Category Archives: Photographs

The Exclusionary

Don’t mess with Congregationalists.

Over Easter my son and I visited parts of beautiful Vermont along Highway 9, coming from his school in MAssachusetts. A largely deserted road which calls out for a peppy two wheeler – and the local Harley lads were hard at it – it’s otherwise empty, running through pretty rural countryside.

As always, comedy was to be found aplenty and after finding some nice aged Vermont cheese in Wilmington, a picture perfect village which boasts no fewer than three bookstores, we meandered north to Bennington, the town which gives the eponymous Battle of the Revolutionary War its name. The Germans were at it even back then when, on August 16, 1777, Gen. John Stark’s 1,500-strong New Hampshire Militia defeated 800 German (Hessian) mercenaries. As those experts in losing might put it, “Plus ça change, plus c’est la même chose”.

This was Easter Sunday so the town’s churches were putting on their best show. The local Catholic Cathedral was making a big deal of the Resurrection and we were retained as journeyman portraitists to snap pictures of some of the locals dressed in their Sunday best outside the church. But if religion interests us little, Catholicism appeals even less so we made our way up Main Street where we chanced on a gorgeous traditional New England church, spire and all.


The First Congregational Church in Bennington, VT

Closer inspection disclosed this to be a First Congregational Church. The beauty of Protestantism is that you can shop à la carte for your prejudices of choice, Congregationalism denoting a sect which is led by its own congregation, not beholden to the Pope of Rome or some nut in Germany pinning proclamations to the door. One of the earlier graffitists, I suppose.

Now before I relate our amusing experience here, I should refer you to a luminous late 1940s movie named Life With Father. Luminous because it stars one of the most elegant men from Hollywood’s Golden Era, Dick Powell, whose only competitor for acting skill and demeanor was Cary Grant. While it’s decades since I have watched it, one scene sticks in my mind. Powell, a New York aristocrat of the 19th Century (meaning he employed kids in coal mines, I suppose) is an Episcopalian, as befits the monied class of New York. (If you’re skeptical of my demographics, next time you are on Fifth Avenue in Manhattan on a cold winter’s Sunday, just pop into St. Thomas’s Episcopalian, just up and across the road from St. Patrick’s, and take an inventory of the sable fur coats).

Powell, being a big shot, gets the front pew in his church on Sunday, emblazoned with a brass plaque bearing his name, denoting he has made the required payola to secure pride of place. There’s nothing so bad about this system if you hew to the sort of vulgarity we have in American society today, starting from the bottom, the cess pit that is the Oval Office. For Powell, his place of worship, where the object of adulation is money, is nothing more than a club, one whose hierarchy is visible from the location of your pew.

Anyway, Winston and I, (un)suitably attired in jeans and T shirts – his an early block graphics gaming model, mine sporting an even older English motorcycle; neither on the First Congregational approved clothing list – approached the imposing portico only to be arrested by two old hags who were clearly sporting automatics under their voluminous skirts. These were the Guardians of the Galaxy, the nave and altar behind.

Winston was later to remark, somewhat presciently:

“Dad, those two never did a day’s work in their lives”.

“Now, now, son”, I replied, “they are doing God’s work, just like that nice man from Goldman Sachs”.

Fearing for life and limb I quickly confessed we were tourists, just looking around, whereupon at the sainted hour of 11:50am on Easter Sunday, we were reluctantly allowed in only to see …. that the scene in the William Powell film was no joke. Yup, pews with doors and brass plaques.


Plebeians need not apply.

Not only did I have a flashback to the movie, I was reminded of all those cries of “We don’t want your kind here” from supplicants of the ruling American Pig when confronted by those of color or slanted eye, with the related certainty that their resumés proudly proclaim ‘Christian’ amongst their many boasts.

With the eyes of the two gatekeeping harridans boring through our backs I snapped the above image clandestinely before they set the Storm Troopers on us and politely asked if it was permitted to visit the cemetery.

“It’s through a gate to your left” the taller of the two sniffed, all 4 feet 9 inches of her.

We made off at something approximating Olympic pace to check out the founding fathers of Bennington, and a fine time it was.

It turns out that Robert Frost is buried here, the same Frost who gives his name to the library at Amherst College, a school very much on my son’s short list for the class of 2024.


Frost’s tomb.


Winston at the tomb, against the backdrop of the church.

The cemetery is beautifully maintained – well, what did you expect? – and many of the graves (and mausolea, for the likes of Powell’s character) are really old.


The oldest grave.

As we left the cemetery, passing the main doors to the nave, an older lady and her very old mother turned up at the gates to heaven only to find …. they were locked! Yup. It was 12:05, Easter services had started and tough luck if you are but a minute late. Such is New England’s high end, exclusionary Protestantism. The look on the poor old woman’s face, dressed in her Easter finery with nowhere to go, is not one I will quickly forget.

All snapped on the Panny GX7 with the kit zoom.

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Goulding’s

Monument Valley

Monument Valley is on the Utah-Arizona border, and known to film buffs as the site of some of the greatest Western movies made from the silent era through to the present day.

The fingers of rock which dot the area are the result of millions of years of wind erosion and as often as not the Valley is a windy place. A recent visit with my son confirmed two things: America is empty and the greatest landscapes are to be found in the west. For motorcyclists this is heaven, winds notwithstanding.

The Goulding’s Lodge motel has been on the Utah side of the border seemingly forever. I recall when first visiting it some 30 years ago it was a small ramshackle place still trading off the fact that mediocre actor and all around American bigot John Wayne would stay there when unnecessarily adding to his interminable oeuvre of mediocre Westerns. The place was positively littered with Wayne memorabilia. Given that the racist actor believed that only third generation or later citizens were true Americans, the place rather gave this American immigrant a bit of a chill, I confess. Wayne offered no explanation how all three of his wives came to be Hispanic. Must have been good cooks, I suppose or maybe they just did what he told them?

Mercifully, all of that has changed (the motel, not the wives; Wayne’s movies are largely forgotten, and deservedly so). Goulding’s Lodge is a nicely provisioned, modern motel, clean and well looked after, with a decent restaurant on the premises (no booze – this is Utah whose bigotry matches that of Wayne; forget the beer but have at it with the multiple wives), a grocery store, RV parking for those intent on driving their toilet around and a grocery store. Guided tours are available and the rooms’ windows face one of the greatest landscapes known to man. Stunning. And Wayne’s presence is very much low key today.

The motel is beautifully integrated into its red rock setting:

And if you want to see a truly great Western, one which defines the making of the west, there is only one and it was made by an Italian, doubtless much to Wayne’s disgust. It’s called Once Upon a Time in the West and it’s a masterpiece. Short attention span viewers should probably stick with Wayne’s forgettable oeuvre.

iPhone6 snaps

Checkerboard Mesa

Last snow.

Enter Zion National Park through the east gate and the first thing that meets the eye is Checkerboard Mesa at all of 6,670 feet elevation.

These eerie lines on the rock face seem man made but are anything but, being remnants from the ice age which saw giant glaciers cut through the rock. Here the last vestiges of snow are visible on the shady side in mid-March.

Panny GX7, 45-200mm zoom.