In the High Sierras.
For an index of all my Film related articles, click here.
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Red
Taken in 2002.
Leica M3, 50mm Summicron, Kodak Gold 100 scanned with the Nikon D800 and converted in Negative Lab Pro.
In the High Sierras.
For an index of all my Film related articles, click here.
Taken in 2002.
Leica M3, 50mm Summicron, Kodak Gold 100 scanned with the Nikon D800 and converted in Negative Lab Pro.
50 years of Street Snaps
This book represents my favorite street snaps taken over a fifty year period, 1971 through 2021.
The early monochrome images were all taken on a Leica M3, mostly with a 35mm Summaron lens, always on Kodak TriX film. Most of the later color snaps were made with Panasonic G1 and GX7 MFT cameras with the 14-45mm kit zoom. From auto nothing to auto everything in 50 years. How did we manage to meter, focus and compose before the days of automation?
My goal all along was to infuse an element of humor into my photography eschewing, at all costs, ridicule and cruelty.
My favorite images?
I have allotted a generous 15 seconds to each image to permit leisurely perusal. The show starts 15 seconds after the opening caption. Try and view this full screen on the largest display in your home. Small portable device displays do not do the images justice. The story behind the images appears on the last page.
A new life for an old image.
For an index of all my Film related articles, click here.
I lived in Anchorage from November 1977 through October 1980, after which I moved to New York, new green card in hand.
The long summer days brought with them acidic colors and what better emulsion to do these justice than Kodachrome? I preferred Kodachrome 64 to the slower 25 variant, trading coarser grain for one and a half stops in speed gain. Even so ASA 64 rather pales beside what modern digital technology can deliver at a far higher quality level.
This image was taken on 4th Avenue which was ripped apart by a 9.2 earthquake in 1964, still the most powerful recorded in the US. Appropriately enough this occurred on Good Friday, for 4th Avenue was a den of iniquity back then, replete with dive bars and shady businesses.
This image has been given new life when recently rescanned using the Nikon D800. The original Kodachrome slide is as good as new, no fading detectable. and was taken on my Leica M3 with the 50mm Summicron lens.
It’s cold out there.
iPhone 12, Apple Pro RAW, processed in SilverEfex2.
Sweet.
You can instantly recognize the two scummiest US professions, for they are the only ones still wearing suits – politicians and lawyers.
So it’s a pleasure to see one of the latter putting the boot into another rather than into one of their many abused clients.
Panasonic G1, kit zoom.
For large prints from early Panny MFT originals I find there is too much chroma (mottling) noise in the printed image, but the new ‘Enhance’ option in the Develop module of LRc does a nice job of cleaning that up without significantly losing definition. For some reason it only works with RAW files, not with TIFF or JPG, so be sure to apply it to the right file format.