Category Archives: Photography

A cheap, huge monitor

All of 32″!

When I asked ace computer builder and Hackmeister FU Steve to put together an economy Hackintosh for me some 18 months ago, the uses and design dictates were simple. The prime use for the machine would be to provide streaming stock quotes and related data feeds on two 21.5″ displays as well as acting as a backup in the event something went wrong with my main desktop machine, the nuclear powered, state-of-the-art HP100+. Accordingly the economy HP10 sports a Sandy Bridge i3 CPU, a second-hand nVidia 9800GTX+ GPU and a couple of regular spinning disk hard drives, each a modest 500GB.

The machine has proved excellent and is running OS Mountain Lion 10.8.3, the current version of the best OS on the planet.

The other day, when upgrading the living room TV from 42″ to 55″, I remarked how inexpensive large CD displays were becoming, and that triggered the idea to swap the HP10’s two smallish monitors for one big one. The cheapest 32″ LCD (actually 31.5″) I could find at Amazon was the Seiki LC-32G82 for $220, delivered from Adorama in NYC. Since then I have discovered that Kmart in the Bay Area peninsula stocks the same set for the same price, and I would counsel buying locally as QC with these cheap Chinese sets seems iffy. A local purchase makes exchange easier.

The screen area of a 31.5″ set is 215% that of one 21.5″ display, so the total screen space is largely unchanged, but in a much more elegant setup. Proceeds of sale of the old displays will pay for the new.

I wall mounted the set – it only weighs 29 lbs, using one of the original 100mm VESA mounts bolted to a $10 adaptor plate, the mount attached to the wall via a batten which is bolted with lug bolts to the studs in the wall. The distance from screen to wall is a total of 7 inches, and the surface is semi-matt, posing no issues with reflections.


Adapter plate for original VESA mount installed. Pillar for supporting plate has been removed, top.


On the wall. Pillar for supporting plate visible underneath, not yet removed.

While the display will be used exclusively for my day job, I took a moment to test it with Lightroom to determine whether it could be used for photo processing. First I tried a Mini DisplayPort to HDMI connector then a DVI-A to VGA one. Surprisingly, the VGA connector rendered considerably higher resolution so that’s what I am using. VGA, an analog feed, is not supported by EyeOne’s Display One software and colorimeter, so I profiled the display using Apple’s excellent utility (in Expert mode) found in Sys Prefs->Displays->Color, with final fine tuning done by eye against one of my calibrated Dell 2209WA monitors attached to the HP100+.

The results are really excellent and I illustrate this below, first with a JPG exported from LR on the HP100+:

Next is a screenshot of the same image on the calibrated Seiki:

Judge for yourself.

So the Seiki is more than usable as a very cost-effective large display for processing images. 32″ for photo processing is really large so your workspace really needs a decent setback so that your nose is not in the display, but after a few minutes use there’s no going back.

What are the drawbacks?

Well, it’s not as elegant as a big Dell Ultrasharp, sporting a relatively broad, glossy bezel. Though it’s only 60HZ that is fine for watching fast moving sports like Formula One through BBC’s iPlayer. By contrast, the same sport viewed on any of my three Dell 2209WA displays is poorly rendered, with much smearing/doubling in full screen mode. At this point I’m beginning to wonder why I spent $1,000 on the three Dell monitors …. The Seiki is 1920 x 1080 (16:9 widescreen), not the higher resolution 2560 x 1600 (16:10 – much nicer) sported by the Dell. And the warranty is one year compared to three. Wake from sleep is some 20 seconds, compared to 1 second for my Dells if that’s of concern.

On the other hand, the current Dell 3014 runs $1,300, so you could get almost six of the Seikis for one Dell. And you can dispense with separate computer speakers or a sound bar as if you are using VGA with a green motherboard socket, a separate 3.5mm coax cable delivers sound through the Seiki’s built in speakers which are quite decent sounding.

It’s an enticing proposition for photographers on a budget. If you decide on one, be sure not to get the $20 cheaper 720p version. That’s false economy. The correct model designation is LC32G82. While you can pay many times the amount asked for slimmer, more chic-looking sets, the finish of the Seiki is first class with tight seams and no blemishes on my example. The stand is very sturdy and the massive support pillar easily removed (six screws), replaced by a supplied blanking plate for wall mounting.


Easily read on a 32″ display. Click the image for a larger version of this Seiki screenshot.

Oh! and one other thing. You can always watch the TV on this display!

Adobe’s Creative Cloud

Smoke and mirrors.

The funniest thing about the above piece of prize BS is that Adobe would think its consumers so stupid as to publish it. Behind this self-serving and disingenuous prose is the fact that Adobe will no longer issue disc updates for Photoshop. CS6 is the last one there will be. Thereafter, you either sign up for a monthly rent (fee) to get the new CC and updates, or you are stuck with CS6. Adobe says the rental rate will be the same as the upgrade fee we have all been paying them every 18 months or so, and if you believe that will prevail I have a nice bridge for sale in Brooklyn you might be interested in.

Of course, every business wants rental income, a steady revenue stream beating a staccato one. But the reality here is the following:

  • Photoshop has peaked. The tinkering at the margins in CS5 and CS6 are hardly compelling upgrade reasons.
  • Adobe’s pricing for new buyers of Photoshop is beyond ridiculous. $600 for the first time buyer. All this has accomplished is the creation of a burgeoning piracy industry with ‘free’ copies available for download on any number of illegal torrent sites. To attract first time buyers Adobe should do what Apple did with OS X. Reduce the price to discourage piracy and spur legal purchases.
  • Adobe’s pricing recognizes that Photoshop is about done. They can blow smoke telling you that your software will always be up to date but significant updates – like CS3->CS4 etc. will likely disappear.
  • Professional users may well like this as will teachers, but you have to wonder what the effect will be on the broader user base.
  • Adobe has stated that while Lightroom will be available through the cloud, disc copies will remain available. I’ll bet you dollars to doughnuts this option will go away soon. Thus the large amateur population of LR users who look for free upgrades for the latest RAW file formats will be forced to choose between the CC rental model or will simply go elsewhere. I’ll go elsewhere.

We will see what sort of push back Adobe gets from users and whether they will change their spots. But to say that your customers “…. are some of the most influential people in the world” while simultaneously emasculating them is not what I would call a basis for a long-term relationship.

The Hackintosh and Blu-Ray

Another step forward.

It’s no great secret that Apple has never included a Blu-Ray reader/burner in its computers. Maybe they are right. With the increasing availability of HD streaming video they have concluded that BR makes no sense. Maybe their greedy profit margins on their mostly mediocre hardware couldn’t survive the markup? Who knows?

A related problem is the dishonesty of the movie studios. Ever interested in hosing the consumer down for something claimed to be newer and better, a lot of classic movies have been cynically copied to BR discs with no effort made to go back to the original film stock, no enhancing of signal-to-noise ratios, no scanning of the original images and no great sound. That’s a lot of no. So you often get a poor transfer whose major distinguishing feature from the SD DVD is the price.

My choice for my inaugural Blu-Ray movie is Lawrence of Arabia. Robert Harris is recognized as one of the most adept restorers of old movies, and every frame of the original 65mm film has been scanned, retouched, color corrected and so on. A true labor of love. So I started with a Blu-Ray disc created from his restoration.


El Orance at the Red Sea, Aqaba.

But first the technical details.

The HackMini, my TV Hackster, uses a modest Gigabyte H67M-D2-B3 motherboard and an equally modest EVGA GT430 graphics card, the last sporting VGA, HDI and DVI outputs. It runs OS X Lion 10.7.4 because there’s no earthly reason to upgrade. I have long used it with VGA connected to the TV set with a separate 3.5mm coaxial cable for sound. It has worked really well. An expert Hackintosh friend (thank you, PB!) had alerted me that getting the HDMI port (it conveys digital video and audio) working is quite a challenge. For those into Hack matters, the DSDT.aml file has to be edited extensively and depending on your hardware, additional drivers (‘kexts’) may have to be installed. It all looked a bit forbidding, and my ace hacker and Hackintosh guru FU Steve was out of town, so I got down to the hardware part first.


The inexpensive nVidia GT430 – this is the VGA/HDMI/DVI version in the HackMini.

The cheapest Blu-Ray reader/burner I could find was an LG for all of $44 – prices seem to fluctuate daily:

As you can see, the size is the same as that of its predecessor, and replacing the original Sony drive was a matter of a few minutes, helped by the ample space in the HackMini’s enclosure. MacMini owners need not apply ….

Next I connected the drive to the TV using an HDMI cable and rebooted. Naïvely thinking that I could use the latest version of the VLC video payer with Blu-Ray enhancements added, I fired up the app and got an error message. The Lawrence of Arabia BR DVD is encrypted and will not play through VLC.

So I hunted around a bit and came up with BluRayDVDPlayer and had a perfect picture first time but …. no sound over HDMI. You can try this app free, the $40 price registration removing the obtrusive watermark. Sure enough, looking in OS X’s System Preferences->Sound disclosed no HDMI output. I checked out the hacking instruction at Tonymacx86 and was less than enthralled, so I reconnected the drive to the TV using a VGA cable and separate sound cable. Ha! BluRayDVDPlayer takes the digital sound feed and makes it available to the analog VGA feed. Wonderful. Video and audio was now working. So the all in cost was $44 for the hardware and $40 for the application. But nothing is every clean in Hackintosh land. For once, those unfortunates who do not get it, AKA Windows users, can click right through.

But try and buy the Mac app from the BluRayDVDPlayer site and nothing happens when you click the ‘Buy Now’ icon.


Click the image.

However, right click or ‘control-click’ on ‘Buy Now’ and ‘Open in a new tab’ and you are up and running. A code is immediately emailed to you, easily input, and the watermark is gone. The interface is exquisite, the tuning Preferences engineered by users – lean and mean, fast, unobtrusive – and the app appears to be regularly updated for the latest nefarious copy protection schemes of the fools in Hollywood who earnestly believe that buyers will make 35GB copies for distribution to their friends. Right.

Update September 24, 2013:

Since updating my TV media PC to a Mac Pro using the same excellent nVidia GT430 card, I have had great success using the HDMI connection from the Mac Pro to the TV using this HDMI hack referenced here with BluRayDVDPlayer. A fine product. The only anomaly was that on occasion a Blu-Ray movie ripped using MakeMKV would not reproduce sound, somwething that could be remedied by going to Audio->Audio Device->HDMI (Encoded Output) and switching to Audio->Audio Device->HDMI. I dropped the developers a line asking how to make the latter the default audio setting, as it works with all movies (and also respects the scroll wheel on my BT mouse for volume control) and immediately received the following response:

This works perfectly. Try getting this sort of service from the big boys in Cupertino or Redmond ….

Update ends.

So what about the experience?

Lawrence of Arabia in Blu-Ray is truly starting at the top. A photographer’s dream. As I wrote in the introduction of this piece, it is overwhelming, one of the greatest movies made, its great length but a flash as you sit, enthralled. I once saw it at the Carnegie Theater on 7th Avenue in NYC in 1985 on a large screen and really that is the way it should be seen. But a decent sized home TV and this splendidly remastered Blu-Ray DVD come pretty close. I’ll leave you with two images, a mere 1000 pixels wide – no prizes for guessing which is which.



Subjectively? Blue-Ray leaves HD streaming content in the dust. Regular DVDs? Not a chance. Netflix will happily rent you Blu-Ray DVDs for a monthly premium of $4. Their catalog now numbers some 3,300. Just make sure the ones you rent have really been remastered (Amazon reviews are good for this) not some slimy hack copy of a low quality DVD file.


The home screen on the HackMini.

Indy developers rock!

Thank you, DVDpedia.

I have been using DVDpedia for over half a decade to catalog my burgeoning movie collection. Because all my movies are stored on hard drives, the discs discarded, DVDpedia also has a priceless feature which not only looks up a new movie in Amazon, returning all the details of actors, director, dates, cover art, etc. it also allows links to the file on the harddrive to be made with ease. Thereafter, any movie is one click away, with all the search and sift benefits denied those who store discs on bookshelves. Try finding all the discs starring James Stewart under Alfred Hitchock’s direction, or finding all the Suspense genre movies on your bookshelf in 5 seconds. Indeed, the number of DVDs chez Pindelski is exactly one, a remsastered Blu Ray version of Lawrence of Arabia which I am using to get a new Blu Ray reader installed in the HackMini to work over HDMI. More of that later.

DVDpedia permits the user to set up ‘Smart Collections’ and I have done this for favorite Actors, Directors and Genres. Now my voice controlled TV (“Winston, pull up all the Hitchcoks, please”) system is complete.

Anyway, when I upgraded the TV from a 720p 42″ to a 1080p 55″ the other day, it immediately became obvious that the grid view font was now so small as to be unreadable:

So I dropped Conor at Bruji, the author of the app, a line with a screenshot.

Two days later he sent me a re-coded and recompiled version which, with the addition of a couple of simple Terminal commands which he provided, delivered this:

Now all is readable again at my preferred 10 feet viewing distance. I even saw the typo in the left bar at last!

This is the sort of thing which makes it so great to have independent developers around. Truly bespoke customer service. Thank you Conor.

You can buy DVDpedia for a very modest sum by clicking the image below and I recommend the app without reservation. Variants for Books (which is what you see when you click on Books on Photography at the base of this page), CDs and Games are also available, and the iPad/iPhone version is wonderful when you want to quickly check whether you have a movie or not, as it syncs your Mac with the mobile device.


Click the picture to go to the Bruji site.

Movies are a huge source of inspiration to any photographer and you simply cannot have enough. Online services tend to see movies come and go so it makes a lot of sense to keep local copies for home viewing for those occasions when they are not available elsewhere. Mine reside on two Mediasonic hard drive enclosures, holding four 3TB drives each.

I understand from Conor at Bruji that he hopes to add the extra large font option in future releases of his application.

Update May 10, 2013: The Extra Large font feature has been added and you can download the enhanced application here. You don’t even have to do any additional code input with this version.

The best computer ever

Flashback to 1981.


The Osborne 1.

That’s a big claim, so let me step back a moment. The first personal computer which was actually usable by regular people was the Apple II, introduced in 1977. It cost some $2,500 plus lots more for a disk drive and software, appealed to a small cadre of visionaries – rich visionaries – and was out of my price range. When the Osborne I came along, it was some 100% cheaper than a loaded Mac and was quite perfectly ugly by comparison. Ostensibly portable, it would take a Schwarzenegger to justify that claim, for the Ozzy weighed in at 25lbs. Worse, it came with an awful 52 column by 25 row grey-on-black CRT display, quite unreadable to all but F15 pilots with 20-20 vision. So another $100 procured a 12″ green CRT display which was actually usable. The two disk drives were inept beyond belief, two single-sided 5 1/4″ floppy drives, each floppy storing but 360k of data. A few months later a 300 baud modem was made which slotted neatly into the fascia and provided dial-up access to …. well, not very much. I used The Source, a dial-up bulletin board which was great for exchanging use tips. The case, in cream plastic, was poorly made, the seams awful, and closing the box up was not a pretty matter. There was no battery – how much did you want to carry? – and the keyboard/cover was connected to the body with a broad and fragile ribbon cable.

Yet it was fabulous.

You what?

Simply stated, it came with the greatest package of software on earth. And that software was to be inextricably linked with my Unfair Advantage. Where others blew their coin on wine, women and song, I blew mine on what Steve Jobs famously called ‘A Bicycle for the Mind’. Man is a tool using beast, the feature which distinguishes him from other primates (OK, otters are pretty cool), and the Ozzy’s software cornucopia provided more leverage for the mind than Archimedes ever dreamt about.

The Ozzy sported a grand 16k of memory, a good chunk of which was taken up by the CP/M operating system, which had to be loaded from a floppy every time the machine was fired up. Hence the two floppy drives – one for the OS, the other for data. You would fire up the OS, then insert one of the software floppies to invoke the application of your choice. The bicycling mind still thought this was a great return on time invested.

And here’s the magic sauce. The software the Osborne came with still constitutes the bulk of my computer knowledge. It was outstanding in every regard.

The CP/M OS was superb – small, lean, fast, easy to learn as long as you were prepared to type commands on the one line command-line interface, confronted with a small flashing cursor which left everything to the imagination. When Microsoft’s DOS was introduced later, with the IBM PC, it was very much like using CP/M. I do not recall a lockup with either.

Once the OS was up and running, a minute or two of grinding from the left-hand floppy, you pulled the disc and installed one of Basic, Supercalc, Wordstar or dBaseII. What a thrill!

The obviousness of Supercalc, the second spreadsheet app after Apple’s Visicalc, was true magic once you got it. Learn how to input numbers and letters (‘strings’ in the Osborne’s arcane manual), input your first 2+2 calculation then change one of the cells to 3 and …. magic! 5 appeared on the screen. And while the spreadsheet has created more wealth destruction through its undisciplined interface, lacking all control and intellectual rigor, it was a ‘light bulb’ moment. Since then the spreadsheet has been the cause of insane, the tool for massive fraud by investment bankers back-solving for the desired input and continental depression, yet that ‘magic 5’ remains a moment I will never forget.

Continental depression? Why, yes. Just last week it was disclosed that two ‘esteemed’ economists – a contradiction in terms if there ever was one – funded by knuckle-dragging conservatives, had made fundamental formula errors in solving for their desired result. The conclusion from their spreadsheet? That Debt:GDP ratios exceeding 90% meant the end of the world. These ‘distinguished’ economists – two frauds named Reinhart and Rogoff – convinced western Europe that austerity was the only way out of the global recession. The only snag is, had they got their formulas right, they would have come up with a different answer and austerity would never have raised its ugly head, instead of ruining the economies of Great Britain, France, Portugal, Spain, Greece, Italy and so on. So yes, while the magic of the spreadsheet was immediately obvious, it was every bit as obvious that you could work that magic to get to any answer you wanted (investment bankers) or screw up royally and procure additional funding from your masters at the right-wing think tank (R & R).

The Basic app was outstanding. After mugging up on the language it was a simple matter to write your own routines to perform recurring calculations. Sort of a one cell spreadsheet. When the IBM PC came along a couple of years later the only software it shipped with was DOS and ROM Basic, the latter written by none other than Bill Gates himself, and it was what I used to codify bond math to a point where all the user had to do was input a variable and have the result appear instantly. A one cell spreadsheet calculator, if you like. The error, if any, was made at the coding stage, not at the calculation step.

Wordstar was a blast. For the first time I could write – and write copiously – and print the result to a 9 x 9 pin Okidata dot matrix printer. Trust me, that was a whole lot better than my handwriting. The wonderful Toshiba 24-pin variant came along two years later and suddenly dot matrix approximated the one-use carbon ribbon in the IBM ‘golf ball’ Selectric typewriter. Best of all, you could hack the source code with ease, though I still recall one evening when I was adding my own tailored commands to the menu only to come across the programmer’s invocation “You should not be looking here!” buried in the source code. Computing on the frontier was an absolute blast back then. And because you only had some 6k of memory left after the OS and Wordstar were loaded, Wordstar would permit near-infinite length documents by simply paging through them by swapping the contents of memory to that other floppy. Brilliant. Photoshop uses that technique to this day. And you could spread your magnum opus over as many floppy disks as your wallet could afford. Tolstoy would have loved Wordstar.

But all of those pale when it comes to applied rigor and discipline, and the name of this unforgiving teacher was dBaseII. dBase was originally written by Ashton Tate for the CP/M OS and it taught programming discipline like nothing else. Sure, you could carve out ‘if-this-then-that’ rules for special cases, but large populations of data hew to the rules of large numbers, with 80/20 rule sets very much at their core. You did not have to carve out too many exceptions when sorting through large data sets. I taught myself database programming using a book which profiled Fred’s Fish Shop, taking you thorough sales, inventory, receivables, payables and so on, all absorbed on daily commutes on the M104 bus in Mahattan on the way to work. Sure, the bus took longer to get to Wall Street than the RR subway from my Westside place, but it was air conditioned and the extra time was welcomed, dictating only that the alarm clock be set some 30 minutes earlier. When philosophical reflection on the plight of man was called for, all it took was a glance out of the window as the bus labored down Broadway, the passengers alternating between white, brown, yellow and black, then white again. The availability of a superbly powerful database management system for the price of the Ozzy was so overwhelming an economic proposition that I went out and bought Ashton Tate stock without a second thought. The return on that investment yielded my next computer, the first IBM PC.

The rest is history but the Ozzy can fairly be said to have been my greatest teacher ever.

Graphics User Interfaces? That was all much later. 1984 to be exact when the Macintosh arrived. And photo processing on a computer was a dream which did not see reality until 1990 with the introduction of Photoshop, only on the Mac! The first Nikon (not so) affordable scanners came along a few years later and suddenly all your images could be made digital and easily manipulated, be it Mac or PC. But that Ozzy, or more correctly, its software bundle, paved the way for this computer ingénu and all that followed.


The view east toward the MONY building, winter 1981,
as I learned dBase II on the Ozzy from my apartment
at 310 W 56th Street, New York City.
Leica M3, 50mm Summicron, Kodachrome 64.

The Ozzy passed to my niece at Champaign-Urbana, University of Illinois, upon which she wrote her dissertation which got her a first in brain studies. Or something. Way over my, err… head.