Rich and good.
The oft held belief that great painters have to suffer great poverty on the road to success is at best a poor generalization. None of the greats of the Renaissance were exactly struggling to put bread on the table, for they were busy turning down commissions. Jump to the late nineteenth century and for every starving Monet or Renoir you will find a wealthy Degas or Bonnard painting with genius and abandon while enjoying a life of comfort and plenty.
San Francisco’s Palace of Legion of Honor is holding the first west coast show of Pierre Bonnard’s (1867-1947) paintings and photographs in fifty years and it’s a fine summary of the artist’s best work, many pieces plucked from the Musée d’Orsay in Paris.
The canvases are well lit and captioned in something approaching readable font sizes, and while the miniscule photograph reproductions really should be larger (they are from Bonnard’s Kodak Brownie) they convey the sense of experimentation which is often seen in the paintings, limbs cut off at the edges of the canvas just as in many Degas works, the latter also a keen photographer.
It’s a fine show of beautiful work and strongly recommended.
iPhone6 snaps.
