Monthly Archives: January 2012

UX in Paris

Urban exploration at its finest.

I have been lucky to feature some outstanding urban exploration photography here, both from England’s SilentUK and from the American master Jonathan Haeber and his team.

But it will come as no surprise that when it comes to Urbex, or UX, at its finest, that Paris should be the source, as profiled in a simply gripping article in Wired magazine. Along with London, Paris is the location of the finest subterranean Victorian-era civil engineering and UX does for Paris what SilentUK does for London.

Click the picture for the story.

UX is appealing in so many ways. The sheer spontaneity of the movement, the act of finding something beautiful and bringing it back to life, the process of exploring recent and neglected industrial history, the rebellion against ‘The Man’ and the opportunity to make fools of inept administrations, while showing those of us above ground some of the magic that went into the making of great cities, UX is all of that and more.

The article from Wired is long, it’s filled with mystery, excitement and romance, and who can resist the appeal of gazing at stolen Legers, Picassos and Cezannes located but feet from their original location, unknown to the ferrets charged with their custody?

If you hew to the romantic appeal of restoring a 1790 clock with a team lead by a master horologist from one of the world’s great mechanical watch makers, all done clandestinely and underground, then sharing the peal of that restored masterpiece with all and sundry to the amazement of the buffoons in government, then you will thrill to this magnificent piece of journalism and the courageous people who make Parisian UX amongst the world’s greatest. And in case you believe that the US Government has an exclusive on stupidity, just check this out:

1/160 @ f/2

Aldrin radios for exposure.

Here’s a fascinating piece from Alexis Madrigal at The Atlantic, showing the conversation right before Neil Armstrong stepped on the moon. In the exchange, Buzz Aldrin asks Mission Control for the right exposure to catch the moment.

The “sequence camera” referred to is not one of the Hasselblad 500ELs used for the high quality images on the lunar surface. The lenses used on the 500EL were limited to f/2.8 (the standard 80mm Zeiss Planar) and f/4 (the 150mm Zeiss Sonnar). This was all on July 21, 1969, not that long ago. Imagine asking someone for exposure settings today!

Click the picture for the article.

Click the picture.

By the way, it figures they would give the photography duties to the nerdy one. Aldrin turned down a full scholarship offer from Massachusetts Institute of Technology, and went to the U.S. Military Academy at West Point.

You can read about the moon Hasselblads here. And yes, you can still fit a digital back to one of those bodies and bang away today without the inconvenience of film.

Digital back for Buzz Aldrin’s camera.

You would, however, do far better with a Canon 5D/II or Nikon D700 at a fraction of the cost.

iTunes U

A great front end.

iTunes U, which makes sound and video lectures avalable at no charge, had been available through iTunes on laptops and desktops for many years on both Macs and Windows PCs. Lost in the announcement and hype surrounding iBooks Author earlier in the week was the release of an iOS version of iTunes U which brings content to mobile devices.

The universities found here include the Ivy League (Harvard, Yale, Princeton, Columbia, Dartmouth, Penn, Brown, and Cornell and, yes, I checked with my ten year old that I got the list right), MIT, Oxbridge and many other US and UK establishments. Here’s the first page from searching on ‘Photography’:

The app is free. So is the content. Isn’t that wonderful? K-12 content is also growing which would trouble me mightily were I an US Teachers’ Union official. Now children can get private school quality at public school prices.

I’m loading up on this series:

If you have an AppleTV you can use mirroring to send output to your TV or powered speakers where the ATV is connected.