Monthly Archives: April 2012

Troubling times for PPs

Confirmation bias rules.

For the man in the street the idea of blowing $3,000 on a camera, without a lens mind you, is silly. For the Pixel Peeper (PP for short) it’s downright scary.

You see, the PP, who prides himself on the definition of his output when he zooms in on the screen has ‘invested’ ten to thirty times that sum in his medium format digital gear. So his expenditure naturally generates confirmation bias. It’s the most expensive gear out there so it has to be the best, right?

Then what happens is the same as happened when Canon’s 5D obsoleted medium format film gear almost overnight. Something better comes along, courtesy of Moore’s Law. The PP has a bunch of boat anchors and is looking at an upstart which equals his quality at one tenth the cost.

No great secret that I’m writing about the killer duo, here, the new Nikon D800 and D800E DSLR bodies. What makes matters even worse for the PP is that the inexpensive Nikon takes just about any Nikon lens made since 1959, finally doing many of these amazing optics justice. The sensor is at last likely better than the lens projecting the image on it.

And while no one could argue that the ‘pro’ DSLR is a lightweight, just ask a PP with his handcart and bad back how the bulk and weight of the gear compares to MF DSLRs. Not to mention speed of operation.

I’m not much of a follower of the debate raging about the latest and greatest in sensors, but I know a seismic shift when I see one and the Nikon D800 is such a shift. Were I an MF DSLR aficionado I would be following the same advice I gave myself when the Canon 5D came along. Run, don’t walk, to your favorite advertising medium and dump the MF gear just as fast as you can. Paperweights have little value.

Clap for PPs. The Nikon’s 36mp Sony-made sensor.

Snapseed for OS X improved

Welcome enhancements.

Snapseed is a simple and effective application for both iOS and OSX for conferring special effects on pictures. I mostly use it to add grunge in those snaps which merit the treatment.

Now the two major issues I had with the OS X version of the application have been fixed by Nik Software. First, you can export to Snapseed directly from Lightroom and second the application will now accept TIFF files rather than just JPGs. I have tested both and can confirm the revised version does both perfectly, and when you save the file it’s stacked with the original in Lightroom.

Here’s a snap processed in Snapseed with grunge, vintage effect and frame added:

On Broadway, SF. D700, 105mm f/2.5 Nikkor-P at f/11.

Six in sixty and one-twenty

Fecundity.

Pictures are made, not found.

I’m a street snapper. Nothing is more perfect than going out on a busy street and catching those special moments.

The other day I read a piece by a writer trashing famous photographers. Most of his targets were deserving victims – the cruel and exploitative Dianne Arbus, the execrable Gary Winogrand and (no adjectives needed) Ansel Adams. But one inclusion on his list said he does not get street snapping. That photographer was HC-B. The writer castigated the genre claiming that no one in the modern world has time any more to wait around for hours for the subject to ‘present itself’. Which is why he does not get it. Busy checking his iPhone, no doubt.

This is simply not consonant with the working method for street snappers.

When I take to the streets it’s with a single minded focus on nothing but taking pictures. If I’m distracted or not totally concentrated on the task in hand the results are invariably garbage. Focus must be total. The world’s problems do not so much fade as they completely disappear. Do two things at once and you will do them badly, which is why there are no successful multi-taskers. Confusing motion with action is not a winning formula.

While hurry in this genre is never an issue – words like stroll, meander, ramble, dawdle, linger, and contemplate come to mind – when the moment ‘presents itself’ you have to be there and ready. The quick and the dead.

So here are six snaps taken in sixty yards and twice as many seconds the other day on Columbus Avenue in San Francisco. The result of much moseying and savoring and intense focus.

3:30:25

3:31:37

3:31:44

3:31:53

3:31:55

3:32:14

All snapped on the Nikon D700 with the 20mm f/3.5 Ai-S MF lens at f/8. In 120 seconds. Or less.