Category Archives: Software

Better HTML Export

A great web page plugin for iPhoto

Having just upgraded to iPhoto 7 (or iPhoto ’08 as it is also known) it was time to upgrade to the latest version of Better HTML Export, a plugin that integrates seamlessly with iPhoto and permits creation of elegant web site pages in a jiffy.

It’s what I use most of the time for my web site. Use the DP Polaframe template, as I do, and you present the user with a minimum of clutter, constant placement of directional buttons and, best of all, the ability to just click on a full-sized picture to go to the next one. Anything that makes navigation difficult makes for one-time visitors.

The upgrade is free to registered users (and well worth $20 for new users) and Better HTML export has many different templates available. It’s great that they keep it current – something you might not expect from their frightul looking web site. Why not use iWeb from Apple? Well, for my purposes, this plugin does the trick and I want a consistent look and feel for my site, not a hodge podge of frames and colors.

Now is this clean and simple or what?

A Lightroom user’s experience

Guest writer Roy Hammans shares his experience with Adobe’s Lightroom

Roy Hammans writes a guest column today on his experiences with Lightroom with some Aperture comparisons. You can see Roy’s fine photography here.

I downloaded the beta of Adobe Lightroom as soon as it became available last year because I was looking for a good Digital Asset Management package. I’d been an avid Rawshooter user (which Adobe bought and absorbed into Lightroom) since that came out, but lately had not used it so much as I found its image management features limited. It also didn’t easily integrate with the Adobe products I was using (Photoshop and InDesign, mainly).

I ran the Lightroom beta on my Windows PC for a few months and was convinced that it would work for me, even with the few rough edges in the pre-release version – which were mostly smoothed out in the final release. I liked the way Adobe gave users the opportunity to use it and submit feedback – and that they acted on that feedback. It does need lots of RAM though, 1GB minimum, and a fast processor – Pentium 4 minimum in my view for Windows PC users.

I bought the full version as soon as it was available and have not been disappointed. It handled just about everything I threw at it and I found I was opening Photoshop less and less. I could process large photo-shoots in a fraction of the time I had done previously.

Then, after ten years of PC use, I moved (back) to using a Mac when Photoshop CS3 came out earlier this year. Lightroom installed on my Intel Core Duo iMac straight out of the (same) box. Unlike all the other Adobe products, this one is multi-platform, Mac or PC on the same CD.

Ninety percent of the images I make now are processed entirely in Lightroom, unless I need to add masks, special effects or use other Photoshop tools. Opening in Photoshop directly from Lightroom works like a dream, and whether you are shooting RAW files (as every serious user should), or JPGs, your original image file is left completely untouched, of course. When I need to use Photoshop, editing a copy (with Lightroom adjustments) is the most common path I take and Lightroom automatically links the edited copy with the original (although this is optional) stacking it next to the original in the lightbox view.

Ah, the views: the five modules – Lightbox, Develop, Slideshow, Print, Web – pretty much follow a logical work-flow similar to that used in the days of film. Moving between the modules is quick and painless, mouse or keyboard driven, as are most of the Lightroom commands. Aperture lets you do anything at any time, which many claim is an advantage, but I actually like the concept of ‘views’ as you can say “Right, I’ve finished processing, now lets move on to print a ‘contact sheet’ or create a web page.” As an inveterate ‘fiddler’ I need to close an operation and move on. Anyway, you can always go back at any stage and make changes, which is echoed through the workflow without further intervention.

Here are screenshots of the five ‘views’ offered by Lightroom:


The Library view


The Develop view


The Slideshow view


The Print view


The Web view

It works even better on the Mac than it did on my Windows PC, but that’s probably due to the 2GB RAM and faster processor. The real joy however is that I could, if I wanted to, keep the database (which is where Lightroom stores all its activity) and all my images on an external hard drive, shared between the Mac and the PC. I’ve tried this and it works. Of course, I can’t run Lightroom from the same database simultaneously on both platforms (why would I want to?) but I can open it on either machine, see exactly the same image library, with same image manipulations, and work on whichever platform I want.

After getting the Mac I did try out both Aperture and Capture One which, together with iView, provided a very solid image processing and storage environment. There was nothing I could do in these that I couldn’t do in Lightroom however – and it just seemed a lot easier to work in Lightroom as it feels like a 21st century interface; Aperture is still a bit ’20th century’ and reminds me of Excel.

Aperture is a good program for sure, but to my mind it’s lacking the responsive development and improvements we’ve seen in LR. I’ve trained a few non-photographers that need to handle a lot of images using Lightroom and they have all found it easy and intuitive. I don’t think they would take to Aperture as quickly.

There appears to be a lot more ‘mousework’ needed with Aperture, moving around between icon groups that are fitted into every available piece of screen real estate, selecting, adjusting, moving around constantly. One major difference that many consider a handicap for Lightroom is the inability to separate the menu palettes and drag them onto a second screen. I certainly do this in Photoshop, but have never felt the need to do it in Lightroom – but then I am working on a wide screen and like everything in one place.

Version 1.1 of LR offers several features that give it an edge over Aperture, in my view. Speed has to be first on the list, with background tasking used extensively – but it does of course depend on how big your image library is – and the speed of your processor. The Clarity tool has to be next; sure you can do pretty much the same in Photoshop using a combination of local and mid-tone contrast enhancement, but it takes a bit of work. The Tone Curve and dynamic click-and-drag adjustment – very cool. The plug-in architecture – many folk have already produced a raft of new develop presets and web page modules that you can just load and run (for free). Finally, although I much prefer to work on Macs, an awful lot of people still use Windows and I have recommended Lightroom to many of them. I can’t do that with Aperture.

Aperture and Lightroom

Comments invited

I have always been pretty harsh on Photoshop in this journal, complaining about what has to be one of the worst user interfaces (after the IRS’s forms, I suppose) on the planet. Adobe’s case is not helped by the wonderful user experience offered by Aperture. Assuming the user has good hardware, of course.

I tried a very early beta of Lightroom a while back – encomiums to Adobe for adopting a user testing approach, in contrast to Apple’s arrogance in this regard – and found nothing to get excited about. I had been using Aperture for a while at that point.

Times change and Lightroom is now on the market for purchase, after an extended beta testing period of many months. I do not have the time to really get into Lightroom (and my happiness with Aperture doesn’t especially incent me in this regard!) so it would be interesting to hear from Lightroom users, especially if they have experience with Aperture, how the applications compare.

Thanks.

Follow up:

Here is a guest piece from Roy Hammans describing his experiences.

Go where the money is

Economics 101 and Photoshop CS3

Well, the glowing reviews are coming in from the big magazines extolling the genius of Photoshop CS3.

So, what are you going to do? Trash your biggest advertiser? I don’t think so.

Heads up, class, for Dr. Pindelski’s Three Rules of Economics:

  • All control drives up price
  • A fool and his money are easily parted
  • When wondering about decision making, always go where the money is

I have been using Photoshop CS3 in beta form for some four months now so let me write in clear, unconflicted language.

This remains the hardest to use, worst user interface, clunkiest photography software available. Rather than improve on previous versions it just gets worse. The menu structure is so poorly organized we now have new options like “Show all menu items” in drop down lists of umpteen selections! Just try to find something basic like Image->Contrast/Brightness without this option.

Increasingly, real world photographers – those who prefer to take pictures rather than process them – are adopting user friendly products like Aperture and Lightroom. For the average person who does not need a zillion variables applied to his snaps, CS3 is simply God’s way of telling you that you have too much money, time or both.

The power of RAW

RAW offers a vast range of adjustments without destroying image quality

Here’s a case in point where RAW originals really make sense.

I was traipsing along through the charming side streets of Burlingame in the Bay Area of San Francisco when this neat wall sconce presented itself. Now I did have Bertram the Border Terrier straining at the leash in the other hand, so I did a pretty lousy job of holding the camera level. Add the high contrast of the scene and I knew some post processing would be de rigeur.

Here’s the original – if this was a film scan it would be pretty much past saving, the highlights comprehesively blown out (not hard to do with digital!), the perspective badly in need of repair, everything tilted.


Wall sconce. Lumix LX1, RAW, 16:9 format

Rather than recount the adjustments made in Aperture at length, here’s a snapshot of what I did:

I also had to roundtrip the file from Aperture through Photoshop, where I fixed the lens distortion and perspective, tilting the top of the picture towards the viewer to correct for the low angle from which the picture was made; Aperture does not (yet) provide these adjustments.

And here is the result:


Cropped for 4:3 format

The highlight details (look at the textured stucco wall finish) have been nicely recovered with a combination of the Exposure and Highlights sliders. While Aperture does not support Lumix LX1 RAW, I used the workaround explained here to give me the full range of RAW adjustments.

The ‘repaired’ version will scale nicely to an 18″x24″ print, something you would not dream of doing with the original.