Monthly Archives: September 2008

Game Boys

Photo Essay by Shauna Frischkorn.

I quote from the original:

Eyes cast upward in ecstatic contemplation—500 or 600 years ago these expressions might have been found in a work by Raphael or Guido Reni. But Shauna Frischkorn, an associate professor of art at Pennsylvania’s
 Millersville University, has captured the agony and the ecstasy of our own age in a wide-ranging series of portraits: no monks or saints, just ordinary teenage boys playing Halo. She says that “while they seem passive, they’re actually performing fast-paced maneuvers and executing split-second decisions, making these portraits of intense concentration.”

Whatever the frightening implications of this misdirected intensity may be, the essay is intensely original and worth taking a look. Click the picture for more.

Signs of intelligence at Leica

A medium format DSLR.

With all the money wasted in making the underwhelming Leica M8, a dated and obsolete 35mm format SLR and the silly rebadging of Panasonic point-and-shoots, you would think it was all over at Leica. With its modest resources the company is foolishly trying to compete against the vast capital of Canon, Sony, Nikon, Pentax, etc. all of whom make cameras far superior to anything from Leica at a fraction of the price.

Well, finally, Leica has taken a leaf out of Apple’s book and is Thinking Different.

The Leica S2. A 30 x 45mm 38 megapixel sensor and a new range of lenses.

Clearly a premium product which should appeal to many professionals, this camera would seem to compete directly with the Hasselblad H range of digital cameras and, I would guess, would be priced similarly, meaning $30,000+ for the body alone. The DSLR format (much like the Pentax 6×7 in concept, but digital) makes for a far easier to use camera than the more tripod oriented Hasselblads and the lens range promised is impressive.

The sensor is made by Fujitsu, and unknown quantity, so it will be interesting to see how it performs. Much of the design work seems to have been done by Phase One, an established presence in larger format digital cameras. That’s encouraging.

Of special note is the fact that all the lenses will have leaf shutters which are ideal for flash sync, as they will properly expose the whole frame with flash at any shutter speed. Of course, the inclusion of a shutter in each lens makes the lenses costlier and Leica lenses are already very expensive, thanks to an overpaid, lazy, unionized German workforce. In fairness to Leica, the many Leica lenses I have used over the years have, without exception (OK, the 1930s 50mm f/2 Summar was a real dog above f/4) been superior to just about anything out there. The Apo-Macro Summarit f/2.5 120mm (equivalent to 85mm on a full frame camera) looks especially mouthwatering. And, joy of joys, Leica has finally discovered autofocus, some 20 years after Japanese SLR makers added this great technology to their interchangeable lenses. I would guess the lenses will retail well north of $5,000 each though who knows what the dollar price will be once the kindergarten known as the US Congress gets through with destroying our currency.

Promised for the summer of 2009, if the company survives that long, you can read more at Leica’s poorly designed, lugubrious web site – if you have the patience to get through all the mindless and time wasting flash videos.

If the camera ever gets into volume manufacture, it could fairty be said that this is truly the first innovative camera design from Leica since the M3, which I used for some 30 years. That game changer first sold in 1954 ….

Vince LaForet on the Canon 5D Mark II

A real user – that I trust.

I haven written before of the exceptional commercial photography of Vince LaForet.

Click the picture to see LaForet’s first impressions of the still and movie modes of the 5D Mark II.

When a great commercial photographer extols the image quality of a camera, (“The 5D MKII camera produces the best stills in low light that I’ve ever seen – what you can see with you eye in the worst light (such as sodium-vapor street lights at 3 a.m. in Brooklyn) – this camera can capture it with ease.“) I tend to be somewhere between belief and skepticism. Is the writer conflicted? Does the manufacturer pay him with free gear or hard or soft dollars?

In LaForet’s case I trend to the belief end of the scale. He has too much great work out there to risk his reputation.

The intriguing thing about his blog entry is that he seems most enthused with the movie mode of the new camera. Who would have thought it? If he is right, then it is indeed a game changer – 1080p HD video from a DSLR! I don’t make movies (though the genre fascinates me) and don’t need the awesome low light capability, but for many these facets of the new body may put them on the upgrade path.

Immersive media

A step up from QTVR.

I have written a lot in this journal about my discovery and adoption of QTVR 360 degree virtual reality photography using Quicktime and a special camera mount. If you would like to see some of the results of my efforts, please click here.

Now all of that is old hat!


Immersive Media’s Dodeca 360 camera

How about a 360 degree movie version? Click here for a demonstration. The camera, by Immersive Media has no fewer than eleven lenses and can be worn on the head, for those seeking to emulate the man from Mars. It seems pretty light.

Now where’s my check book?

Canon EOS 5D Mark II

No more speculation.

Hop over to DPReview for all the details you could possibly want on the new Canon EOS 5D Mark II.


The new camera looks less well balanced than the old, looking top heavy to my eyes

I speculated about the features a few days ago and was dead wrong in some important ways.

  • The sensor is 21 mp, similar to that in the top of the line 1Ds Mark III. Wonder how they are addressing the cannibalization of sales?
  • Price. $2,700 in the US, not $3,000. This will clobber used prices for the 5D, making that a very attractive entry into full frame digital.
  • Full weather sealing. Seems like they added it.

Here are some other features which add value:

  • Movie mode. If you don’t like it, don’t use it. Nice to have.
  • Highlight tone priority – cuts down on burned-out highlights.
  • An allegedly improved LCD screen. Given how awful the one in the 5D is it’s hard not to believe Canon on this one.
  • Three Custom modes, up from one. Great. Especially as that Print button is still there and still useless, though it now doubles for Live View.
  • ISO 25,600 maximum, which may work well with the improved sensor. We will see. If so the expense of ultra large aperture lenses can largely be avoided, as this is three stops faster than the 3,200 on the 5D.
  • Wireless file transmission using the new removable handgrip. Great for studio previews.
  • The ability to fine tune the focus setting for up to 20 lenses – a great way of keeping lens cost down by forcing the user to tune the lens to the body.

And yes, Canon has still to Fix that flap!

All in all, a worthwhile update and a boon for those looking to get a 5D whose used price will likely head south of $1,500 with the glut of amateurs updating for the latest and greatest. Don’t knock them. These gear heads are your friends. If you can live without the new features (sensor dust removal is nice!) then save $1200 and get a 5D.