7, 17mm Olympus.
More teeth. Panasonic GX7, 17mm Olympus.
On the streets of SF.
Mahatma rules. Nikon D700, 180mm f/2.8 Nikkor.
Ethnic mix. Nikon D700, 80-200 f/4.5 Zoom Nikkor.
Superman drives. Panasonic G1, 14-45mm kit zoom.
Ghost man. Panasonic G1, 14-45mm kit zoom.
On Market Street. Panasonic GX7, 14-45mm kit zoom.