Category Archives: Photography

Three hundred bucks a year

High end photography has never been cheaper.



The iPhone 11 Pro lens array.

The ever bubbling rumor mill has it that this year’s iPhone 12 Pro will come with a 60+ megapixel sensor and a fourth ‘time of flight’ lens which will enhance virtual reality viewing as well as providing more granular depth map data for selective focus effects, rendered in software.

I will immediately list my iPhone 11 Pro on Swappa and will sell it for $300 less than its iPhone replacement. This is the extent of my annual hardware cost, the equivalent of a few rolls of film plus some prints or another lens for a DSLR or mirrorless body. Photography has never been cheaper. And I get a new camera annually, comfortable in the knowledge that every iPhone camera has been better than the one which came before it.

At Shake Shack

Up market burgers.

A recent review of mass market burger joints suggested that Shake Shack had the best ones, so I rode the old motorbike to the local one in Scottsdale, avoiding the Porsches and Bentleys, and had at it.



$12.20 and a 19 minute wait.


Big winner for me – the place is dog friendly!


Lots of families and no white trash. The prices keep the latter away.


Porsches and Bentleys.


Table tennis while you wait.


Danny Trejo lives.


Eating off the floor.


An enjoyable, social setting with well behaved people on a gorgeous Arizona day.

It may not be La Grenouillère, but it’s still jolly nice – and the burger was indeed excellent.

iPhone11 Pro snaps.

Night Mode optimisation

A modicum of care does the trick.

Night Mode is one of those brilliant enhancements in the iPhone 11 which obsoletes every ‘serious’ camera on the market.

Those 8 billion plus transistors in the iPhone’s A13 chip are put hard to work taking multiple images and then stitch together the best bits for a stunningly good result. And the device’s outstanding HDR technology makes sure that the dynamic range is constrained to what the technology can handle. No highlights are burned out.

Still, a modicum of care will be repaid with the best possible images. If you use the iPhone’s default Camera app, Night Mode is automatically invoked when needed. You cannot force it ‘on’.

When Night Mode is active a yellow flag appears at the top left of the iPhone’s display and the image ‘seen’ at the time of exposure remains frozen on the screen. When processing is complete some three seconds later – and you are warned to keep the camera still – a second image appears on the display showing what was recorded. If you notice a significant shift between the locations of objects in the second image compared with the first then it’s more than likely that the result will be blurred. I obviate this problem by using a monopod, which eliminates vertical motion which is the real killer here. I don’t bother with any attachment device, simply holding the iPhone tightly against the top of the monopod. The results are peerless, as these two images from the garden at night illustrate. The extreme dynamic range will only embarrass your DSLR or mirrorless monster. Don’t bother. Get an iPhone 11 – these are SOOC, naturally:

Back to the future

Minolta pointed the way.

Given that they have yet to have an idea not stolen from someone else – meanly mostly from Apple – I spend little time in reading about anything from Samsung.

But their most recent theft is surprising only for how long it took them to think of it, for their latest ‘high-end’ phone (there’s an oxymoron for you) steals from a 2002 inspired design by Minolta in its 2mp Dimage digital point and shoot.



The elegant Minolta Dimage of 2002.

This elegant design had one truly original feature, in addition to its neat packaging in that small square case. It used a periscope optical zoom, vertically oriented inside the case, with light rays deflected through the associated right angle with a mirrored prism. This allowed the incorporation of an otherwise lengthy optical path within the tight confines of the body, a small 3.3″ x 2.8″ x 0.8″. For comparison, my iPhone 11 Pro in its case measures 5.5″ x 3″ x 0.5″.

This cutaway view shows how it worked:



Illustration of the ‘folded’ optical path.

We can expect to see this sort of thing in a future iPhone as modern technology has made things even smaller 18 years after Minolta’s inspired design. Optical zooms beat digital zooms as there’s no pixel degredation as magnifications increase.

Now if there’s a criticism to be leveled at the iPhone 11 Pro – in addition to its poor ergonomics – it’s that there’s no lens at the long end. Sure, there’s a 10x digital zoom, but you can do that just as easily in Lightroom, with all the attendant issues. So you are stuck with ultrawide, very wide and normal, call it 12mm, 24mm and 50mm FFE, all superb but none of them long.

So if Apple can add one of those ‘periscope’ optical zooms and make the 50mm a 50-200mm optic, well, that’s going to be all she wrote for the few remaining sales of silly-priced and even sillier-sized DSLRs.

Fuji X100V

Ummm ….

Technologies reach their peak just before they die.

Recent examples include the LP, cassette tapes, the CD, the DVD and so on.

Here’s the latest:



Let’s take a quick look at the feature set, or rather at the lack thereof:

  • No IBIS
  • No GPS
  • No HDR
  • No Night Mode
  • Only one lens
  • Cannot store an image depth map
  • Has zero access security
  • Cannot make phone calls
  • Cannot surf the web
  • Cannot give you directions
  • Cannot pay for your groceries
  • Cannot buy your airline tickets
  • You cannot read a book on it
  • Cannot play your videos
  • Cannot play your music
  • Cannot fit in your pocket
  • Cannot run 2 days on one charge
  • Cannot call for pizza delivery
  • Does not come in green
  • $1400

Yep, a real value, that one.