Monthly Archives: December 2010

My Years in Alaska – 1977-1980

A start in America.

These pieces generally run annually in time for Hanukkah and Christmas.

A year ago I wrote of my Years in Retail, chronicling my last few years in England before boarding that PanAm flight to Seattle, WA, one way ticket clutched firmly in hand.

I was en route to Anchorage, Alaska where my firm had agreed to transfer me for a two year tour. I had worked with Americans in London and their work ethic, technical skill and sheer joie de vivre had told me that was where I needed to be. I had no intention of ever returning to UK residency, if I could swing the immigration thing.

My Leica M3 accompanied me in the cabin of the jumbo jet, which was barely half full. The years of cattle class had yet to come. With its 35, 50 and 90mm lenses it had served me well since 1971 and now, six years later, was still everything I ever wanted in a camera. It would continue to do duty for another amazing 31 years. But as my one way journey was to the New World, I resolved to give up monochrome film and started using Kodachrome. This was as much expediency as choice, for I knew I would not have a darkroom again for many years. In the event, history discloses that my darkroom years were over, for good. And thank goodness for that. I always simply hated darkroom work, forcing myself to become good against all the mental obstacles of this supreme waste of time.

When the PanAm jet touched down at SeaTac airport on November 16, 1977 I was bankrupt. My assets comprised the Leica, one suit from C&A, three shirts, a couple of ties in purest polyester, a turntable, a few LPs, and some ancillary sound gear. And four thousand dollars in debt, half borrowed from my sister in Seattle, where I was to spend the next few days and the rest from my employer. The former was spent on warm clothing for the brutal Alaskan winter, the latter on my first car when I got to the frozen north.

Why Alaska? Simple. First, the business opportunity was great. The TransAlaska Oil Pipeline had just gone live, the state was awash in money and the opportunity for lucrative consulting work abundant, aided by an entrenched and complacent competition. Yes, the climate was fearsome but you got six months of cold and six months of sun. Coming from London I was used to 9 months of wet and grey and 3 months of sun, so you might argue that was an improvement. But, most importantly, one of the dictates of obtaining resident alien status – meaning freedom of employment with anyone who would care to have me with no visa to expire – was the so called Labor Certification process in which one had to prove that he was not taking a job from an American. Not so easy to do in New York City; pretty easy in Anchorage, Alaska. If you could prove that and stay out of gaol, your temporary work visa and permit magically became a green card, easily the most valuable piece of bureaucratic paper I would ever get in my life.

And a young man – I was all of 26 – cares little about a bit of cold when opportunity beckons. I could have the best of what I had earned in England, meaning my education and accent, and the best of what America offered, infinite opportunity and low taxation. Here was a country that adulated entrepreneurs and risk, even though it may have had a massive inferiority complex about class and breeding so, although poor as a church mouse, I franchised the hell out of the fact that I spoke better English than most of my former countrymen. And it was certainly not a language in common use in my new home.

Having never been in America before my sense of the country was shaped by a couple of influences. English snobbery (“Thomas, why would you want to go there? It’s full of Americans” my boss told me when I informed him I was quitting London), American friends I worked with in England, the Times of London before it was destroyed by an Australian barbarian and, of course, the movies. The Times had informed me that America was led by a genuine, primal idiot in the guise of one Jimmy Carter (they were right) and the movies told me it was big. They were right too. Now you might think that immigrating to a nation led by someone whose forbears probably married too much within the family was not the move of a wise man, but if you knew just how bad things were in 1970s England, you would have moved, too.

So when my sister drove me along the Seattle freeways, six lanes in each direction in a car the size of a house, I would be lying were I to say I was not awestruck. That and the incredible warmth with which everyone welcomed you made the first few days of culture shock easy. Even five day later, on November 21, 1977, as I landed at an already frozen Anchorage and drove down the (one) freeway into town, ice fog swirling all around, I was undaunted. This was opportunity writ large. And yes, it was bloody cold. Don’t ever ask me to feel sorry for you or your climate – you have no idea until you have spent a couple of winters in Alaska.

My very first week in Alaska saw my first Thanksgiving Day. Now I confess I had never heard of the occasion before. In England, after all, there was little to give thanks for. So when Don Peterson and his family welcomed me with open arms to their home that November, 1977, it’s fair to relate that I was bowled over by a table set with turkey and more food than one could imagine. There were yams and sweet potatoes, both new to me, enormous hams, bowls of stuffing, apple and cherry pies galore and kids and neighbors everywhere. The warmth and openness of this welcome was something I would experience time and again in this great nation and still feel to this day. Americans, for all their faults, are the warmest and most generous people on earth. Thank you, Don.

Work progressed well. My technical skills had already been honed in American ways after several years in London working for Americans and I was just hungrier than the competition, quite literally at first. A typical immigrant. No wonder the welfare losers in America are threatened by us. I had to work off my four grand debt, make a deposit on a rental and generally keep body and soul together. Thank goodness for expense accounts.

After the first winter whose long nights and four hour days left room for little other than work, I began to settle in and started thinking of taking pictures once more. And in this wonderland whose acreage Texas could fill a few times, it was easy to revel in a landscape cast on a truly vast scale. I did the rational thing and moved from Anchorage a few miles up the one freeway in town to Eagle River to better commune with nature. Or something. It seemed like a good idea at the time.

Wasilla at forty below.

Is that forty Celsius or Fahrenheit? No difference. 40 below is the same on both scales. Meaning beyond Bloody Cold.

The climate did, in honesty, take some getting used to. In the winter you kept your camera under wraps, whipping it out to take a picture. Forty below – call it sixty below with wind chill – is no joke. Indeed. there’s a law in Alaska which says that if you see a stranded motorist in the winter you are required to give him a lift. The alternative would be hundreds of Texan oilmen frozen in the ditch into which they had just driven their Cadillacs. I’ll leave you to judge whether that’s a good thing or not. The default putdown for boastful Texans was “If we hear any more from you, we’ll divide Alaska in two and make you the third biggest state”.

Cook Inlet. Site of many an earthquake.

This is very much earthquake country. Somewhat biblically, the Big One took out Anchorage on Good Friday 1964, confirming the belief in one half of the population that there is a God and equally strongly convincing the remainder that there is none.

Matanuska Valley, spring.

The Matanuska Valley, immediately north of Anchorage, is an incredibly fertile area for fruit, veg and marihuana growing, owing to a favorable combination of rich volcanic soil and 20+ hour days in the summer. The scale of the landscape was like nothing I had ever seen before. Or since. And I include the Grand Canyon, the Tetons and Yosemite in that judgement.

Owing to the vast size of Alaska, everyone flies. As often as not that’s to Hawaii, to escape the winter blues, or to Seattle for some R&R. Anchorage airport remains one of the more frightening places on earth. When you are not landing in vicious cross-winds, you are waiting on the frozen runway with crews hosing the wings down with ethylene glycol in a desperate attempt to remove ice and make their shape conform to something that actually provides lift.

Anchorage airport. A dangerous place.

The colors and vistas are simply to die for.

Another view of Cook Inlet.

Alaska remains the leading expert in sucking at the public teat. The wastrel eskimo tribes benefit mightily from oil royalties and the state enjoys the highest per capita income of federal pork in the United States. Such is the wealth created by oil that after my first year of residence the state passed a law abolishing state income tax. It gets better. Any resident for over a year got a tax free dividend from the state from the so called Permanent Fund where all that oil money resides. A real, live, spendable check! It was about this time that I began to realize that my decision to immigrate to the US was a sound one ….

One of my clients was in Barrow, and you cannot get further north than that in the US. 723 miles from Anchorage, if you must ask. The Alaska Airline pilots – no one with sense flew any other airline as these guys really know their stuff – would land their Boeing 727s on the gravel which passed for an airstrip. Not until I flew into the old Hong Kong airport many years later was there a more dangerous place to land. The town was rich from oil and when us whiteys walked down Main Street we would be greeted with cries of derision from the drunken and drugged natives whose sole entitlement to massive oil royalties was the luck of birthright and whitey’s guilt complex.

Barrow, Alaska.

You can see the love and environmental caring of the native Alaskans writ large in the following picture, not to mention Uncle Sam’s proclivity for stating the obvious. The sign was rather wasted on them in any case, as most are illiterate. Ah! the nobility of the native American, subsisting on a diet of illicit drugs, booze and whale blubber.

North end of Main Street, Barrow, Alaska. Keep going and you are in the Arctic Ocean.

After a year in Eagle River I determined I had had enough of this communing with nature stuff, not least as calling the tow truck every snowfall to pull my car out of the snow drift into which I had just plowed was getting really old. The colors in late summer sun in Anchorage were acid bright – etched almost.

Fourth Avenue, Anchorage.

West Fireweed Lane.

You can see my apartment – the penthouse top right – below. Sounds grand, but in reality this was a bust high end condo project which I rented for a song.

500 West Fireweed Lane, Anchorage. July 19, 1980.

And last, and far from least, the move back downtown made for some good company which it was my great joy to experience.

The author with a friend, Anchorage, 1979. Nothing beats an English accent.

The picture was taken by my friend Michael Hawker, still an Anchorage resident to this day and now a Congressman!

Having committed to two years in Anchorage the conclusion of that contract still saw me waiting on the people at the Immigration and Naturalization Service – an outfit whose customer manner makes the IRS seem like Mother Teresa – for that much desired green card. It wasn’t until September, 1980 that the Green Card finally came through and on the same day I walked into the managing partner’s corner office and stated simply that I would be leaving for New York within the month. And so it proved to be. I had done my service and left the state with maybe $30,000 in my pocket, having started $4,000 in the hole.

Sitting next to a businessman on the plane he wondered about how long I had spent in Anchorage on learning that my new home would be Manhattan.

“Well, to be exact, it was 2 years, 9 months, 11 days, 14 hours, 12 minutes and 32 seconds. But who’s counting?”

It was October 1, 1980.

I was finally on the way to the center of the world, New York City. My Leica M3 once again accompanied me in the cabin with its three lenses. Now a resident ‘alien’ I could work wherever I pleased.

All pictures taken with a Leica M3 with 35mm Summaron, 50mm Summicron and 90mm Elmar lenses, on Kodachrome 64.

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Click here for an index of all the Biographical pieces.

ZumoCast

Your own iPad cloud.

I have some 800 uncompressed movies stored on a 4+4 terabyte ganged series of hard drives, attached to a MacMini which is connected to our TV. Uncompressed because one day I believe 100″ LCD screens will be affordable and compression drops quality. That 100″ screen will need a high quality original DVD file. These movie files, in VOB format, average 4-6gB each and while you can copy these to your iPad there are two snags.

First, you will run out of space on the iPad very quickly, and you are wasting resources as an uncompressed file is unnecessary for the iPad’s small screen. Second, you are wasting your time as the iPad cannot play VOB files; it’s limited to m4v/H264 video files which average 1.2-1.3gB. So I have a few favorite movies on the iPad which I have converted to m4v using Handbrake and RipIt (where needed) but the process is very inefficient. Conversion averages 30 minutes, and I have to rotate the files on and off the iPad owing to its very limited storage.

Well, there is a miracle app for the Mac and your iPad which does everything you could possibly wish. It’s called ZumoCast and it makes your Mac or PC into your own cloud storage. It will access your movie, picture or music files over the air and can access these whether they are on the Mac or on HDDs attached to the Mac. And here’s the magic part. ZumoCast converts those monster VOB files to m4v on the fly and displays them perfectly on the iPad after a few seconds of buffering using our home wifi. To set Zumo up you download the Mac app, tell it which folders you would like your iPad to see, install the iPad app and click away. The movie quality on the iPad’s screen is superb.

So now my iPad has access to the 4tB of storage attached to the Mini, access to the Mini itself and access to any other Intel Mac on the network where I have installed the Zumo Mac app. Unless I have the Mini doing some processor intensive task like a backup there is no stuttering, multitasking works fine and for music files I can route the sound to any network device in the home. The Macs in the home have suddenly become my own cloud storage, accessible from the iPad.

Two other items of lunacy – Zumo says the iPad app works over 3G as well as wifi (I have not tried that as my iPad does not have 3G), and ZumoCast is free. Quite how their business model works I have no idea as there are no ads, but free is good.

Showing the folders on the MacMini made available to ZumoCast on ther iPad – including four remote ‘Movies’ HDDs.

AirPlay works fine for sound but not for video.

The iTunes library on the remote Mac works beautifully with AirPlay.

A movie directory from one of the remote HDDs seen in ZumoCast on the iPad.

Stanley Kubrick’s ‘Eyes Wide Shut’ – the original VOB file plays on the iPad over the air.

If you want to store the converted file on your iPad, ZumoCast allows you to do that though it’s hard to see why you would need to do this – maybe for viewing/listening where you have no wifi or 3G access? The stored file will be in the appropriate iPad format.

Limitations: ZumoCast cannot play copy protected DRM files – like older iTunes music purchases or any iTunes movie purchases. However, if your content has all been ripped from DVDs and CDs, like mine, this is not a problem.

ZumoCast compared to Apple’s Remote iPad app: ZumoCast doesn’t care what format your remote file – music or video – is stored in, as long as there’s no DRM. Further, you do not have to have iTunes running on the remote Mac for the iPad app to work as ZumoCast addresses the remote files directly, not through iTunes. Remote will play DRM files on the remote Mac but that Mac must have iTunes running. So it seems the only time you would prefer Remote is when the remote file has DRM.

So with ZumoCast you can use the iPad as a remote controller for your file servers where your music and video files, regardless of format, reside, and watch them on the iPad; further, for sound tracks you can route the sound to your AirPlay device of choice. There is no need to perform format conversion to suit the limited range supported by iTunes or the iPad and storage is not an issue as your files never make it to the iPad, the latter being used solely as a routing and display device. Inspired.

Cameras in 2010

Can you say ‘Blah’?

When it comes to changes in cameras my primary area of interest is the advanced amateur/semi-pro gear. It’s what I use and fits nicely as regards features and cost between the mind-numbing array of point-and-shoots and the heavy duty and very costly pro gear.

For the advanced amateur user 2010 was a disappointing year for hardware, with by far the greatest let down being the Panasonic GF2. Where the world was expecting Panny’s design genius to deliver a camera with a proper offset optical or electronic viewfinder, what we got instead was a warmed over GF1.

Still sporting the useless LCD finder, with a clip on low definition/high noise EVF option (you might as well get the G1/2 as the size is much the same with one of these clunkers and the G1/2 EVF is a whole lot better), the camera addds little to the GF1 for the serious user.

No less disappointing was Panny’s G2. Adding a touch screen to the immensely capable G1, which I use and love, is not my idea of progress. Excuse me, you are going to ponce about touching the hard-to-see screen to do stuff while taking pictures? I don’t think so.

At the upper end of the spectrum for the truly insecure nouveau riche came the Hasselblad Ferrari. Or is that Ferrari Hasselblad? I like both marques as well as anyone but, please, you need to tell the whole world that your ship just came in?

Hair piece and gold chains not included.

No, by far the most exciting camera of 2010 is one which will not be available until 2011 – the Leica for the rest of us, the Fuji FX100.

Promising a dual optical/electronic finder, a fast six element wide angle fixed lens, an APS-sized sensor and looks that are just right, this is an exciting machine. Aperture priority, shutter priority or full exposure automation come standard. Let’s just hope it lives up to its promise. Why, even the textured body covering reminds me of my film rangefinder Leicas.

As for 2010, it was strictly a year of blah.

Hardware of the Year

Good and bad.

The Olympus 9-18mm MFT lens for my Panasonic G1 is a joy to use, small, light and sharp. Add in my custom distortion correction profiles and you have a cracker of an ultra-wide zoom at a very reasonable price.

After a poor start with the original AppleTV (another Apple Toaster design, running dangerously hot) the second generation AppleTV gets it right and is a tremendous tool for showing your photographs on any big screen TV you connect it to. At $99, with included remote, it’s a bargain.

And finally, if you crave screen area as much as I do, try the Newer Technology USB to DVI adapter which allows you to add up to four displays to your OS X computer. It doesn’t support Quartz rendering (meaning some of the latest screen savers default to black) and does not permit screenshots, but other than that it’s proving to be a powerful addition to my desktop HackPro, which now sports no fewer than three displays.

But it would be disingenuous to write a piece like this without mentioning two genuine stinkers.

One is, by a considerable margin, the worst piece of hardware I have used in a decade, the Kindle. Poorly made, designed by a committee seemingly totally ignorant of the word ‘ergonomics’ and faulty in just about every way imaginable. It simply defies understanding why this piece of garbage sells at all. Sure, you save a few dollars compared to an iPad but then you could save more by not buying rubbish in the first place.

And finally, let’s not forget the Fruit Company which has made some of the least reliable hardware in the history of computing. Yes, that would be Apple. My most heavily used OS X machine is my HackPro simply because I cannot risk making my living on an Apple desktop. My MacBook Air is too new to permit any quality judgements, though the iPad with its cool running A4 CPU augurs well. But I have such an awful history with Apple’s awful hardware that I’m not about to say anything good about the reliability of the company’s computers; I use Macs rather than PCs primarily because of the robust OS and applications they run. Check back here one year hence to see if the iPad and MBA finally start bringing me around on the issue of reliability and heat management.


The best reason to use Apple’s awful hardware.

Software of the Year

Some nice things.

You can see which software I wrote about in 2010 by clicking the ‘photography’ drop down menu below. These are all things I have used and in all cases continue to use as a photographer.

While no one could accuse it of being user friendly, Adobe’s free Lens Profile Creator does a fine job of creating distortion and chromatic aberration correction profiles for those lenses where profiles are not built into Photoshop or Lightroom 3. I created my own profiles for the Olympus 9-18mm MFT lens I use on the Panaasonic G1 and they work well – you can download them by clicking the aforementioned link. These integrate nicely into Lightroom 3 as a point-and-click option in the Develop module.

The very thought of running Windows on any of my Macs frankly disgusts me (after all these years XP still has the most godawful fonts in existence not to mention it’s propensity to constantly lock-up), but on those mercifully rare occasions where there is no choice, such as certain financial tools I use which do not come in a Mac flavor, I have found Oracle’s Virtual Box robust, well supported and, best of all, free. The excrescence that is Windows XP runs in its own little jail or window, free to soil its own underwear without trashing the rest of my Macs’ disks.

On those occasion I want to access my desktop HackPro from a remote location, all I need is an iPad and LogMeIn Ignition, a totally bug free and dead reliable remote client. Not cheap at $29.99 as iPad apps go, but use it just once when you absolutely need to and it has paid for itself.

Finally, last year I named NetNewsWire Software of the Year, as I find it to be the best desktop RSS feed reader out there. For the iPad I have replaced NNW with Reeder months ago and would not go back. The $4.99 Reeder app understands the touch interface well and is a superior product. The back end is provided by the Vampire Squid of the Internet, Google’s reader. I’ll switch as soon as I find a free alternative. Be sure to visit Reeder’s web site – a masterpiece of minimalism and function, like the app. Apple should buy these folks and integrate Reeder into Snow Leopard as its designs accords with much of the thinking of Steve Jobs and Jon Ive in Cupertino.

A couple of Reeder screenshots on the iPad.