Monthly Archives: January 2011

The advertisement as art

As good as it gets.

I rarely read novels, getting all the fiction I need from the press, but a mention of the Jim Stringer – Steam Detective novels on the BBC’s Radio 4 the other day saw me getting engrossed in Andrew Martin’s novels of the life and times of a 1905 British Railways engine fireman turned detective named Jim Stringer. If you love steam and the Industrial revolution era, these are for you. Enjoying the marvelous character and landscape painting of Martin in the Yorkshire of the time, I started having flashbacks to classic Hovis bread TV advertisements I recalled seeing in England back in the 1970s.

A moment on YouTube saw all those memories flooding back and, lo and behold, there was a very recent 2008 Hovis ad which lacked none of the class and style of the originals, whose thrust was that unchanging quality would always survive. Like English Tweeds or Fortnum & Mason delicacies or Savile Row suits.

In two short minutes you see a brilliant reprise of the last 100 years’ or so history of the greatest industrial power before America’s supremacy, everything from the Titanic, the suffragettes and the war which destroyed English aristocracy, through Britain’s Finest Hour to the stirring words of Churchill and the thrilling sound of a twelve cylinder Rolls Royce Merlin in a Spitfire. The sound track drops then swells. Inspired. If that 15 second segment doesn’t do it for you nothing will. Following is VE day and England’s splendid victory in the World Cup.

Refresh the page if the video does not pop up in your browser.

There’s a glimpse of the Swinging Sixties and dolly birds, through to the far less appealing modern times of armed policemen with shields and batons and street violence, followed by a joyous shot of millennium fireworks. The ad pulls no punches. Note also how the little boy’s clothing changes over time. Throughout the piece, as he runs through history, he clutches his precious loaf of Hovis bread under one arm, until he finally arrives home.

When I was a boy in England, Hovis was distinguished from other mass made breads by the fact that it actually had nutritional value, unlike the white starched wool that passed for bread from the other major bakers. And you actually had to slice the loaf which always gave me an indecent thrill – early stirrings of the engineer’s soul. This will tickle your visual sense every much as Andrew Martin’s books will stimulate your mind.

Street Snaps – 2010

The best of the past year.

I have selected my favorite street snaps from 2010 and posted them to my photo site.

Click the picture below to see more:

Street snaps from 2010 – click to see more.

Most were snapped on the Panasonic G1 with the 14-45 Panny kit lens or the Olympus 9-18mm MFT ultra-wide zoom. Checking the data, nearly all were taken at a full frame focal length equivalent setting of 35mm (17-18mm on the G1), reflecting more than three decades with film Leicas, during which the 35mm lens was most often to be found on my M2/3/6 bodies. One or two were taken on the iPhone 3G. Nearly all were taken in San Francisco. Such processing as there was – not much – was in Lightroom 3.

I post these collections to my semi-static photo site from time to time, but a more frequent fix can be had at my Photoblog Snap! where I posted a couple hundred snaps or so in 2010.

Enjoy!

The Hobart Building and The Galleria

Some of the city’s finest.

There’s a reason you pay a premium to live in California. It’s more than repaid by the money saved on crashed cars, snow ploughs, medical costs from winter ills and the absence of rednecks.

I found myself in San Francisco noodling on such thoughts the other day with the weather beyond perfect. Clear skies, cool, no wind, lighting made for photography.

One of the indoor shopping malls in the city offers not one but two roof gardens, poorly advertised and known to few, yet affording fine views of the city. It’s the Galleria and you can find it here:

Crocker Galleria.

From the northern garden (the two are not connected so you have to traipse through the shopping mall to get from one to the other) you get a superb view of the Hobart Building, built in 1914 and still putting all around it to shame. Click on that landlord’s link and you too will conclude they should have retained me to take the picture of their building, for theirs could scarcely be worse:

G1, Olympus 9-18mm @ 11mm, perspective corrected in PS

Look down and you get a splendid panorama of that great thoroughfare that is Market Street with Post Street in the foreground:

G1, Olympus 9-18mm @ 9mm, distortion correction in LR3

Look the other way and you get a shyster broker and some splendid colors and shadows on Montgomery Street:

G1, Olympus 9-18mm @ 12mm

The southern roof garden of the Galleria offers a symphony of shapes, reflections and design:

G1, Olympus 9-18mm @ 15mm

The view through the Galleria’s glass roof is no less inspiring:

G1, Olympus 9-18mm @ 10mm. Lens profile correction applied in LR3.

The Olympus 9-18mm MFT lens on the Panasonic G1 is perfect for this sort of thing and you can see what I wrote about it by clicking here. Creating your own lens profiles for distortion correction on the G1 and its brethren was addressed here.

If there are better ways of spending a sunny day in a great city they may be found in Paris or Rome or Venice or Florence, but this is pretty close to as good as it gets. New York? Fughedaboutit.

Aperture cheap

There’s a reason for that.

Apple just opened its App Store for the Mac, but to get at it you must first update to OS 10.6.6 (free).

The update places an App Store icon in your dock, thus:

The format of the AppStore remains the same, confused, poorly laid out and hard to find one used in the iTunes store and the iPad/iPhone App Store:

And if you like photo processing software that is buggy, slow, needs costly hardware to run and may well lose your pictures, you can now get it cheaper than ever. It’s Apple’s Aperture brought to you by the company which never discounts its software. Aperture started life at $499, dropped to $299, dropped to $199 (and kept dropping photos from your catalog) and has now crashed, like the Mac you are using it on, to …. $79.99.

So now you can lose your pictures for less than ever before. Now if you had a crappy product you needed to sell to keep the developers on board, would you be increasing the price? Hardly.

For those seeking to escape the tyranny of Aperture (I exited at v2.0, ten times bitten twice shy) you can see my piece on how to escape here. Lightroom continues to be bog reliable, fast, ever better with new noise reduction and distortion controls in v3 and doesn’t need a supercomputer to run fast. It never locks up for this user. Lightroom is $300 and given that it works, it’s worth a boatload more.

Think things have improved in Aperture v3? Think again. Here’s today’s screen snap from the Apple Discussion Board – notice anything?

Grumbling aside, the OS X AppStore is a move in the right direction, should expand the market for independent developers’ work and adopts the ‘register once, buy easily thereafter’ model familiar to every iPhone and iPad user. That part is well engineered and there is no evidence to suggest that Apple is lying when it says it does not sell your ID.

And you know the best thing about it? It runs perfectly on the best OS X machine made, a HackPro, and supports that third monitor just fine.

Finally, for those of you in high sales tax jurisdictions, buy from the AppStore and you will be charged sales tax. Buy direct from the developer and you will not pay any. Hey, it’s your choice.

Vivian Maier

An unknown street photographer.

Kickstarter is a sort of poor man’s venture capital fund raising effort. I first came across it when an engineer designed an elegant watch band for the sixth generation iPod Nano, soliciting the required $15,000 in funds to get production off the ground using Kickstarter. I happened to have a Nano lying around so sent the young entrepreneur Scott Wilson $50 for his beautifully designed LunaTik watch band. Scott ended up raising an astonishing $941,718 with each investor getting one of his watch bands when they become available.

Now there’s another thrilling Kickstarter project devoted to showcasing the work of a 1960s Chicago street photographer named Vivian Maier. John Maloof came across some 100,000 (!) of her negatives at an auction and realized he had hit on a treasure trove of great work by this reclusive photographer.

Click the above and you will be taken to the Vivian Maier blog, where you too can subscribe. This is a great way of supporting little known photography which is desperately in need of exposure.

Here’s an example of her work: