Category Archives: Printing

Printing with an emphasis on the HP DesignJet dye printer

Soft proofing with Lightroom

Using Snow Leopard.

Why soft proof?

I have mentioned this before but it bears repeating. Soft proofing – meaning previewing on your display what a print will look like with the paper profile of your choice – is easy with Snow Leopard and Lightroom. If you want to get an accurate preview of how your print will look without wasting printing paper and time, you need to soft proof. (Click here for the earlier OS Tiger version of this piece.)

Even outstanding technical writers like Martin Evening (in his LR3 book) say that you cannot soft proof when using Lightroom! Others would have you generate a print file and then open it in Photoshop for soft proofing. Yet others want to sell you a Lightroom plugin for soft proofing.

Well, read on for Dr. P’s free version.

Monitor profiling:

What follows presumes you have a well profiled display in the first place. I recommend the Eye One colorimeter, but be warned the software with which it currently ships will not run with Mac OS X Lion, shortly to replace Snow Leopard. If your display is not profiled you are wasting your time. I profile my three displays monthly – they all drift over time and as most display screens are made by LG, Sony or Samsung, chances are your display drifts too regardless of the label on its case. I address a workaround to allow you to continue using xrite’s dated software once OS Lion comes along here.

You want to profile your display in much the same ambient light as you will be viewing your print, and colorimeters like the Eye One allow you to measure ambient light. The reason is simple. If you profile your display in daylight then view the print in incandescent light, your viewing light temperature (much yellower) is dramatically different from your profiling light temperature (much bluer). You are not comparing like with like.

Don’t believe me.

Take a print and walk around your home with it – from a bright room illuminated by daylight to one illuminated by incandescent light. The changes in perceived color are anything but subtle. The light you profile by is especially important for the accurate rendition of skin tones of loved ones, where visual memory is most acute. (Sort of like judging a sound system – listen to opera or lieder, because we know how the voice sounds). If your portrait is to be viewed by incandescent light then your display should be profiled in like lighting if soft proofing is going to make any sense. Professional proofing stations recognize this by providing a temperature controlled light source.

The GTI EVS-1SP – 29 x 52″ – Graphiclite D5000 Viewing System
– for when your ship comes in. $6,000 from your friendly dealer.

Very large devices like this will house two monitors and your print!

Using Lightroom:

In the Print module of Lightroom (I’m using Lightroom 3 in what follows), make sure that in the Print Job->Color Management pane, Lightroom is NOT set to ‘Managed by Printer’. You want Lightroom to take care of color management, meaning it will pass the print job through your paper profile of choice before you spool the job out to your printer.

To confirm you have done this right, click ‘Print’ in Lightroom’s print module, then click Color Options in the lower drop down menu and you should see the following:

Color Options in Lightroom.

Select the appropriate paper profile in Lightroom:

Lightroom is set to take care of color management duties.
The profile for the paper of choice has been selected, above.

Using Apple’s Preview:

After selecting the paper profile for your paper of choice as shown above, click on ‘Preview’:

Printer and quality selected in red circled boxes.
Preview button clicked next in the green circled box.

After clicking on ‘Preview’, your Mac will open the Preview application, displaying your print file.

Click on ‘View->Soft Proof with Profile’ and then mouse or arrow down to your paper profile – the one you chose in LR3 will be highlighted. Click on it and you are seeing a preview of your print with the profile of choice applied.

Paper profile selected in Preview.

Apple mentions this Preview capability in passing on its web site.

From Apple’s web site.

If you do not like the colors, go back into Lightroom, reprocess and try again. Otherwise click ‘Print’ and you are done.

The effect of paper profiles:

In the following screen snap I have illustrated how paper profiles clearly affect Print Preview – the left is with HP Premium Plus Satin, the right with Arches Infinity which is far ‘warmer’; the difference is clearly visible on my Dell 2209WA display:

The effect of different paper profiles in Preview.

Orange umbrella. G1, kit lens.
By using soft proofing I was able to get the the colors I wanted
in the print without wasting printing time and paper.

Hopefully, one day Adobe will add the soft proofing capability to Lightroom so that soft proofs can be viewed from within Lightroom, but it’s not like it’s a big deal to do this using Preview.

Note for HP DesignJet 30/90/130 users:

The HP DJ 30/90/130 printers have an internal colorimeter which will generate a profile for any paper of your choice, storing that profile in the printer’s ROM. While many of the DJ’s functions can be activated with front panel pushbutton sequences, color profile generation cannot. You must run the HP DesignJet Maintenance Utility which, for reasons only know to some twit at HP, resides on HP’s servers and cannot be run locally from your computer. To make matters worse, you cannot run this Utility using OS Snow Leopard or Lion. To generate the profile you must insert a letter sized piece of the paper of your choice, run OS Leopard or prior, make sure you have an internet connection, pray that HP’s servers are not down, load their System Maintenance Utility, and the profile will be generated and stored by the printer. You can confirm generation of the paper profile by running the Information Pages from the printer and looking for this:

HP Satin paper profile generated on March 4, 2011.

The pidgin English reference to ‘The greater PQ’ means the profile you will be using when you select ‘Best’ in this drop down box; ‘Best’ forces the DJ into one directional printing for highest quality, but is slower than ‘Normal’ which uses bi-directional printing. I always use ‘Best’:

I have saved these settings in an LR Preset named ‘HP Satin Best’, as shown above.

If you adopt this paper profiling approach, then to use the profile generated by the DesignJet’s colorimeter you would elect ‘Color managed by Printer’ in the Lightroom Print pane – see the second screenshot in this piece, above. In practice I find no significant difference in colors on the print whether printed using the DJ’s ROM profile or the ‘icc’ profile which resides on my HackPro’s disk drive. However, as the use of icc profiles is not limited to just six papers (which is all the DJ’s ROM has room for) and because you cannot rename the ROM profiles to something other than the names provided by HP, using an on disk profile gives you far more paper choices and makes those easy to select – the names are obvious. Finally, letting the printer manage color takes away the ability to soft proof the image on your display before hitting ‘Print’.

Later HP wide format printers – the ‘Z’ series – are much smarter; they also cost three times as much as a DesignJet. The Z3100, as an example, has an Eye One colorimeter built in! The Z series uses pigment inks as opposed to the dyes use in the 30/90/130 DesignJet. The six printheads used for the twelve inks each cost $70, twice as much as those in the 30/90/130 DesignJets. The Z3100’s colorimeter creates an icc profile for any paper of your choice then stores it on your computer’s hard drive. Neat.

B&H still lists the DesignJet 130R (presumably the ‘R’ indicates inclusion of the roll feed attachment) for a stunning bargain price – there is no cheaper way to get into top quality large printing:

I discuss use of non-HP papers and profiles here and here.

HP DesignJet – an update

Frustrations and fixes.

Background:

Let me warn you that resurrecting an HP DesignJet printer from cold storage makes a date with Sophia Loren a piece of cake by comparison. After the lovely Sophia has turned up two hours late, wants a change of venue and has thrown a shoe or two at you, things go swimmingly well as you gaze into her lovely brown eyes and luxuriate in the prospect of her gorgeous lips on yours. But try resurrecting an HP DJ, by comparison – and it is every bit the exemplar of its caste as Sophia is of hers – and before you know it you will be the one using bad language and generally throwing things in frustration. Having just gone through that process (the HP, that is, not the date with Sophia) you would not be surprised to find some bad language in what follows.

The problems discussed below are by no means unique to the DesignJet. Use a printer as infrequently as I do and you will inevitably run into problems. These devices have many moving parts, some with very tight tolerances (like printhead jets) and occasional use does not help keep things running smoothly. Unlike a monochrome laser printer, color inkjet printers will give you trouble and they will need maintenance.

It’s a couple of years since I wrote about head cleaning for the HP Designjet 30/90/130 wide carriage ink jet dye printers. (A much improved piece, dated April, 2023, appears here). My HP DJ90 is capable of making quite outstanding prints and the Vivera dyes used in the ink cartridges come with an 80+ year life. My latest box of paper from HP says that Wilhelm Research certifies the paper to be fade proof for 82 years when used with HP Vivera inks. So if the print I gave you fades, sue me. I’ll long have been fertilizer.

Here’s an update of my recent experiences with the DJ90 (18″) and everything here should apply likewise to the smaller DJ30 (13″) and the larger DJ130 (24″). This line of printers may have been discontinued for a couple of years now but parts, ink and paper remain available and the small footprint of the machine and its excellent print quality make the effort of maintenance and repair worthwhile. A replacement will be well over $1,000 for the larger variants (a 24″ current model HP starts at $3,500 whereas Amazon still lists new DJ130 models for under $800 delivered – talk of a bargain!) and while the newer machines use allegedly even more fade proof pigment inks (dyes soak into the paper, pigments rest on it, so paper choice is important) you are dealing with a whole new world of hurt when the replacement inevitably fails. And it will.

The 24″ DJ130 remains available new – a tremendous bargain.

So for me it’s a case of ‘Better the devil you know’, and have you ever tried moving and installing one of these behemoths? I would stick with the non-roll capable model illustrated above (rolls of paper are a pain to mount, align and uncurl after printing) and the network capable one is a waste of money if you use a Mac as you can network a regular model using just the capabilities of OS X. The poor ratings at Amazon seem largely concentrated on problems with paper rolls. I have had no issues using the front loading paper tray.

Snow Leopard:

Mac OS X Snow Leopard changed the way printer drivers are installed. Instead of coming with a bunch of drivers with the operating system, SL determines the make and model of your printer and goes out to the web to download the appropriate driver. That’s nice, as it means less clutter on your hard drive, but the problem with SL is that it no longer permits the HP Maintenance Utility to work. HP has stated they will not be updating their Utility for SL. However, if you follow the front panel button press sequences illustrated earlier, and repeated below, you can get most of the functionality of that Utility without running any software, which is just as well as the software sucked even when you could get it to load from HP’s crappy servers; the alternative is to run maintenance tasks through Windows but life is too short to go there:

However, there are two snags with HP’s diagnostic and maintenance routines:

  • Faulty heads are detected and reported sequentially, one at a time. If you have more than one faulty head, only the first one is reported. Replace it and the next faulty one is reported. And yes, I have homicidal feelings towards the engineer who designed it that way.
  • The push button sequence above will not work until all your heads are reported as working properly, so until they are, you cannot run the head flush (‘printhead recovery’ in HP-speak) sequences. Now I’m loading my Dirty Harry Magnum 44, ‘The Most Powerful Handgun Made’, and searching out the SOB who designed it that way.

Paper and ink choice:

The DesignJet uses ink dyes so the paper you use must be capable of absorbing these. Not all papers are absorbent, so either buy HP paper or look for paper which works with HP Inks #58, #72, #84 or #85. The DesignJet uses the last two. Alternatively look for paper which specifies suitability for HP DeskJet 9300 DeskJet 9600, HP Photosmart 8750 or HP DesignJet T1100, T610, 30, 90 or 130.

I always use HP ink cartridges (HP 84 C5016 Black, HP 85: C9425A Cyan, C9426A Magenta, C9427A Yellow, C9428A Light Cyan, C9429A Light Magenta) as I believe the savings from refilled cartridges do not outweigh the risk of using unknown inks. Further, the DesignJet is a very frugal user of ink. There are also aftermarket continuous flow ink systems with high capacity ink tanks for high volume printing but I have no experience of those.

Paper profiles:

Everything you need to know about profiling paper for your DesignJet with Lightroom appears here.

Frankly, your best bet is to use HP Premium Plus Photo Paper – Satin. It’s tested 82 year fade proof and glossy is awful for exhibition use. There are ‘icc’ profiles available from HP specific to this paper and the DesignJet printer. Further, the surface sheen changes little when heat mounted and you know that the inks are being properly absorbed as the paper is made to HP’s specifications. Use something else and you have no certainty of knowing whether the print will fade or not.

HP Support:

Forget about it. It’s useless. Paying for someone who cannot speak English to tell you to reboot your computer is not support. Man up and do it yourself.

Print heads and the cold storage problem:

Leaving the HP Designjet printer unplugged is an extremely bad idea, as my recent experience testifies. The printer was unplugged for a few months while being relocated and when I finally plugged it in, all sorts of problems cropped up. If you switch the printer off but leave it plugged in to the mains the green front panel light will stay on and if you open the ink cartridge drawer cover you will find that the area in the vicinity of the heads is permanently warm. That’s because HP heats the heads even with the printer off to prevent ink drying and clogging. Bottom line is NEVER UNPLUG THE PRINTER FOR ANY PERIOD OF TIME. By all means turn it off with the front panel button but leave it plugged in. The green diode stays on to confirm it’s warming the heads but the fan is off, saving on wear and tear and taking away the noise.

I already knew this but like a fool disregarded that inner voice, (moving is hell), so when I switched it on after a few ‘cold’ months it was hardly a surprise to see the printer reporting a faulty Light Magenta head, evidenced by the blinking symbol on the LCD panel. I get my HP supplies from Atlex and have for years. They have cartridges, heads and the special HP paper for the DJ series, so I ordered a replacement LM head, which was on my doorstep in one day’s time. How they consistently manage this incredibly fast delivery from Illinois to northern California I don’t know but it’s a superb business and you should give them some of yours next time you need HP supplies. They have been around seemingly for ever.

Switching on the printer and opening the head/ink cover, you wait a few seconds while the head assembly moves left then right, open the head cover (toward you, up, away from you) and pull out the old head, pushing in the new. Switch off, fire it up again and …. , now the Magenta head is flashing. So I get mad, pull the Magenta head (it makes no sense to keep six heads on the shelf for an amateur user like me) and hold the swine under a purified water tap for some 15 minutes until the tint of colored water coming out is almost gone. During this process I’m directing the water stream into the orifice on one side of the cartridge, meaning I’m forward-flushing it. Given the minuscule size of the exit jets it’s not realistic to back-flush. Plug it back in and … no joy. I consult the resident Border Terrier who keeps calm and points a very cold nose to the Hackpro, suggesting I stop being silly and order a Magenta head. This I do and one more day and, another $43 later, Atlex delivers again. This time after plugging in and waiting 10 minutes for the DJ90 to grind away as it does its new head thing, all is well and nothing is flashing on the LCD panel. Both the BT and I sigh in relief and I run the Print Head Alignment job, using the button sequence above. I do this three times until I get the tick mark at lower right – the first two runs return an ‘X’ meaning the process has to be repeated. I use plain paper in the DJ90 for this process. I’m not made of money, you know.

Good head alignment print – note the check mark (circled) lower right.

The Yellow Problem:

For some reason the yellow ink is the one most most prone to clogging the supply tube which routes it from the cartridge to the printhead in the DesignJet. It’s not a printhead problem – the LED panel on the DJ continues to report a perfectly fine yellow printhead yet your diagnostic reports show yellow to be faint or missing. The tube is clogged.

There are two options to fix this.

First, print a dozen or so copies of this file on plain paper in your DesignJet. Load it in any app where you can make it fill the page and set ink use to ‘best’ and/or ‘heavy’. You are simply forcing a lot of yellow ink through that clogged tube to try and clear the coronary thrombosis it’s suffering.

Second, if that fails, replace the ink tube assembly using the below linked supplier and the instructions you will get by clicking the ‘Download’ logo below, which will get you details on how to remove and replace the tube assembly.

Chances are you will end up replacing the tube assembly. It’s some $50.

Wonder about the magenta tint in the reports below? Yup. The Yellow Problem.

Replacing the feed tubes:

Download the Service Manual below and it has excellent and fault free instructions on replacement of feed tubes. I used the supplier mentioned in this article and the replacement came in an official HP box. I downloaded the manual to GoodReader on my iPad and followed along. Links are interactive so jumping to a page is a touch away.

New feed tubes ($50) and the manual on the iPad.

The whole replacement process took me 45 leisurely minutes. The trickiest part is replacing the right hand head cover, but do it just so and nothing will break. Not for klutzes. You will need Torx 8 and 10 screwdrivers and a flat bladed one to help release the catches on the right side cover. Use the wrong type of screwdriver and you will be buying a new printer. The following picture makes everything clear. The yellow feed tube is clogged:

Yellow clogged feed tube is circled in red.

The feed tubes from the ink cartridge to the head are extremely fine so I gave up on any idea of blasting them through with compressed air or cleaners. You can see just how fine in the following snap:

One feed tube – yellow – pulled away from the rubber guide strip.

After doing this you need to prime the new feed tube assembly using the button sequence in the Service Manual. Though the manual says not to prime tubes which have already been primed (meaning the ones in your machine) I did the priming process anyway (not being about to replace six heads) and all went well. Thereafter a quick head alignment and an Image Quality Diagnostic print confirmed that my yellow was back as evidenced by the proper colors of the two large green color squares in the test pattern – compared with the original I made when the printer was new five years ago.

Bizarre patterns on the head alignment report:

One reader of this piece contacted me with a picture of a strange pattern he was getting on the head alignment report. I annotated it and it looks like this:

Strange ink pattern from a reader’s DesignJet.

His Image Diagnostics print was OK – some head alignment issues but nothing major – but three of the colors were producing the above pattern on the head alignment print.

After some discussion it transpired that his DesignJet uses a power source subject to occasional brown-outs and power-on spikes. This suggests that three of his heads were fried by an inductive power-on spike and need to be replaced. Head cleaning – soft, medium and hard – made no difference. If you see this on yours, change one affected head first before throwing money at it. With a set of new printheads running some $200 you can solve the math to see whether it makes sense to install a surge protector in your printer’s power feed.

Follow up: It turned out no to be an electrical issue after all. Reprinted below, with permission, is Dave Shankie’s email explaining how he resolved the issue:

Thanks, Dave – this will help other Designjet users on the recovery trail. The HP site Dave refers to can be found here.

Resuscitating bad heads:

While I have had no joy trying to bring back bad heads to life with water or isopropyl (rubbing) alcohol, whether wiping on the spray ends or by dunking the whole thing, the same reader with the above ‘fried head’ problem (Dave S. from beautiful Vancouver Island) managed to bring a clogged head back to life using more caustic solvents. He first wiped the head with acetone, then with methyl alcohol, followed by a distilled water wipe.

Some warnings are in order. Acetone is nasty stuff. Do not soak a head in acetone – the plastic will melt, destroying the head. Use eye protection. Avoid open flames. Don’t breathe the fumes. Methyl alcohol is not much friendlier. Take the same precautions. Keep the family pet well away. The stuff in your Bloody Mary is ethyl alcohol, so don’t take a shot of the methyl if things don’t work out. Both methyl and ethyl can make you blind if ingested in quantity, but it’s usually a permanent result with methyl.

Printheads have a finite life – something like 3-4 of the large ink cartridges per head (which is a lot of prints) and will eventually need to be replaced. However, Commenter ‘design-jetset’ (see Comments below) managed to salvage his heads whose contacts were oxidized from extended cold storage, using a product named Deoxit, available from Amazon in both the US and UK. Be sure to get the one linked – ‘D5’. There are many variants.

Spare parts:

I’m a big believer in fixing it if possible. HP DesignJet printers are unlike modern digital cameras – it actually makes economic sense to fix them if you do the work yourself. Spare Parts Warehouse lists many replacement parts for the Designjet series (the link is to my base model DJ90, no network card or roller mechanism). I bought my replacement feed tubes from them (see above) and they came in the ‘official’ HP-branded box in short order. They seem to have everything from drive belts to motors, so it’s nice to know a long life awaits my DesignJet.

The feed tube assembly for the DJ90 is part # Q6656-60103; for the DJ130 it is # Q1292-60235 – use these numbers to search for replacement parts in your browser. Amazingly Amazon lists both as of March, 2015 – $166 for the (rarer) 90, $65 for the 130. I have not tried it but would bet that the 130 part can simply be cut down to fit the 90 – the end fittings at the printhead and ink cartridge ends are identical.

Reports:

The following reports were run before replacing the feed tubes to cure the clogged yellow one, hence the magenta cast, clearly visible on my profiled display. After feed tube replacement they print in solid, neutral black, as they should.

The usage report (see above for button sequence) for my DJ90 reports a modest 460 print jobs (HP cannot add properly – see below) so I expect many more years of life from the behemoth.

Use report. Holding the Power button press the ‘OK’ button once to generate this.

To get the more detailed Information report, holding ‘Power’ press ‘OK’ four times; here’s an extract of the two page report:

Information Report, Page 2.

If you are contemplating buying a used HP DJ 30/90/130:

A good, used DJ90/130 is one of the cheapest ways of getting large format, high quality printing.

Don’t pay more than $350 for a used DJ90 or more than $500 for a used DJ130 and only buy ones which can run the above report – which means that all the printheads are functioning as you cannot run the report otherwise. Don’t buy one where the seller claims he cannot run the report because ‘….one of the ink tanks is empty.’ Move on to the next one. Try and buy locally to save the beating UPS will give it. Inkjet printers are not robust devices.

The above report will tell you whether the machine is a pro’s beater (many DJs were used in print shops and you really want to avoid those) or an amateur user, like mine. Note in the red box, above, you can even see how many times the print heads have been replaced! A high count here is a sure indicator of heavy use or recurring problems – avoid. I’m not sure of the meaning of ‘Service Station Usage – 5%’ in the above but suspect it refers to the area where ink overflow from the cartridges is dumped. If I am right then you can see my DJ90 has had a very easy life indeed.

I suspect a used DJ30 (13″) is a waste of money as a new printer with that modest size capacity can be had inexpensively.

Printing over a network:

You do not need the network version of this printer if you use Mac OS X. All you need is an Airport Extreme or Airport Express wireless router, or a lot of time to mess about with aftermarket routers. The Apple products, when used with a Mac, are truly ‘plug-and-play’.

In its previous location my DJ90 was hard wired to my Mac with a USB cable. No more.

My workhorse HackPro, whence I print, resides in the home office and gets its network connection wirelessly from a remote Airport Extreme router in another room; the HP DesignJet 90 is connected to that Airport Extreme, using an USB cable and added to the list of available printers in System Preferences->Print & Fax.

No need to check the network sharing box with Bonjour.

Printing wirelessly from the HackPro is easy as can be. You don’t need high speed networks for this sort of thing as the printer is the slowest link in the chain and it is slow compared to any other peripheral you may have attached. Plus, OS X buffers the print job to disk if you use PS or LR so the application need not even be running once the print job is spooled out. I mention this as Apple’s Bonjour wireless technology which is being used here was a complete dog in the early versions of OS X but is now seamless and trouble free. Back then it was named ‘Rendezvous’ which is about as inaccurate as it gets.

You can even print to an HP DesignJet connected to an Apple router from your iPad or iPhone if you use an app like FingerPrint!

Well, the DJ90 is back in action …. until the next time.

Error codes:

The DesignJet has extensive error code diagnostics – here are the error codes if you need to repair yours; you can see some error codes (paper jams) in the report above:


Image Quality Diagnostic Page and Color Calibration:

Now here’s the real snag.

You can only print the Image Quality Diagnostic Page (see my earlier piece for an example) and recalibrate the printer for the latest HP paper using Leopard or earlier if you are on a Mac. That’s because Snow Leopard and later Mac OSs will not allow you to run the System Maintenance Utility. So either borrow a Windows computer (no files are transferred – the printer stores everything you do), use a Windows emulator like Virtual Box or Parallels or do as I do, use an older Mac running Leopard or Tiger. I use our old PPC G4 iMac running Leopard 10.5.8 and it works fine. You can still download the System Maintenance Utility from HP’s web site.

Finally, for the really serious:

Click to download the HP DesignJet Service Manual brochure.

This is the official service manual and if it’s not in here it probably does not exist. The software section is Windows-centric, wouldn’t you know it, but there are complete dismantling and replacement instructions toward the back which should ensure your DesignJet has the longest possible life! The file is some 8.9mB in size, so it will take a while to download. All versions of the DesignJet 10, 20, 30, 50, 70, 90, 100, 110, 120 and 130 are covered.

Finally, a big print.

HP DJ90 with Snow Leopard

Phew!

Long time readers will know that I use a Hewlett Packard DesignJet 90 to make large prints using my iMac. I suggested it made little sense to rush into the OS 10.6 upgrade (Snow Leopard) until many of the incompatibility issues were resolved. Indeed, Snow Leopard has already had one upgrade to address security issues since I wrote that piece.

Well, some good news. HP has released new printer drivers for the DJ 30/90/130 series (respectively 13″, 18″ and 24″ wide) as stated in this Apple Support document. This is great news for those of us using what may be one of the best ink dye printers made. While recently discontinued, I confess prints made with it today look every bit as good as they ever did! My only grumbles have been the occasional blocked printer head, easily replaced. Click ‘Printing‘ on the right for more about this outstanding piece of hardware for serious sized printing.

Update 1/2016:

There is one more benefit to keeping a Snow Leopard boot drive handy. SL was the last version of OS X to include Rosetta, the emulation software which allows Intel Macs to run PPC (IBM G3/4/5 CPU) apps. This is important if you want to run the HP online System Maintenance Utility which is coded to work with PPC CPUs only. And you really want to be able to run that utility as it is the only definitive way of identifying printhead issue, allowing you to hone in on the faulty head – see Page 3-10 in that linked PDF. See here for details.


Snow Leopard – the last great OS from Apple before the tinkerers took over.

You can still buy Snow Leopard from Apple for $20. This is not altruism or nostalgia on Apple’s part. Rather, SL (10.6) was the first version of OS X (from 10.6.4) to permit access to the AppStore wherefrom all subsequent OS X upgrades are made over the air, Apple no longer shipping OS X on DVDs. So without SL you cannot access the AppStore.

I actually use an old PPC iMac G4 to access HP’s utility but you can do just as well using SL for less trouble.

Going glossy

Just doing what it takes

I have been unsparing in my criticism of Apple’s cynical move to producing only glossy screens on its displays. The thinking is identical to that of the jeweler who installs strong quartz iodine spotlights in his store. That 1 carat bauble that so impressed in the store, thanks to the Hollywood lighting, leads to a sense of dismay when viewed at home. It’s no different for Apple’s glossy screens.

So what on earth was I doing ordering glossy printing paper for my HP DJ90 the other day?


An engineering company. Note the micrometer and the Swiss manufacturer!

Well, I may dislike glossy when it comes to making and printing my photographs, but I am not beyond learning from the ace salesmen at Apple, Inc.

Simply stated, I have not submitted a photo for publication since 1977 when I left England and started getting paid for my labors in America. So great was the increase in income and reduction in tax (the top income tax rate when I left the UK in 1977 was 83% ….) that the modest amounts that publication brought no longer made sense. I could earn more the easy way and use the money to take the pictures I wanted to take, not the ones some editor preferred to see.

But the bug bit again recently and while I have no intent to make any money from getting my stuff in print (and the odds of doing so are, let’s face it, pretty remote in an internet world), my ego can now afford it. And as first impressions are 100% of the battle with photographs, when that editor opens my envelope of snaps I want them to say ‘wow’. Glossy paper does that.

So the medium, not the content, may be the message, but if it ghastly glossy paper helps get me into print, so be it. Just don’t expect these prints to be gracing the walls at home any time soon.

This is my first experience of using HP Premium Glossy. The inked areas are matte whereas highlights where no ink was deposited retain the original high gloss of the paper. However, after drying for a couple of hours the inked areas take on a good gloss, although not as high gloss as virgin paper. So it may explain why some later printers now use a glossing agent to restore high gloss to a print – the DJ90 does not have this technology.

Picture Packages

A useful Lightroom technique

When I make large prints on the HP DJ90 dye printer, it’s usually strictly a ‘one at a time’ sort of thing. The prints are 18″ x 24″ (‘Super A4’ is the uninformative European description), which is as large as my HP will go and, after an obligatory 24 hour ‘drying’ period to let the ink dyes set, they are dry mounted and framed.

However, with my new found determination to get some work published again, smaller prints were called for – 9″ x 12″- and these just happen to divide an 18″ x 24″ sheet into four equal parts.

Rather than cut up the paper first and then do four print runs, it proved just as easy to make one combined print job and do the cutting last.

First I went into the Library module of LR2 then clicked on Library->New Collection. I dragged the candidates into this new collection and oriented them all vertically (Photo->Rotate Left/Right). These candidates had been processed and cropped just so, so that no further adjustments would be required.

Into the Print module of LR2, where I clicked on Tempate Browser->Lightroom Templates->2×2 Cells. Lightroom comes with this template installed. Moving the mouse cursor to the base of the screen to disclose the filmstrip – which I have set to hiding mode so it is ordinarily invisible – I simply highlighted four contiguous images, which then appear on the print ‘canvas’.

The screen now looked like this:

Then it’s off to the races, printing in the usual way. It takes a lot less time to do than to explain and you have the benefit of applying the same print settings to all pictures on the ‘canvas’. Of course if you process the originals poorly, then you may end up with four clunkers, but I seem to have lucked out.

Note the personalized nameplate at the top left of the Lightroom pane in the last picture above. You can do this by going to Lightroom->Identity Plate Setup.