Category Archives: Software

Software of the Year

Some nice things.

You can see which software I wrote about in 2010 by clicking the ‘photography’ drop down menu below. These are all things I have used and in all cases continue to use as a photographer.

While no one could accuse it of being user friendly, Adobe’s free Lens Profile Creator does a fine job of creating distortion and chromatic aberration correction profiles for those lenses where profiles are not built into Photoshop or Lightroom 3. I created my own profiles for the Olympus 9-18mm MFT lens I use on the Panaasonic G1 and they work well – you can download them by clicking the aforementioned link. These integrate nicely into Lightroom 3 as a point-and-click option in the Develop module.

The very thought of running Windows on any of my Macs frankly disgusts me (after all these years XP still has the most godawful fonts in existence not to mention it’s propensity to constantly lock-up), but on those mercifully rare occasions where there is no choice, such as certain financial tools I use which do not come in a Mac flavor, I have found Oracle’s Virtual Box robust, well supported and, best of all, free. The excrescence that is Windows XP runs in its own little jail or window, free to soil its own underwear without trashing the rest of my Macs’ disks.

On those occasion I want to access my desktop HackPro from a remote location, all I need is an iPad and LogMeIn Ignition, a totally bug free and dead reliable remote client. Not cheap at $29.99 as iPad apps go, but use it just once when you absolutely need to and it has paid for itself.

Finally, last year I named NetNewsWire Software of the Year, as I find it to be the best desktop RSS feed reader out there. For the iPad I have replaced NNW with Reeder months ago and would not go back. The $4.99 Reeder app understands the touch interface well and is a superior product. The back end is provided by the Vampire Squid of the Internet, Google’s reader. I’ll switch as soon as I find a free alternative. Be sure to visit Reeder’s web site – a masterpiece of minimalism and function, like the app. Apple should buy these folks and integrate Reeder into Snow Leopard as its designs accords with much of the thinking of Steve Jobs and Jon Ive in Cupertino.

A couple of Reeder screenshots on the iPad.

TotalFinder

Finally a proper Finder.

Update October 14, 2015:

The new security features in OS X El Capitan require a hack to keep Total Finder working, a hack which compromises security. This from the developer:

So for all practical purposes this great app is dead. RIP – you will be missed.

* * * * *

Ask any Mac user what the single worst app which comes with every Mac is and the chances are pretty good that the answer will be ‘The Finder’. ‘The Loser’ would be more like it, if you ask me.

Well, the folks at BinaryAge have fixed much of what ails the stock Finder in TotalFinder, adding the ability to use tabs and multi finder windows, allowing the drag and drop of files across directories/volumes/drives. You can also use cut-and-paste rather than Finder’s copy-and-paste, precluding the need to delete the source file if you really want to move it. The multi finder window shown below is toggled with Command-U.

TotalFinder in dual window mode, with tabs shown.

TotalFinder integrates into Finder but is also available as a separate app, meaning it’s visible in HimmelBar which I use to avoid having on screen icons for applications. So now you can jump into finder rather than Command-Tab’bing or mousing to your on screen app display.

TotalFinder is visible in HimmelBar

MacLampsX you ask? It’s a neat seasonal app which frames your display with Christmas lamps! X-Mas tree? More of the same. 0SEx? No, not what you think. It’s a DVD ripping app. And the little printer icon in the menu bar to the right of the Dropbox icon is Fingerprint which allows my iPad and iPhone to print to any Bonjour printer on the network.

I cannot detect any performance changes on my desktop Mac. Highly recommended for anyone who uses the Finder a lot.

It was an accident, honest!

The Vampire Squid of the Internet.

Rolling Stone’s resident shock journalist Matt Taibbi wrote about Goldman Sachs a few months back.

“The first thing you need to know about Goldman Sachs is that it’s everywhere. The world’s most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money.”

Well, swap ‘Goldman Sachs’ with ‘Google’ and ‘investment bank’ with ‘search engine’ and it still reads well.

I wrote of Google’s culture of theft recently, protesting its copying of copyright materials for their profit and their support of net neutrality for the ‘public good’ when the prime beneficiary is Google.

Now this:

Now, I simply despise Microsoft for the hours of my life they have wasted rebooting PCs and losing data, but as of now I’m switching to Bing for my default search engine in the naïve belief that they actually do a tad less evil than Google. There is simply no circumstance on earth which will have me change my opinion of Microsoft but, in this case, it’s the lesser evil. Even the iPad/iPhone have an option to do this – go to Settings->Safari.

Would you trust Google with anything? Garnering all this data in their drive-by shootings is no accident. A team of people wrote that code with the specific intent of theft and profit, and the code of ethics in a corporation comes from the top. You don’t suddenly spontaneously breed criminality in the lower ranks. Those workers take their clues from their managers, and so on up the tree. Just like at Goldman Sachs.

And when you find your stolen photographs on Google, well, good luck suing them.

Should you read of my untimely demise any day now, just look to the Google Hit Squad of Uzi-bearing ninja assassins.

Adobe Photoshop Express

A useful iPad app.

I’m not sure what they are putting in the water coolers at Adobe Labs HQ in San Francisco, but they should definitely stick with the program.

First we got a really value added, fairly priced upgrade to Lightroom 3, many of whose enhancements I have written about here – film grain, superior RAW conversions, outstanding flexibility to remove lens aberrations and distortions – and now, at no cost, an iPad app named Adobe Photoshop Express.

The price is right!

It’s an inspired piece of programming which really ‘gets’ the touchscreen interface and one of the best efforts yet to make the iPad into a photo processing platform. Sure the controls are limited – basic exposure, sharpness, effects, frames, monochrome conversions and so on – but all the ‘sliders’ for the controls dictate that the user merely slides his finger across the screen to change things. Surely this is the future of photo processing? Further, sign up at Adobe and if you can get comfortable with access rights (theirs not yours) to your pictures, then you can sync your snaps to your desktop or laptop via their servers.

Here’s a simple snap of our son with a neat frame added – this is a screen shot as I do not have an Adobe online storage account:

Winston at Point Lobos. My ‘equipment man’.

Very worth while looking into and it seems some of the earlier bugs have been stomped on as I have had no issues with my version. And what have you got to lose?

More on Adobe lens corrections in Lightroom 3

Very clever indeed.

A friend wrote recently how much he was enjoying using the newly added built-in lens corrections in Lightroom 3 with his ultra-wide Nikon zoom on a pair of Nikon pro bodies, a lens whose profile is included with Lightroom 3.

This got me thinking. How can one-click corrections work when distortion varies so widely over the focal length range of many wide zooms? If the lens is pre-programmed into Lightroom’s database by Adobe you do not get a choice of focal length when applying the profile. It’s strictly a one choice affair, which contrasts with my approach when crafting profiles for the 9-18mm MFT Olympus zoom for my Panasonic G1, where I had to create disparate profiles for each of the four marked focal lengths. The barrel distortion of that lens decreases with increasing focal length, so it’s not possible to make one profile to fit all focal lengths.

Now one of the finer lenses for my full frame Canon 5D is the 24-105mm L zoom. Lightroom 3 includes a built-in profile for this lens unlike with the Olympus 9-18mm where I had to make my own. The Canon has fine resolving power and micro contrast at all focal lengths of its useful zoom range but suffers from the most atrocious barrel distortion at the wide end (the center of peripheral straight lines bows out), changing to mild pincushion distortion (the center bows in) at the long end. How could Adobe’s ‘one click’ approach possibly work with this lens whose distortion characteristics vary widely with focal length?

Note that if you use Canon’s DPP software (I do not) to process your pictures I’m fairly certain that it corrects distortion at all focal lengths. However, the 5D, unlike the G1, has no in-body distortion correction for the manufacturer’s lenses, so processing in LR3 brings in the images in their fully distorted glory just as with the G1/Olympus lens combination. And distortion correction is important to me as I frequently take architectural pictures where I want my straight lines straight.

Well, it was but a few moments work to take five snaps, one at each of the marked focal lengths, with a straight edge close to the top of the frame in each. I processed these through Lightroom 3 and, after making virtual copies of each, applied the one-click lens distortion correction to each of the virtual copies, selecting the single profile for Canon’s 24-105mm L lens in each case. The pictures were snapped at 24, 28, 50, 67 and 105mm.

Here are the results – in each case the corrected version is shown first:

At 24mm. Noticeable barrel distortion in the uncorrected image at right.

At 28mm. Mild barrel distortion in the uncorrected image.

At 50mm. Very minor barrel distortion in the uncorrected image.

67mm. Very mild pincushion distortion in the uncorrected image.

105mm. Very mild pincushion distortion in the uncorrected image.

So as the above pictures suggest, the Adobe built-in profile for the Canon 24-105mm lens takes into account the focal length at which the image was made and applies distortion correction appropriately. It may be ‘one-click’ for the user, but it seems there’s much more going on below the surface. In all cases the correction is almost perfect, with only the 67mm and 105mm images slightly overcorrected and showing mild barrel distortion. The correction at the wider focal lengths is especially praiseworthy, as the above pictures show. Very clever and much more sophisticated than the case where you have to make your own lens profiles in those instances where Lightroom 3 does not include these.