Late shadows.

Vallejo Street at Grant Avenue, North Beach, San Francisco.
Nikon D3x, 35mm f/1.4 Nikkor G.
Late shadows.

Nikon D3x, 35mm f/1.4 Nikkor G.
The most photographic of painters.
A friend in London is visiting the Manet show at the Royal Academy and sent over a clandestine snap of The Luncheon. The image below is the real thing.

Has there ever been a more purely photographic vision in oils? Manet’s genius was that he snapped the image of the haughty, wealthy young diner departing the feast in his mind, only later transferring it to canvas. The modern photographer is spared both the need for genius and of the skill in rendering something similar. Manet used what looks like the equivalent of 24mm lens vision here, albeit using a large aperture to render the waitress blurred.
The no less special The Railway from the National Gallery is also in the show.
Concrete rules.

As is clearly visible, the south side of the pier is crumbling and falling into the water, hence the railings down the middle, preventing access. The sea air attacks the steel rebar through the porous concrete, the resulting rust causes expansion and breaks up the concrete. If this neglect continues the whole thing is doomed.
Nikon D3x, 105mm pre-Ai MF Nikkor at f/5.6.
Highest US income taxes. Here’s why.

Would you rather be in Detroit?
Straight out of camera …. err, iPhone.
Snap!

Nikon D3x, 35mm f/1.4 Sigma at f/4.