{"id":353,"date":"2006-11-30T08:10:59","date_gmt":"2006-11-30T16:10:59","guid":{"rendered":"http:\/\/pindelski.org\/Photography\/2006\/11\/30\/a-tale-of-two-lenses\/"},"modified":"2021-01-26T14:37:50","modified_gmt":"2021-01-26T21:37:50","slug":"a-tale-of-two-lenses","status":"publish","type":"post","link":"https:\/\/pindelski.org\/Photography\/2006\/11\/30\/a-tale-of-two-lenses\/","title":{"rendered":"A tale of two lenses"},"content":{"rendered":"<p><i>Some empirical tests deliver surprising results<\/i>.<\/p>\n<p>Being the &#8216;serious&#8217; photographer in the family, the sad responsibility of selling off everyone&#8217;s film cameras naturally falls on my shoulders as we all move on to the world of digital picture taking.<\/p>\n<p>I made mention of my mother-in-law&#8217;s magnificent <a href=http:\/\/pindelski.org\/Photography\/2006\/09\/28\/cameras-and-boat-anchors\/ target=_blank>Kodak Medalist II<\/a> earlier, at which time I also sold her film Canon Rebel, together with its cheesy 28-80mm &#8216;kit&#8217; lens.<\/p>\n<p>Years earlier I had bought the same Rebel but got so tired of the execrable quality of the kit lens that we sold it and replaced it with a better 28-105mm f\/3.5-4.5 Canon with improved optical and mechanical quality.  When she decided to upgrade to the digital Rebel, we did the same, buying the pricey EF-S 17-85mm f\/4-5.6 IS in lieu of the 18-55mm f\/3.5-5.6 non-IS kit lens.  A wise decision once you have handled the latter.<\/p>\n<p>Anyway, I finally decided to sell the film Rebel and I dutifully listed it for sale.  However, as the lens will cover a full 35mm frame I spent a few moments taking some pictures with it side by side with the costly 24-105mm f\/4 L lens, both on my Canon 5D.  You can get some sense of the relative sizes of the lenses here:<\/p>\n<p><center><img src=http:\/\/www.pindelski.org\/Blog\/24_105Comp1.jpg><br \/>\n<i>Both lenses at their shortest focal lengths<\/i><\/center><\/p>\n<p><center><img src=http:\/\/www.pindelski.org\/Blog\/24_105Comp2.jpg><br \/>\n<i>Both lenses fully extended<\/i><\/center><\/p>\n<p>I took pictures at full aperture and f\/8 with both, at 28mm, 50mm and the 105mm maximum.<\/p>\n<p>Looking at the results, I must confess any differences are more imagined than real, and I know my 24-105mm L is good for enlargements to any size any rational user would want.<\/p>\n<p>The L lens adds an Image Stabilizer, goes wider at a very handy 24mm, has lots of metal, very smooth controls no wobble anywhere plus &#8230;. lots of weight and bulk.  By contrast, the 28-105mm lens is very light, although the mount is metal, has a horribly raspy, grabby zoom ring and the lens barrel wobbles about merrily when fully extended.  Both have autofocus with the L marginally faster, but not enough to make any practical difference.  Oh! and yes, before I forget, the L is $1,300 and the other is $230.<\/p>\n<p>Now we may have been lucky and got a really good example of the cheaper lens, but based on this little exercise, I would recommend it without hesitation for anyone looking for light weight, fine resolution and a nice broad zoom range good for 95% of anything a regular photographer might need.  You might not want to bash it about too much or expect it to last to the next millenium but, then again, you would also save a lot on chiropractor bills, not to mention over $1,000 on the lens.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some empirical tests deliver surprising results. Being the &#8216;serious&#8217; photographer in the family, the sad responsibility of selling off everyone&#8217;s film cameras naturally falls on my shoulders as we all move on to the world of digital picture taking. I made mention of my mother-in-law&#8217;s magnificent Kodak Medalist II earlier, at which time I also &hellip; <a href=\"https:\/\/pindelski.org\/Photography\/2006\/11\/30\/a-tale-of-two-lenses\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">A tale of two lenses<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-353","post","type-post","status-publish","format-standard","hentry","category-lenses"],"_links":{"self":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/comments?post=353"}],"version-history":[{"count":2,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/353\/revisions"}],"predecessor-version":[{"id":36534,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/posts\/353\/revisions\/36534"}],"wp:attachment":[{"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/media?parent=353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/categories?post=353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pindelski.org\/Photography\/wp-json\/wp\/v2\/tags?post=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}