Category Archives: Printing

Printing with an emphasis on the HP DesignJet dye printer

HP Designjet paper profiles in Lightroom 2

Trust HP to design this for engineers, not humans

In yesterday’s column I mentioned the existence of aftermarket profiles for some interesting papers made by the likes of Hahnemühle and Arches. These are swellable papers designed to absorb the ink dyes used in the HP DJ 30/90/130 printers. That’s all well and good, but how on earth do you get these to show up as choices in Lightroom when you are in the Print module? Especially as the instructions from HP for the right place to install these simply do not work.

Well, HP is first and foremost an engineering company which means that things obvious to engineering graduates are gobbledeegook to regular humans. Mercifully, your instructor, Dr. Pindelski, happens to have an engineering degree, so if you use an HP Designjet 30, 90 or 130 printer, follow the instructions below and all will be well …. so long as you have the good sense to get a life and use a Mac. PC users can probably figure things out from what follows, but please do not ask as I neither use nor propose to ever use a PC again.

Here’s the Print module in LR2:

Click on ‘Managed by Printer’ then click ‘Other’ and you get a listing of the standard HP paper profiles:

Now go to Finder and click on the Library (this is the Mac’s library on the root of your internal hard drive, not the one under your name in Users) and navigate to the directory show – navigation is from bottom to top (this is for OS Tiger – see below for the changed location in Snow Leopard):

Your Finder screen now looks like this:

Now Control-Click on the file named ‘hp_designjet_pm.plugin’ then click on ‘Show Package Contents’:

Now drag and drop the downloaded package of profiles (see yesterday’s entry for the download link) onto the directory named ‘ICCProfiles’:

The ‘designjet’ directory is the one with the new profiles, which you just dragged and dropped.

Click on the ‘designjet’ directory in ‘ICCProfiles’ and you will see all the additional profiles, thus:

Snow Leopard update:

Additional paper profiles are stored in your user directory thus:

Location of additional paper profiles in Snow Leopard.

The remaining task is to edit the ICC profiles of your choice so that they will show up in the LR2 drop-down box. The snag is that you have to use one of the tailored HP name strings to force the choice to show. This means two things:

1 – You must use a file name identical to one of the existing ones used by HP for their papers
2 – You will have to embed your profile description of choice in the replacement new paper profile for it to display meaningfully in the LR2 drop-down box.

First, then, we have to determine which of HP’s standard paper choices we can dispense with. That’s easy, because you didn’t buy this fabulous printer to use Brochure or Proofing paper or for that matter generic Coated paper, so that means at least nine of HP’s file names can be reused. Further, if you stick with the ‘Max Detail’ drivers, you get even more redundant file names to use – and why would you want anything but maximum detail in your display prints?

First, determine the new papers for which you would like to install profiles – here’s the list from the file downloaded from HP:

I’m intrigued by the Arches, Hahnemuhle and Ilford papers. so in the following screen snap I have erased those imported profiles which are not wanted and also erased all the clutter from the inclusion of the HP Z2100/Z3100 profiles which are for HP’s latest – and very expensive – wide carriage pigment printer, thus:

As I am adding nine new profiles I will need to reuse nine of HP’s file names to make these show up – here’s the ‘conversion’ table:

To embed these paper names in the new profile ICC files we have to edit the profiles, rename them using HP’s cryptic file naming convention, rename the original files rather than erase them, in case they are needed in future, then move the new files down one level in the directory so that LR2 can read them.

Double-click on the first new file, the one for Arches Infinity Smooth 230 paper. You will see this as Colorsync opens:

Click on ‘Localized description strings’ and enter the name you want for the paper of choice – the default looks like this:

Those names are awful (this is the text which will show up in LR2) so I make them more user friendly, like so:

Now save the file in Colorsync (Command-S) and move on to the next one, repeating as necessary with descriptive names for each paper.

Next we have to rename the original files which are no longer needed; I do this by simply appending the text “.old” to the name of the original file; use the conversion table you created above to determine which files need to have ‘.old’ appended to their names:

Next, rename the new paper profile files using the old HP file names – the same ones where you just added the “.old” extension, like so, repeating for each new profile and making sure to use unique HP file names from the original files, with no duplications:

Here all all the name changes on the new files:

Finally, drag these renamed .icc files down one level to where the “.old” files reside, thus:

Load LR2 and click on Profile->Other in the Print module and this is what you will see:

To further clarify matters, I then add the text “HP” to the HP paper profiles, using Colorsync as before, with the following result – compare with the previous screen snap:

Now check all the boxes thus to make these properly named profiles show up in future when you click in LR2 and hit ‘OK’:

Next time you click profiles in the LR2 Print module you will see this:

Select the profile of your choice, load the appropriate paper in the printer and off you go! But do first make sure your display is profiled properly and, of course, I highly recommend Dr. P’s free screen profiling approach which will not only save you money on the colorimeter you do not need, but will get you more accurate colors to boot.

I took the additional precaution of making the new, renamed .icc files ‘read only’ to make sure that any new profile or application updates do not overwrite the files created above. You can do this by control-clicking the .icc file, clicking on ‘Get Info’ and making it ‘read only’ in the dialog box that pops up.

Why use printer-managed profiles rather than application managed colors? For the simple – and vital – reason that when you hit Print->Preview in LR2, Apple’s Preview application will display a Preview; at the lower left you will see a box for previewing the print on the screen using the color profile you have chosen – so much for all the ‘experts’ who maintain that you cannot soft proof with applied paper profiles in Lightroom:

You are now viewing a Print Preview of your picture with the paper profile of choice applied to the image. And you can use a selection of non-HP branded printing papers. What’s not to like?

And I can think of no better time to buy one of the truly great wide carriage printer bargains – HP still lists the Designjet 90 (18″) for $995 and the Designjet 130 for $1,295 (24″). I would not hesitate to buy another today and do, on rare occasions, rue the fact that I did not buy the 24″ model as the form factor is much the same with six inches added to the width. Either takes up little room for such a large format printer. OK, so they go ‘clankity-clank’ when they print, but you can afford ear plugs from the $2,000 saved on not buying their latest Z series machines. And ink use is so frugal, even a Scot would approve.

Latest ICC color profiles for HP Designjet dye printers

HP updated these recently

While I have been a happy user of HP’s branded papers exclusively for my Designjet 90 18″ wide dye printer, HP does not entirely neglect the aftermarket for paper makers.

Indeed, HP has recently updated a bunch of color profiles for some well known papers which feature the swellable/absorbent surface of HP’s paper, allowing the printer’s dye inks to be properly absorbed. These are for use with the Designjet 30/90/130 series of printers.

Here are the papers supported, with details of how to feed the paper into your printer – tray, rear slot or roll (by the way, I always use the tray to (multi-)sheet feed my 13″ x 19″ and 18″ x 24″ HP Premium Plus Photo Satin paper and have had no issues):

As you can see, HP recommends that many of the heaviest papers are loaded one sheet at a time. For reference, HP’s Premium Plus Photo Satin weighs in at 286 grams/sq. meter, whereas the heaviest William Turner is 310. I suspect, but cannot confirm, that HP’s papers are made by Hahnemühle which has been around since 1584, so they just missed making the stock for Gutenberg’s bible, printed in the 1450s.

Here’s their data sheet on the heavier William Turner paper:

Many stockists carry it, not least of all Atlex which I have found to be reliable. The William Turner comes in sizes up to 17″ x 22″ or in larger rolls – these you would have to cut down first. Sounds like an interesting option for HP users and, as I mentioned recently, I would be a buyer of the HP DJ 90 or 130 (24″ wide) today – it’s not like parts and supplies are about to disappear for a printer which shares consumables with the DJ 30 (13″ wide) which sold in vast numbers to photographers everywhere. And, at its price, the wide carriage HP has no competition.

Finally, why dye based inks in preference to pigments which now dominate the market? Can you say lousy blacks? Bronzing? We dye printer users know nothing of those issues.

In tomorrow’s column I will provide a step-by-step guide to making new profiles of your choice, for non-HP branded papers, display correctly within Lightroom 2 because, goodness knows, HP’s installation instructions are about as wrong as you can get. Suffice it to say that if you follow mine, your profiles will display correctly in LR2 thus:

HP Designjet 90 still available!

A great bargain.

Click on ‘Printing’ in the left hand column and you will see that I am a huge fan of HP’s previous generation DesignJet 90 18″ wide printer. A small footprint, fade free inks, great reliability and …. cheap for what you get. HP’s current large format printers start well north of $2,000.

I thought that the HP DJ90 was no longer available, but a quick spot of Googling and it seems they are still available new.

The print quality is beyond reproach, not least owing to the use of dye inks which results in a really deep black. As for the fade free claim, I can attest to one print I have at a friend’s home, under plain glass, which is in bright sun 8 hours a day and has been for two years. It’s as good as new.

So if large prints are your thing, check out the HP DJ90 or 130 (which will print up to 24″ wide).

Update: Check the Comments to this piece for a discussion of paper and supplies availability. I have also added extensive details about HP’s newly released (2008) profiles for many non-HP papers.

Large prints on canvas

Up to 86″ a side!

I came across this site while looking for a large print service.

They certainly use the right printers and fade free inks as this excerpt from their FAQ states:

“What kind of equipment are you using to print on canvas?

Photogonia uses state of the art printers like HP DESIGNJET 5500 series and EPSON STYLUS PRO 9800. These large format printers deliver high quality print jobs that fit the high standards that Photogonia sets for our products.

What kind of Ink are you using?

PhotoGonia uses ONLY original factory Inks like HP 83 UV Ink Cartridges for our HP printers and 8-color Epson Ultra Chrome K3â„¢ Ink For our Epson printers. PhotoGonia doesn’t use refills, third party Ink or generic Ink. ”

A 40″ x 30″ ‘gallery wrap’ canvas (the printed edges are stretched over the frame) is $322.50, shipped. Not cheap, but the alternative of buying an ultra-wide carriage printer for one or two prints a year is hardly a viable choice. For that matter, unless you regularly make large prints, this sort of service makes sense for any photographer limited by the 13″ carriage width common on home ink jet printers.

Ink and paper supplies

For heavy users.

I have made, and continue to make, many large prints on the Hewlett Packard HP90 Designjet printer. While it’s being phased out it remains broadly available if you do a Google search, typically selling for under $900. If you have priced other fade-free ink jet wide carriage printers, then you will know this is a superb bargain. Add a small desktop footprint and print quality to die for – and it works perfectly with Mac’s Tiger and Leopard OS – and you have a tremendous bargain. After some thirty months of use I would buy another at the drop of a hat if needs dictated.

Printers, however, are increasingly marketed using the Gillette razor model – give away the printer and clean up on the supplies. While HP has no need to give away a non-mass market device like the DJ90, ink and paper still take their toll on the budget if you make a lot of prints.

When it comes to consumables I have long been a believer in using the manufacturer’s recommended products. There’s little point in saving a dollar or two on refilled ink cartridges if the risk is that your printer heads clog up or the inks fade with age. With paper, I have found that HP’s Premium Plus photo satin is superb and maintains its surface sheen when the print is dry mounted at ~190F (88C) in a press. Much warmer than that and the surface looks less pleasant. While rumor has it that HP’s paper is made by Hahnemuhle in Germany, there’s little incentive to use aftermarket papers when each involves a tedious profiling and test session. So I stick with what works for me and now that I have digital’s dynamic range limitations under control, why bother with anything else? One more example where consistency takes out a complex set of variables from the equation. A good thing.

Given the need to have a spare cartridge of each of the six colors used in the HP (the printer uses ink frugally but you can bet you will run out when you least expect it), I found myself about to place an order at my photo retailer of choice, B&H in NYC, the other day. Then, what with the newly found need for frugality dictated by America’s total absence of an energy policy, I recalled that someone had mentioned a Florida vendor named Atlex. A quick click and comparison (3 ink cartridges and 40 sheets of 18″ x 24″ paper – $252 delivered to CA) disclosed that Atlex’s price was some 18% less than B&H’s. Now I like B&H and they have never let me down but 18% is non trivial. Loyalty to my pocket book wins every time. Atlex – their site claims they have been at it for over 25 years – also stocks Epson and Canon printer supplies, all original maker labelled, so what’s not to like? And, unless you live in Florida, you will be doing your bit by starving the beast that is government as you no longer pay sales taxes to the organized crime bosses masquerading as state government.

This is an opportune time to remind users not to mess with roll paper. Even if you have a proper roll paper holder and built-in cutting knife like in the HP DesignJet, life is simply too short to mess with severely rolled up paper supplies – just try to dry mount a print which prefers to roll up. I have tried. It was hell. Use cut sheets.