Gnarly.
Brannan Street, SF. G3. 45-200mm @ 171mm.
Gnarly.
Brannan Street, SF. G3. 45-200mm @ 171mm.
No compromise message.
East Mission Street, SF. G3, kit lens @34mm.
Southern Indian food.
Ruchi, located in the SOMA district of San Francisco, is not much to look at, outside or in. Almost under a freeway overpass, it serves Southern Indian food. The plain interior has a few mediocre photographs taken in Andhra Pradesh and you order at the counter, with the food delivered to your table. Yet I must say the whole experience was thoroughly worthwhile. The people working in the restaurant are most charming, as gentle and well mannered as one could imagine. And the food I ordered, the Lamb Thali, was simply delicious, suffused with a thousand fragrances and gently spiced.
474 Third Street.
The Lamb Thali.
The crowd is 20% Suits, 80% software types, and the noise level is low.

The whole thing, with a Maharaja pilsner, ran me $17.

As usual, lunch inspired me and I lucked out with a snap of the only attractive Parking Warden in the United States, around the corner from the restaurant:
G3, kit lens.
Ordered chaos.
Inspired by Kate Donnelly’s site, referred to the other day, here’s a snap of my desk:
G3, Oly 9-18mm @ 9mm.
No punches have been pulled, no cosmetic arrangements added and, clearly, I need to do some dusting, as the cleaning lady is not allowed to touch anything here. The overall ethos at work here is consonant with my belief that ‘tidiness, like consistency, is the bane of small minds’.
This workspace reflects two of my interests – managing money and photography. Here’s what’s going on:
Reaching out.
Click any picture for the slide show.
Of the three lenses I own for my Panasonic G3, the kit zoom (28-90mm FFE) gets most use. The wide Olympus (18-36mm FFE) zoom is a distant second and the third, the Panny long (90-400mm FFE) zoom mostly gathers dust.
I have a strong belief in not owning things I do not use, so the other day I took the long zoom to San Francisco with the sole aim of taking ‘long’ pictures, along with the resolution that if the day was a failure, the lens would be sold. For me anything over 35mm FFE is ‘long’ so when using a 90-400mm lens I really need to think differently. There’s no thought of switching between the long lens and the other two; the visualization process is so different that my tired brain cannot cope with yet another set of variables.
So I set about my task by thinking and seeing ‘long’, and a few good things cropped up on a late afternoon with light to die for. Focal lengths shown are Full Frame Equivalents (FFE).
Guess I’ll be keeping that Panasonic 45-200mm lens for a while longer. Funnily enough, on returning home I found that I had accidentally switched the OIS anti-shake button to ‘Off’ but for the most part lucked out. At 400mm FFE, handholding without OIS becomes something of a challenge. On a related note, the G3’s sensor, some two stops finer grained than the one in my earlier G1, allows the use of faster ISO settings – and shorter shutter speeds – without degrading quality, a significant advantage with longer lenses. 800 ISO is just fine, and 1600 ISO works well at a pinch, both allowing high quality 18″ x 24″ prints to be made.