Category Archives: Software

The Lightroom 4 book by Martin Evening

Just buy it.

While there is a case to be made for non-photographers testing new hardware – after all you don’t have to be Annie Liebovitz to stick a camera on a tripod and shoot a test chart – no such argument can be sustained when it comes to writing software instruction books.

The hardware case is exemplified by sites like DPReview. Many do a good job of explaining and comparing features and performance, while attended by the worst photography on the planet. None of this is helped by a commentariat frequently focused on flame wars over brand X versus brand Y. But, as long as you stay away from the noise passing as commentary, sites like DPR add value to the hardware decision.

On the software front you have many poseurs passing as experts with one common attribute. That is, they seem to be software gurus who grew up with Photoshop and think that their familiarity with the arcana of vector based rendering makes them Cartier-Bresson’s peer.

That is why it is so easy to recommend Martin Evening’s latest Lightroom book, which addresses Lightroom 4. He is a working professional photographer, a good one at that, writes clearly and illustrates his recommendations thoroughly. I have previously bought his LR v2 and v3 and PS CS5 books, and recommend the latest unreservedly. The section on the use of the new enhanced localized adjustment tools alone is worth the price. Mine ran me $30 at Amazon US.

Having bought v2 in paperback and v3 in the Kindle version for the iPad, I find I much prefer the paperback for ease of cross reference and quick access to features I need to understand. At least I don’t have to recycle v3 – the Delete button being all that is needed.

The Nikon D700 and geotagging – Part I

Where was I?

The addition of enhanced geotagging in Lightroom 4 prompted me into looking at options for recording GPS coordinates using the Nikon D700. The camera provides EXIF data fields to store latitude, longitude, altitude (!) and time. Many smart phones, like the iPhone, already record such data and the capability is increasingly making its way into point-and-shoot cameras as they desperately try to postpone the day when they will be history, trampled into the technological dust by cell phones. However, full frame Nikons, which may be around a while yet, lack this technology, so a separate device has to be used.

I looked at Nikon’s GPS receiver and immediately crossed it off the list. It’s wrong in every way. It fits in the accessory shoe where it’s waiting to be wrenched off, and the camera will no longer fit in my camera bag with the unit mounted. It uses an ungainly cable to plug in to the ten pin socket on the front and it sucks on the camera’s battery for power. Switch the camera off and the unit is switched off, meaning 30+ seconds to reacquire a GPS lock when next switched on. (First data acquisition is typically 30-40 seconds with GPS devices, with changes recorded at 1 second intervals thereafter, as long as the unit remains powered up). Try and use the built-in pop up flash with the unit in the camera’s accessory shoe and you cannot. Finally, it’s silly priced at $195. Canon users can rejoice in the knowledge that if the Nikon’s unit is silly priced, the Canon’s means you are Rockefeller, as its GP-E2 costs $270. In that case, of course, you can afford it. It works on the 5D/II, 5D/III and some of the ‘pro’ bodies whose nomenclature I forget. Doubtless aftermarket solutions exist at sane prices.

The right way to do this is to use a very small Bluetooth receiver which plugs directly into the D700’s (or D800/D3/D4) body, deriving GPS data from a separate GPS data logger. The data logger has its own battery to do the heavy lifting of acquiring coordinates from satellites, transmitting these to the receiver on the camera, the latter using modest amounts of power from the camera’s battery for the Bluetooth circuitry only. The logger can be left on all day, as it has a ten hour life, so the reacquisition problem goes away even if the D700 is turned off, as the GPS logger remains on at all times.

The only snags I can see is that you have to remember to recharge the battery in the GPS logger and that there is no ten-pin pass through port, so if you want to use any other device which needs the port, like a cable release, you are out of luck. However, the receiver does have a mini-coaxial socket for remotes so if I can find the right cable I should be able to use my wireless remote uninterrupted. Well, there is one other snag, but it’s unlikely to bother me. the software which comes with the logger will run on Windows only, displaying your journey details. It’s not a snag as it will be a cold day in hell before I ever use Windows again and and I really do not need to retrace my travels. All that matters to me is knowing where the pictures were taken.

The GPS Bluetooth receiver.

The receiver ran $60 on eBay and as the grammar-free English confirms, it’s shipped from China. The vendor is named “photohobby” and lists the device as “Bluetooth GPS adapter AK-4NII for Nikon D4 D200 D300 D300s D700 D2Xs D3 D3s D3x”.

The GPS device itself looks like this – “photohobby” lists a large range of devices which will work:

i-Blue MobileMate 886 Mini Bluetooth GPS Receiver.

I chose this one because it was the smallest and lightest out there, yet still promises a 10 hour battery life. You keep it in your pocket or in the camera bag, switched on while snapping. It cost $47 shipped from CA to CA, Amazon and many others carry it, and comes with USB and car charger cables. Weight is negligible.

Thus my total geotagging investment is $106, or almost half the price of the Nikon OEM solution with its poorly thought out design.

Now, I would love to tell you I have upgraded to Lightroom 4 and gush on about how wonderful it is but there are two reasons I cannot do so. First, I’m not some whore who adulates Adobe in print because I make a living from teaching the illiterate how to use their products. Second, Adobe’s servers are down and I cannot download the upgrade. What else is new?

However, the geotagging functions in LR4 seem easy to use and I’m of the mind that soon geotagging data will be expected, rather than just a novelty. Here’s a snap of how photo locations appear in LR4:

Geotagging in Lightroom 4.

More in Part II when the mail from the People’s Republic arrives. Hopefully, Adobe’s servers will have been fixed by then.

Alternative approaches:

As I seem to be getting a lot of emails on alternative GPS recording methods, all of which I researched before writing the above. Here’s is why I avoided them:

  • Use software to extract GPS data from your smartphone or GPS device, then sync it with your photographs, hoping that you remembered to sync the camera’s clock with the one in the GPS source as that’s the lookup field used for matching. Uh huh.
  • Hack your iPhone to unlock it using something like Cydia, which permits you to access your iPhone’s GPS data stream and Bluetooth output with like functionality to the i-Blue gadget I bought, above. And you are OK with draining your iPhone’s battery really fast? And you are OK with re-hacking it every time Apple does a software update and disables past hacks? And you don’t care if you can’t make calls when you brick your iPhone and have to restore it?

I guess it all comes down to what your time is worth and whether you prefer futzing about to making pictures.

iBooks Author

Roll your own.

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iBooks Author is free OS X (Lion only) software from Apple which makes it relatively easy to create ebooks with interactive content. The user interface will be familiar to anyone who has used iWork’s Pages or Keynote with content easily added using drag and drop.

I wrote about how easy it is to create ‘flat’ PDF photobooks using Pages here and if you want to see the difference between a flat book and an interactive one, take a look at Al Gore’s excellent offering on global warming. That one took a large team of programmers and is full of very high quality content. iBooks Author (“iBA”) makes it simple for anyone to create something almost as polished, in a fraction of the time.

For traditional novelists, this is a waste of time. There are multiple self-publishing services like Lulu and Blurb which do just fine with text and a modicum of pictorial content, though the latter quickly becomes price prohibitive. And for most photographers iBA adds nothing that cannot be done as well, or better, on a web site. But if interactive content is your thing – touch a map, see a picture, hear sounds, look at graphical data and so on – then iBA is an appealing offering.

I downloaded the app and found it easy to use. There are only six templates provided but you can bet that number will grow quickly. Adding movies and touch-interactive content is simple. Best of all, you can simply attach your iPad to your Mac (iBA is for iPad output only, no iPhones) and preview your work in the iBooks iPad app. This works well.

iBooks Author outputting a draft to the iPad.

Economics and Marketing:

In exchange for making the app available at no cost, Apple dictates that any sales be made through its AppStore, meaning they keep 30%. If your product is free, you can distribute it either through the AppStore or directly. While this has caused much protest from the brigade of wooly thinkers who dominate the blogosphere, there is nothing wrong with this. If you don’t like the exclusive distribution model just wait a few months for competing products for Android to come along, as they surely will. Or simply create a web app where updates require no new app downloads. So such criticism misses the point. The AppStore is not a marketing medium, any more than Blurb or Amazon is a marketing medium. It is a distribution mechanism. Without marketing your one book is lost , buried in one million apps in the AppStore or five million books at Amazon. It will sell to friends and relatives only and to you as a ‘vanity’ sale. When was the last time you found an app by looking in the mess that is the AppStore? Chances are that, like me, you heard about it by reading a blog or newspaper of interest. [/column][column width=45% padding=5%] Without that sort of exposure it doesn’t matter what percentage Apple monopolistically commands, as your income will be precisely zero. So iBA does not take away the need to market your product. It’s a creative tool, not a selling one. Absent marketing, your presence in the AppStore is worthless and Apple’s claim to exclusive distribution is meaningless.

For photographers, iBA is a mixed picture. For traditional still makers it adds little and takes away much from what can be done with a traditional web site. Your display is limited to the small confines of an iPad’s screen and moving around content can be made far easier in a web site. But for photographers who need the interactive capabilities, this could be a powerful creative tool. One reader suggested this would be an ideal mechanism for making his forthcoming book of flower pictures, a variation on the traditional travel book. Touch the snap of the location and you get a map. Touch a flower in the snap and you get details and close-ups. Generally, tour books, be they of cities, art collections, geographies and so on are ideally suited to this presentation. But for the traditional high quality print maker, a web site remains superior.

Apple’s intended market:

Apple is targeting iBA at books for US high school students. Good luck with that. First, America is a nation which denigrates education. Look at any political campaign and the educated candidate will be accused of elitism. God help him if he also happens to speak French. It’s an attitude which has taken US public schools from first to worst in the Western world in a generation, aided by corrupt unions who prevent dismissal of illiterate teachers and school book publishers who rape the system with $75 text books whose production and distribution cost is $5 at most. It’s a $20bn annual revenue business. Their sole marketing costs are the occasional bribe/political donation to make sure their book is accepted by the system. So getting these entrenched interests to budge is a Sisyphean task, the publishers’ promises to make iBooks text books available for $15 notwithstanding. Finding the money in the public school system for all those iPads is likely impossible, compounded by high theft and damage rates. This will simply widen the gulf between private and public schooling. Private schools will require parents to provide iPads to their children, or will do so from endowment funds, while public school students will continue with 15th Century technology while political debate rages. And simply moving to a better area to avail your child of better public schooling will not cut it. The system will never permit one school to have the technology denied another. By definition, a system which refuses admission to no one will always cater to the lowest common denominator. Further, pandering by politicians to minorities with the resulting corrosive effects of biculturalism (my son needs to learn Spanish why, exactly?) will only see a broadening of that gulf. Sorry, but I don’t recall Spanish being spoken in America’s boardrooms, which I have frequented a good deal, other than by the cleaning staff.

Value for photographers:

So iBA has a place for photographers seeking an interactive presentation for their work. For all others, be they public schools or traditional print workers, there’s nothing here to look at. The print worker already has superior tools available, and the public school is beyond saving.

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Lightroom 4 Beta

Meh!

You can download the Beta version of Lightroom 4 here. Windows XP users are SOL.

After a quick look and comparison of pictures on identical monitors side-by-side against LR3, here are my observations:

  • Not a major upgrade unless you do movies.
  • RAW Import and preview generation speed no different from LR3.
  • Despite renamed sliders for Highlights and Shadows I found I could exactly replicate the effect of these in LR3.
  • Enhanced local adjustments nice to have; overall adjustments, while renamed, add little to LR3 viewed on 2 monitors side-by-side.
  • The localized Sharpness adjustment range is still frustratingly narrow, requiring export to Photoshop if you want real control.
  • Export to Blurb is nice – if you like Blurb – but there are canned export plugins for other services for LR3 – I use the one for Shutterfly.
  • No Content Aware Fill added. Still need to roundtrip to CS5 to do that.
  • GPS? Only my iPhone 4S has that so of little use.
  • Soft proofing no biggie – you could do that through Mac Preview in LR3. And you cannot soft proof on your secondary display, only in the main one, which is kind of stupid.
  • ‘Adjust Print Brightness’ is BS as you cannot preview it – at least I cannot find out how – and it’s no excuse for proper printer setup.
  • No crashes or hitches (OS X Lion 10.7.2), though switching to the Develop module rapidly refreshes the screen a couple of times – easy fix for Adobe.
  • No help files – click Help and you get LR3 Help.
  • ‘Email a photo’ implementation sucks as it does not access the Contacts app on my Mac, meaning you have to input the full email address, and setup is awfully clunky. Adobe needs to integrate this better to make it useful. Right now it’s faster to export a JPG and drop it on Mail app.

The localized Develop adjustments panel in Lightroom 4.

Email setup in LR4 – of course you know your SMTP Server and Port, right?

While I will be upgrading after all the usual debugging is concluded, simply to keep current, the best thing that can be said is that Adobe appears not to have broken anything in what is already a robust and stable cataloging/basic processing/printing tool for RAW files.

Zite

A news consolidator for the iPad.

For the past year my default RSS feed reader on both the iPhone and iPad has been Reeder, a product well attuned to the touch interface and continually improved. I use it for RSS feeds I elect, thus making an efficient process of reading just those sites which interest me and making it unnecessary to visit to see whether updates exist. Reeder looks at your RSS feeds in Google Reader (yes, the company which :”Does no evil” and derives content based on those.

A new class of feed reader is coming along as an adjunct to Reeder, and one example is named Zite. If you wonder about the name it’s derived from German under the mistaken impression that Americans actually speak more than one language. (Had this been a News Corp app it would have been named ‘Scheiss’).

Zite also goes out to your Google Reader account (and Twitter and others) to look at what you are reading then returns stories based on the most popular sites within your interest areas:

So, for the most part, there’s relatively little overlap between what you choose in Reeder and what Zite chooses for you based on your Reeder feeds. The layout is magazine style and on my iPad1 everything loads quickly. Setup is a breeze, with the user choosing major categories of interest, which you can see down the right hand column:

Touch ‘Photography’ and you get:

Touch the story for the full text. Swipe left for the next page under the same Section heading.

There are links on the right of the iPad’s display (not shown above) which permit emailing or saving to Instapaper, etc. Nicely done.

The app uses the touch interface really well and I’m enjoying it greatly, not least for some of the unexpected source materials it presents. The one shortcoming I have asked the developers to address is that once read a story should be ‘greyed out’ to make the whole thing more efficient. With so many stories, I find that I was choosing ones I had already read before they were relegated to the dustbin of history.

Zite is free and I have not been troubled by any intrusive advertising.

Bad news – 11/2015:

Too good to last, Zite is closing down 12/7/2015, asking that you join some foul social network instead. Hasta la vista, Zite.