All posts by Thomas Pindelski

Lightroom with Shutterfly

Calendars on the fly.

There are few better ways of sharing your pictures than with a calendar. You can be sure the recipient will display each of your twelve snaps for a month, which is a lot more attention than they command on your website or blog!

Further, forget the tired system that has the year beginning in January – your calendar can start any month you want.

Don McKee has an excellent and free Lightroom export plugin for Lightroom available here – I have tested it with the current LR v. 3.4.1 with Mac OS 10.6.8 and can confirm it works fine. (Update October 2012 – works fine with LR 4.2 and OS Mountain Lion 10.8.2, but you have to re-download and install it into LR after upgrading from LR3 to LR4). Don says it works with Windows and he has tested it back as far as Lightroom 2.1.

The quickest way to assemble your calendar is to go into Library view in Lightroom v2 or v3 (hit G to go to Library Grid view), click a picture you want to add and hit B, which places it in a Quick Collection. Then, when you have your 13 pictures selected (12 + 1 for the cover), go to Catalog->Quick Collection in LR and:

  • Select all the pictures – Command-A
  • Hit Command-Shift-E to bring up the Export dialog.
  • Select Shutterfly at the top of the Export pane and fill in your account details.

I like to export JPGs sized 1600 x 1600 so as not to run into quality issues. 800 x 800 restricts prints to 5″ x 7″ whereas 1600 x 1600 takes you to 20″ x 30″.

The LR3 Shutterfly Export dialog. Note the Post-Processing action at the bottom.

When the export is complete you will be automatically transferred to your Shutterfly page if you followed the above settings.

The Shutterfly page with the pictures exported from LR3.

Thereafter you can arrange these as you see fit. If the quality of an image is deemed poor, you will be warned, and will probably want to export a higher quality version. Another reason to export larger size images than you think you need.

The Calendar function in Shutterfly is superb and there are many formats to choose from. I like the simple Photo Gallery, one photo per page.

Assembly and ordering took me all of 15 minutes for a truly professional looking result. This one runs from August to July. If you choose, Shutterfly will mail these to your recipient of choice. I had to pays sales tax on one sent to Massachusetts, but none on one mailed to California.

The completed calendar – two for $57, shipped.

Order to shipping was under 24 hours for the three calendars ordered. Impressive.

Dogpatch and Pier 70

An amazing area.

Whole acres of classic warehouses and administrative buildings have been left to rot. The windows are smashed, barbed wire fences erected to prevent access. Signs warn of danger and forbid trespassing.

This is the area in east San Francisco on the bay known as Dogpatch and Pier 70.

Home to some of the oldest buildings in the city, many having survived the 1906 earthquake and fire, Dogpatch is not what you would call pretty. Gritty and exhausted is more like it. But that in no way lessens the picture opportunities. I spoke with one of the guards and he told me that most of the warehouses date from the turn of the previous century, that the roads used to be made of beautiful cobbles, now asphalted over, and that a light rail line led right into the industrial center of Pier 70.

It’s sad to see all the wonderful potential of these buildings wasted. A less corrupt city would develop these into mixed use housing though the issuance of tax free bonds and enjoy the bounty of property and sales taxes which would ensue. But don’t hold your breath. This is California, after all.

When I first processed these as pretty much straight-out-of-the-camera renditions, I tried them on a friend who advised “This series would suit a more grunge type effect” so I went back, added some contrast, vignetting, vibrance and grain in LR3 and have to agree that the results are far more dramatic and effective.

All snapped on the Panny G1 with the kit lens, ISO 320.

If you find yourself in the area, check out the Hard Knox Cafe on 3rd Avenue – and order their excellent shrimp gumbo with the Hard Knox draft ale.

Snapped on an iPhone 3G.

The interior of this unpretentious place has walls lined with rusted corrugated iron, which perfectly fits the feel of the Dogpatch. They even have half-decent, free, broadband.

Two years with the Panasonic G1

Twenty-four blissful months.

As a street snapper I am convinced that someone on Panny’s design team for the G1 shares my avocation. It’s been two years now since I bought mine and the file counter now says 13,566, so I have been averaging over 500 snaps monthly with this little wonder and have never been happier.

Lock-ups? None. Breakdowns? None. Bad exposures? One or two which were my fault. Backache from carrying the camera? None. Obtrusiveness? None.

To see what I wrote after one year of ownership click here. I haven’t checked but can say with reasonable assurance that 95% of those snaps have been made with the splendid 14-45mm kit lens, the rest shared by the Oly 9-18 and Panny 45-200mm optics.

What would I change? Not much. With less than 1% of my snaps being out of focus (I use auto everything except ISO where I mostly use ISO 320) and maybe some of those in poor lighting being grainier than I would like, faster focus and a better sensor is about all I would ask, both claimed enhancements in the G3 body which I have on order. The latter seems to be forever out of stock but it’s not like I am dying without it. I skipped the G2 as I have no use for the movie mode or touch screen and the sensor was unchanged. Indeed, the only time I use the LCD screen in the G1 is to check battery charge status.

These two happy years have proved to this street snapper that the eye and brain are muscles like any other. Use them often and they become sharper, faster, more acute. The fitness for purpose of Panny’s G1 has done wonders for my vision and reactions, taking me back to those early years with the Leica M3 when I was still a young pup making his way in tired old monochrome.

But results talk and BS walks, so here’s a little bit of fun.

Sitting happily in a coffee shop on 24th Street in San Francisco’s Mission District I set myself the task of snapping the next twenty or so interesting passers by while munching my cream cheese bagel and drinking the fine cup of joe served there.

I liked ten of the twenty – all were well exposed and so on, but these have the most interesting faces. A diversity of cultures, styles and dress which makes this vibrant area so fascinating for the street snapper. My window seat afforded me a wide angle of view, making anticipation easier. It’s amazing how fleeting these moments are.

Enjoy, and here’s to the Panasonic G1, the best street snapper yet. Time stamps are below each snap.

12:04

12:11

12:15

12:19

12:23

12:26

12:29

12:32

12:36

12:45

All with the kit lens at 25mm, 1/1000, f/5.6, ISO 320.

Diptychs and Triptychs

Giotto did these a while back, too.

A friend having recently decorated a room, asked for something Big, Wide and Green for the wall, so I suggested the idea of a triptych.

Once we agreed on the snap I suggested some variations. The tool used to make the red outlines is Xtralean’s ImageWell.

In case you think this is original, that old dauber Giotto was doing this sort of thing some 700 years ago:

Giotto c. 1320.

A related use of multiple images is to show two or more taken a brief moment apart. In this diptych I have used the Print->Custom Package function in Lightroom 3 to place two similar images next to one another, ready for printing on 13″ x 19″ paper. This is the serenely beautiful young woman I snapped the other day and wrote about here:

Diptych ready for printing in Lightroom 3.

Lightroom 2 could not place different images on one sheet, but if that is what you use search the web and there are simple code changes to the print template which will permit this, easily conferred with any text editor like TextEdit, which comes with every Mac.