Category Archives: Art Illustration

The great art illustrators

René Gruau

Master of sparsity.

For an index of articles on art illustrators, click here.

There has been no greater illustrator than René Gruau (1909-2004), an Italian master best known for his long association with Christian Dior, back when ‘couture’ meant something and the working class knew its place. Gruau (‘Grew-oh’) was of Italian birth but Paris was his abode. There, at the age of 14, he was already making a living from his marvelous drawings. Every major fashion house retained him and while his images remain in our subconscious few know who this master artist was.

His relevance to photography is that once the barrow boys (working class lads with a Pentax like Bailey, Donovan and Duffy, their fathers barrow boys from the East End of London, whose perfectly virulent English they inherited) started snapping the demand for traditional drawings plummeted. Not that this bothered Gruau for he was in a class of one, remaining happily employed for the rest of his very long life. And the barrow boys never came close to Gruau’s class, greatly devoid in their make up.

There is so much of his work out there it’s hard to know where to begin, but the following images are Gruau at his very best.




Just a splash of red.


Alluring, eye catching, perfect.


A sparsity of line not known since Matisse.


His greatest partnership was with Christian Dior.


Utter genius.


Tom Haugomat

No clutter.

For an index of articles on art illustrators, click here.

While there is a myriad of filters available for most post-processing photo applications, the one which is missing is ‘de-clutter’. You know, something that takes out all the noise in most photographed images and renders a clean whole. It’s something that Henri Cartier-Bresson was so adept at accomplishing ‘in camera’. Few photographers since have learned that skill.

The advantage a graphics illustrator has over the photographer is that he can de-clutter to his heart’s content, image composition and content aggregation being one and the same. Such a one is Parisian illustrator Tom Haugomat, and while the image below has a special place in my soul, for I am a long time motorcycle rider, it’s just one of many that Haugomat has produced.




Wrenching on the machine.

You can see more of Haugomat’s work here.

Happy Thanksgiving

The greatest American feast and the great man who made it possible.

This article first appeared here on November 23, 2006.

For an index of articles on art illustrators, click here.

Today’s journal entry is only peripherally about photography, as I am busy cooking. It is, however, intended as a reminder why any ambitious person should consider coming to America to improve himself and his lot in life. It still matters little in the United States who your father was, how you speak and what size, religion or color you are. Hunger enough and you will be rewarded. You don’t even need ability. Just the desire to work hard.

When I emigrated from Britain to the United States on November 16, 1977, I had no idea of the existence of the great feast of Thanksgiving. Why should I? Poor old England, having won the war and lost the peace, was mired in repressive socialist politics where everyone, starting with schoolchildren, was being reduced to the level of the laziest. Thus the citizens of the British Empire had little to give thanks for. Not having benefitted economically from my fine British education, I did not arrive with just the money in my pocket. Rather, I arrived $4,000 in debt – half from my employer, the other half from my sister in Seattle, who had the vision to come here some years before me. The only hard assets I had in this world were my Leica M3 with 35mm, 50mm and 90mm lenses and two shabby polyester business suits bought at C&A in London. The Leica would last me another thirty years. The suits quickly moved on.

Five days later I found myself a guest of an American family which, with traditional hospitality, had invited this funny sounding immigrant to their Thanksgiving meal. I can never forget this act of warmth and welcome, nor the truly wonderful selection of food loaded on a table whose legs must have been groaning under the weight. This was America as I had always pictured it – the family home, warmth, conviviality, joie de vivre, everyone healthy and rosy cheeked and food a plenty. No wonder that Thanksgiving remains one of my favorite American holidays, for it was my introduction to the best in American values. To this day, few occasions give me greater pleasure than cooking a bird of choice for the feast that follows.

Years later I got to know the art of Norman Rockwell and he captures the sense of this great occasion better than anyone. No photograph can improve on this. Four generations gather to enjoy the feast to come. The sun is shining. Everyone is smiling. All is right with the world.

Let me preface what follows with the statement that I am an apolitical animal, believing solely in an economic system which allows individuals to be rewarded for their efforts and which keeps entitlements and government to a minimum. At the same time, such system has to be imbued with a strong dose of humanitarianism to protect the poor and unfortunate. That’s simple decency. The picayune distinctions in America between Democrats and Republicans, and their rabid hordes of followers looking for a benefit for no cost, are simply of zero interest to me.

Sad, then, to contemplate a Thanksgiving where I can no longer say with joy that I am sharing my lot on this earth with the giant who was Milton Friedman, who passed away a week ago. People speak of him as a great economist, but he was much more than that. He was a great humanist, having by the sheer power of his intellect created more wealth in twentieth century America than all her industrialists combined. Consider just some of his achievements.

  • The ending of the draft.
  • The abolition of the gold standard.
  • Proof positive that Government monetary policy caused inflation.
  • The commitment to free immigration.
  • The support of school vouchers to remedy the crime that is American public education.

This was a man for the ages.

I had the great pleasure of meeting him at the invitation of my friend Art Laffer, in 2002 on his 90th birthday, at a presentation he gave at the Ritz in San Francisco. It was, interestingly, the first time I saw a journalist use a digital camera – I recall with some fascination noting how he inspected the little screen on the back of his camera to check the picture from time to time. Friedman was, his 5 foot 2 inch stature notwithstanding, a giant, with an electric personality. A sharp wit and great charm. His teaching inspired two great students – Reagan and Thatcher – to fix the messes they had both inherited. Milton Friedman’s school drew no geographical boundaries in its admission of pupils. And tuition was free. Indeed, the president of the newly free republic of Estonia, when asked why he had imposed a low rate flat tax on his nation shortly after it gained freedom from its Russian opressor, replied that the only book on economics he had ever read was Milton Friedman’s “Free to Choose”. It hardly need be added that Estonia is booming.

So while I rue this Thanksgiving, the first where Milton Friedman is not among us, I rejoice in the knowledge that even now he is teaching our maker why freedom is the only policy for those in charge to pursue. Friedman once famously remarked:

“A society that puts equality – in the sense of equality of outcome – ahead of freedom will end up with neither equality or freedom. The use of force to achieve equality will destroy freedom. On the other hand, a society that puts freedom first will, as a happy by-product, end up with both greater freedom and greater equality. Freedom means diversity but also mobility. It preserves the opportunity for today’s less well off to become tomorrow’s rich, and in the process, enables almost everyone, from top to bottom, to enjoy a richer and fuller life.”

Amen to that, and Happy Thanksgiving.

A Smile

Happy Thanksgiving.

For an index of articles on art illustrators, click here.

Message on the bag from the local greetings card store:

Here’s my Smile to you on America’s finest holiday, one on which the greatest nation on earth gives thanks for the abundance it has wrought for itself.

Smiles all around.

For an inspiring read on a great man who had more to do with the crafting of this great nation than most, click here.

“A society that puts equality – in the sense of equality of outcome – ahead of freedom will end up with neither equality or freedom. The use of force to achieve equality will destroy freedom. On the other hand, a society that puts freedom first will, as a happy by-product, end up with both greater freedom and greater equality. Freedom means diversity but also mobility. It preserves the opportunity for today’s less well off to become tomorrow’s rich, and in the process, enables almost everyone, from top to bottom, to enjoy a richer and fuller life.”

Thank you, Milton.

Clemens Kalischer

Norman Rockwell’s photographer.

For an index of articles on art illustrators, click here.

I usually run that Norman Rockwell piece every Thanksgiving but preferred not to do so this year when one part of the US gorges to excess while much of the rest has nothing to eat. Just visit the soup kitchens in your local city and you will see what I’m talking about.

However, an NPR piece on Norman Rockwell’s use of the photography of Clemens Kalischer caught my eye and it’s quite fascinating, never more than when you realize that the subjects are still walking the streets of Rockwell’s town of Stockbridge, MA.

Click the picture for the NPR article. More on Kalischer here.