{"id":34494,"date":"2019-11-14T06:00:42","date_gmt":"2019-11-14T13:00:42","guid":{"rendered":"http:\/\/pindelski.org\/Photography\/?p=34494"},"modified":"2019-11-14T08:33:31","modified_gmt":"2019-11-14T15:33:31","slug":"wegee-and-the-public-eye","status":"publish","type":"post","link":"https:\/\/pindelski.org\/Photography\/2019\/11\/14\/wegee-and-the-public-eye\/","title":{"rendered":"Wegee and The Public Eye"},"content":{"rendered":"<p><i>Joe Pesci at his best.<\/i><\/p>\n<p>Arthur Fellig, who went by the name <a href=https:\/\/en.m.wikipedia.org\/wiki\/Weegee target=_blank>Weegee<\/a>, was a 1930 and 1940s New York street snapper who made his name with gruesome monochrome images of street murders, as often as not involving the mob.  He installed a police band radio in his car, allowing him to listen in on the dispatcher and arrive first at the scene, scoring hundreds of scoops.<\/p>\n<p>He was arguably the first freelance photographer, one to whom any latter day self respecting <i>paparazzo<\/i> owes his living.  A larger than life &#8211; if small in stature &#8211; man like that would be a natural for a biopic, you would think, and indeed such a movie was made.  It is called <a href=https:\/\/www.imdb.com\/title\/tt0105187\/?ref_=nm_flmg_act_14 target=_blank>The Public Eye<\/a> and stars one of the finest actors of his generation, Joe Pesci.  Sadly, a confused plot along with poor editing and marketing made the movie a flop, but there&#8217;s lots for any photographer &#8211; and any Pesci fan &#8211; to enjoy.<\/p>\n<p><center><br \/>\n<i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_01.jpg\" alt=\"\" \/><br \/>\nAt one of many scoops.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_02.jpg\" alt=\"\" \/><br \/>\nThe 4 x 5 Speed Graphic he used was huge.<br \/>\n5 seconds between shots &#8211; flip the dark slide and film holder and pop in a new bulb.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_03.jpg\" alt=\"\" \/><br \/>\nThe oversize hat emphasizes Pesci&#8217;s diminutive stature.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_04.jpg\" alt=\"\" \/><br \/>\nJust look at this attention to detail &#8211; Remington typewriter,<br \/>\nspare flash bulbs, Speed Graphic, you name it.  Ford Deuce Coupe.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_05.jpg\" alt=\"\" \/><br \/>\nIntegrity was not Weegee&#8217;s guiding force.<br \/>\nHere he sets up a shot of a dead bum in an alleyway.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_06.jpg\" alt=\"\" \/><br \/>\nNoo Yawk at night &#8211; a magic moment.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_07.jpg\" alt=\"\" \/><br \/>\nA much underused actor with great range.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/PublicEye_08.jpg\" alt=\"\" \/><br \/>\nMore of the same.<\/p>\n<p><\/i><br \/>\n<\/center><\/p>\n<p>Recommended to all photographers and movie lovers who are willing to overlook the movie&#8217;s shortcomings.<\/p>\n<p>As for Weegee, he was quite probably the worst photographer to ever take a breath, but then it was shock not art that was his stock in trade.  He did once take a really great photograph, and it is this he is remembered by:<\/p>\n<p><center><br \/>\n<i><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.pindelski.org\/Blog2\/Weegee_Critic.jpg\" alt=\"\" \/><br \/>\nWeegee&#8217;s &#8216;The Critic&#8217;, 1943.<br \/>\n<\/i><br \/>\n<\/center><\/p>\n<p>And like <a href=http:\/\/pindelski.org\/Photography\/2009\/04\/28\/so-waddya-care-if-its-posed\/ target=_blank>Doisneau&#8217;s &#8216;The Kiss&#8217;<\/a>, it was carefully posed. And, like with his mainstream work, the picture shows nothing but corpses.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joe Pesci at his best. Arthur Fellig, who went by the name Weegee, was a 1930 and 1940s New York street snapper who made his name with gruesome monochrome images of street murders, as often as not involving the mob. He installed a police band radio in his car, allowing him to listen in on &hellip; <a href=\"https:\/\/pindelski.org\/Photography\/2019\/11\/14\/wegee-and-the-public-eye\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Wegee and The Public Eye<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88,6],"tags":[],"class_list":["post-34494","post","type-post","status-publish","format-standard","hentry","category-movies-photographers","category-photographers"],"_links":{"self":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/34494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/comments?post=34494"}],"version-history":[{"count":5,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/34494\/revisions"}],"predecessor-version":[{"id":34510,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/34494\/revisions\/34510"}],"wp:attachment":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/media?parent=34494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/categories?post=34494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/tags?post=34494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}