Yearly Archives: 2025

Old Time Farm Days

When life was slower.

My local community stages Old Time Farm Days annually, the goal being to show how farms were run a century ago. It’s a lot of fun, especially for kids.



Five generations of Army.


Revolutionary War soldier. Those muzzle loading muskets
may have been slow and wildly inaccurate, but they
still managed to do a number on the Redcoats.


John Deere.


Old time tractor.


Barn.


Horse harnesses. Even at full aperture the 35mm f/2
Canon LTM lens delivers fine resolution.


98 year old cream separator.


The hand cranked separator in action. The centrifuge
spins at 4,000 rpm flinging the heavier cream
to one side, the skim milk to the bottom.


Children watching the separator in action, all rapt attention.


Corn husker. Simple, effective and fast.


Blacksmith working cast iron.

All snapped on the Leica M10 with the 35mm f/2 Canon LTM (all but the first image) and the 90mm f/2.8 Tele-Elmarit.

Artcise NB36 ball head

A remarkable value.

When I documented Carmel’s gorgeous Christmas windows with the monster Nikon D3x body and the exceptional resolving power of the 35mm f/1.4 Sigma Art lens in 2014 I uses a Sirui ball and socket head on my ancient but sturdy Linhof tripod. On completion of that project I sold the Sirui as I do not do landscape photography and in the studio strobes permit the camera to be hand held rather than mounted on a clunky tripod.

Recently I have again developed a hankering for some more night time photography and needed a competent ball and socket head to mount on my old Bogen/Manfrotto 3016 monopod. While old it has only three sections, meaning just two levers to undo and tighten, and is made of light alloy. Even 1/15 second exposures with the monopod are sharp for the device removes any possibility of vertical motion, the bugbear of sharp images. The 3016 is readily found on eBay for $30 or so and is recommended without reservations. If the locking levers loosen with age they are easily adjusted and a monopod is a great deal easier to use than a tripod. It’s also a handy weapon when on the wrong side of the tracks ….

My tool of choice for nighttime street snaps is the Leica M10. Not a fast to use camera by modern standards, no AF or IBIS, but it’s a small package, inconspicuous and comes with fast lenses, my street favorites being Canon’s 35/2 and 50/1.4 offerings.

The Artcise NB36 ball head comes with two Arca Swiss QR plates to attach to the base of your camera(s). The female socket is 3/8″ so a small adapter is required if your tripod or monopod uses a 1/4″ size screw.

The head has no fewer than three spirit levels if that’s your thing, two in the top plate and one in the knob which fastens the QR plate. Good luck seeing these at night.

But the real appeal of the Artcise head is the price, which is under $20! It’s a remarkable value for a device which is nicely made, all operations are smooth and the weight capacity is a claimed hefty 33lbs. Not as much as the Sirui’s but hardly a limitation with modern 35mm and digital cameras. None of the three knobs can be fully unscrewed/removed/lost, a nice piece of engineering design. And at $18.70 it’s a keeper as the resale value is precisely zero.

Highly recommended, and some nighttime pictures from the Leica M10 should be available soon.



As delivered. The Arca plate has anti-slip rubber on the side which abuts the camera’s baseplate.


Attached to the M10. Because of Leica’s slavish devotion to a dated removable baseplate, the Arca Swiss style plate must be removed to swap the battery or storage card. The plate may clear the battery door on the M11 if mounted transversely – I don’t know. not having an M11 (I wish!)


Mounted on the Bogen/Manfrotto 3016 monopod.

The Savoring books

Gorgeous and tasty.

For an index of all my book reviews click here.



My small collection.

Take a magnum opus like Julia Child’s ‘Mastering the Art of French Cooking’ and you have every recipe imaginable from that land of culinary genius. Yet the books are as boring and as poorly presented as it gets. There are no photographs, a handful of poorly rendered pencil sketches passes for illustration, the fonts are dated and ugly and, well, the whole thing smacks of a well prepared meal thrown on a paper plate in higgledy piggledy fashion.

And that is very much not the case with these wonderful books from Williams-Sonoma, mostly published in the first five years of the millennium and now sadly out of print. I got mine from Abe Books, lightly used, for pennies on the dollar. Each boasts not one but two photographers – one for the locales, the other for the food and the photography is, without exception, gorgeous. And these are not just cookery books, for each recipe comes with historical detail explaining provenance and subtleties. Highly recommended not just for cooks aspiring to emulate the best in Western European cuisine but for lovers of great photography everywhere.

F1: The Movie

Better than the real thing.

Much of modern Formula One racing is processional and boring. One driver or team gets a jump on the technology and dominates, as has been the case for the last decade. First Mercedes, then Red Bull, now McLaren. At least the last has two great drivers so you see some competition.

That’s what makes F1: The Movie so entertaining. Lots of on track action superbly photographed, and little in the way of plot. Plot is the last thing you want in a racing picture. Plus throw in the last great Hollywood star in Brad Pitt and you have a winner.




I think it’s time to upgrade the sound system in the home theater!

We caught it at the local IMAX theater – you really need to see this on a huge screen with a sound system to match – and I expect our hearing will be restored in a month or so. Highly recommended.

You can see the specifications of the awesome JBL 2245 H 18″ woofer here.

States of Decay

Urbex at its finest.

For an index of all my book reviews, click here.

There are very few words in this book and that’s appropriate for the powerful photography by Dan Barter and Dan Marbaix speaks for itself. This is Urbex at its finest, the pictures dark and moody and the many images of abandoned asylums terrifying in desolation. They must have been even more so when occupied. There are images of abandoned churches and factories and public transport termini also, but it’s the ones of the asylums which really leave a mark.



Click the image for Amazon

Recommended for all fans of fine photography and urban decay.