{"id":15392,"date":"2012-01-19T15:14:03","date_gmt":"2012-01-19T22:14:03","guid":{"rendered":"http:\/\/pindelski.org\/Photography\/?p=15392"},"modified":"2012-01-19T18:02:35","modified_gmt":"2012-01-20T01:02:35","slug":"marlowe-lives","status":"publish","type":"post","link":"https:\/\/pindelski.org\/Photography\/2012\/01\/19\/marlowe-lives\/","title":{"rendered":"Marlowe lives"},"content":{"rendered":"<p><i>Film Noir at its best.<\/i><\/p>\n<p>I have been watching Howard Hawks&#8217;s &#8216;The Big Sleep&#8217; (1939 &#8211; but check the <a href=http:\/\/pindelski.org\/Photography\/2012\/01\/19\/marlowe-lives\/#comments target=_blank>Comments<\/a>) for decades now and have long ago given up trying to figure out whodunit.  The plot is so many layered, so vastly complex, that I prefer to luxuriate in Humphrey Bogart&#8217;s and Lauren Bacall&#8217;s acting while enjoying my favorite city in America, Los Angeles.  The movie is one of the rare cases where monochrome trumps color.<\/p>\n<p>San Francisco has done a far better job of preserving its inter-war buildings than either LA or New York.  The atmospheric Bunker Hill of Philip Marlowe&#8217;s day has long been torn down, replaced by soulless glass and steel buildings and Frank Gehry&#8217;s execrable <a href=http:\/\/en.wikipedia.org\/wiki\/Walt_Disney_Concert_Hall target=_blank>Disney Concert Hall<\/a>, an eye sore of rare foulness.  New York also gives short shrift to historical preservation as the world&#8217;s center of greed abhors space that cannot be developed and rented for top dollar.  Whether it&#8217;s the lighter touch of commerce in San Francisco or the fact that the big bucks reside thirty miles south in Silicon Valley, I do not know, but the city is brimming with gorgeous buildings from the &#8217;30s and &#8217;40s.<\/p>\n<p>This one was spotted on Howard Street and the threatening shadow suggested nothing so much as the office space that a gumshoe of Marlowe&#8217;s persuasion would have occupied.  Marlowe, for ever down on his luck, would have been in one of the smaller offices on a low floor.  Not for him the high rent suggested by the magnificent double height windowed floor.  As is often the case, the backdrop is a modern building presumably designed by a structural engineer, because architecture is nowhere to be seen.  Here it only serves to heighten the beauty of the older masterpiece, caught in a shaft of late afternoon light on a freezing winter&#8217;s day.<\/p>\n<p><center><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog\/Philiep_Marlowe_building.jpg\" width=\"548\" height=\"814\" alt=\"\" \/><\/p>\n<p><i>G3, 45-200mm @ 103mm.<\/i><\/center><\/p>\n<p>Here&#8217;s one of the many posters for that cinematic masterpiece:<\/p>\n<p><center> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog\/The_Big_Sleep.jpg\" width=\"577\" height=\"752\" alt=\"\" \/><\/center><\/p>\n<p>A more recent version of the LA &#8217;40s crime mystery, no less well made or acted, gains from a simpler plot compared to The Big Sleep what it loses to color &#8211; <a href=http:\/\/www.imdb.com\/title\/tt0119488\/ target=_blank>L.A. Confidential<\/a>.<\/p>\n<p>For those preferring San Franciscan detectives, Dashiel Hammett&#8217;s Sam Spade is as good a stand-in for Marlowe as any.<\/p>\n<p>One of my commitments for 2012 is to publish more architectural photography and, checking this blog, I see it&#8217;s a subject I have addressed on many occasions, so I have added an Architecture category. You can access this by clicking <a href=http:\/\/pindelski.org\/Photography\/category\/photographs\/architecture\/ target=_blank>here<\/a> or by diving into the drop down menu under &#8216;Categories &#8211; Photographs&#8217; at the bottom of this screen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film Noir at its best. I have been watching Howard Hawks&#8217;s &#8216;The Big Sleep&#8217; (1939 &#8211; but check the Comments) for decades now and have long ago given up trying to figure out whodunit. The plot is so many layered, so vastly complex, that I prefer to luxuriate in Humphrey Bogart&#8217;s and Lauren Bacall&#8217;s acting &hellip; <a href=\"https:\/\/pindelski.org\/Photography\/2012\/01\/19\/marlowe-lives\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Marlowe lives<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[77],"tags":[],"class_list":["post-15392","post","type-post","status-publish","format-standard","hentry","category-architecture"],"_links":{"self":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/15392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/comments?post=15392"}],"version-history":[{"count":16,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/15392\/revisions"}],"predecessor-version":[{"id":15433,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/15392\/revisions\/15433"}],"wp:attachment":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/media?parent=15392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/categories?post=15392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/tags?post=15392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}