Monthly Archives: June 2014

Mac Pro 2009 Part XXIV

Mac Pro

Adding the Apple Hardware Test.

For an index of all my Mac Pro articles, click here.

In years past you could run the comprehensive Apple Hardware Test by restarting your Mac while holding the ‘D’ key on the keyboard. However, it seems Apple has ceased including this software in recent years, though that is easily remedied.

Because some of the AHT files and directories are ordinarily invisible, we need to make invisible files visible to see what we are doing.


Click the image to go to the site.

Once you have invisible files visible, download the AHT relevant to your machine by clicking the image below:


Click the image for the AHT download.

My Mac Pros are all 2009 models with firmware upgraded from 4,1 to 5,1 to permit the use of 6 and 12 core CPUs – the AHT files for the two firmware variants appear identical.

You want to create a directory named ‘.diagnostics’ (the period makes it ordinarily invisible) in the System->Library->Core Service directory, thus:


The ‘.diagnostics’ directory has been created.

Now move the downloaded files from the ‘.diagnostics’ directory in the download to the new directory on your Mac.

Go back to the first link and once more render the invisible files invisible.

Shut down then hold the ‘D’ key while starting up and you can run AHT – a useful diagnostic tool. Here it is installed in one of my Mac Pros with upgraded 12-core CPUs and lots of other aftermarket hardware installed:


Apple Hardware Test running on the 2009 Mac Pro.

Presidio storage

Photographs

Old.

San Francisco’s Presidio is a beautiful area on the north west end of the Bay Area, well worth a visit.

Storage facilities – most probably empty – like the one above, are everywhere.

Nikon D3x, 35mm Nikkor MF, a lens far more satisfying to use than the 35mm f/1.4 Sigma behemoth, which I rather fancy will be sold soon.

Update June 8, 2014:

A friend of the blog writes:

I noticed that you called your 8 June image “Presidio Storage.” I hesitate to correct you, but I believe you would want to know the correct description of the image.

This building is one of a number of old horse stables. These stables were built in 1915 and were originally used by the 9th Cavalry.

Go here for additional info and confirmation:

http://www.presidio.gov/lease/commercial/Pages/663-mcdowell-avenue.aspx

http://www.nps.gov/prsf/historyculture/the-stables.htm

Carleton Watkins

Photographers

A master of the lansdcape photograph.

One reason I spend as little time as possible looking at modern landscape photography is that it pretty much peaked with the work of Carleton Watkins, some 150 years ago. Since then we have had the blight of Ansel Adams and his garishly over-processed oeuvre, the damage further compounded by legions of his acolytes who appear never to have had an original idea in their lives, judging by their slavish copying of the work of that poseur. Adams has been good for sales of high end gear and just awful for the art of photography.


Cape Horn by Carleton Watkins, 1867.

Click the image to go to a Slate article profiling many of Watkins’s photographs, the originals in the Stanford University library.

Michael Reichmann

Photographers

Very, very special.

Michael Reichmann runs one of the oldest (meaning 15 years old) photography sites on the web, named Luminous Landscape. His claim to one million monthly visits suggest few photographers have not visited there and while I am one who has, my visit frequency runs maybe quarterly, because landscape photography, that site’s core interest, mostly leaves me cold. Or catatonic, if you prefer. I blame that on being exposed to Ansel Adams’s work before puberty which I swore left me infertile until my son Winston was born when I had reached 52. I’m pretty sure I’m the father given the resemblance.

However, recent sneek peeks at LuLa, as most know it, piqued my interest, for some of the street snaps Reichmann was making in his summer home in San Miguel de Allende in Mexico – an understandable choice of venue if you otherwise call Canada home during the winter – were breathtakingly good. Life’s too short to be cold.

Thus when Reichmann announced the creation of his foundation, and a partnership with LensWork as the publisher of his images from Mexico, I was all ears …. errr, eyes, because what little I had seen of his street work was memorable indeed. The fact that proceeds of book sales go to funding photographic projects makes me feel good into the bargain.

I just received the book – some 63 images in paperback format – and the work is spectacularly good.


Click the image to order the book.

I’m not sure what my $59 got me – seems like I will receive three more LensWork monographs – but if this is all I get I have no complaints.

The images draw on Ernst Haas (blurred bullfights), lots of Saul Leiter, images worthy of the fabulous Donald Jean, hints of HC-B here and there (see below), but above all Reichmann’s individual signature is clear. Tight compositions, sparse use of color in the style of Pete Turner but in far better taste, a clear love of his subjects which evokes the warmth and generosity of spirit of Mexican people …. it’s all there.


Bullfight practice. Reichmann’s gorgeous composition on display.

Highly recommended, at any price. And, best of all, there are only five landscape snaps included, all confirming what I learned of the genre back when I was in short trousers.

Update May 19, 2016: Sadly, it was announced today that Michael Reichmann died of cancer.