Category Archives: Photographers

The FSA in color

Magnificent work.

Who is not familiar with the great Farm Security Administration photographers’ work? One of FDR’s best ideas, these great photojournalists recorded the first Great Depression in stunning black and white.

As luck would have it, a friend sent along a link to the Denver Post with no fewer than seventy extraordinary color works. Most have wonderful color with the exception of #19, which has a bad magenta cast, which I have fixed and reproduce below. Click for the article and prepare to be moved.

Click the image for the photographs.

Once. Again.

The second issue is out.

I wrote about the free ‘teaser’ issue of the iPad photography magazine Once here. The second issue is just out and it’s a bargain at $2.99.

There is a startling documentary photography piece by Matt Eich on alligator farming in Louisiana. I don’t know what these tough men get for doing this job, but you can bet it’s a lot less than Bottega Veneta gets for the handbags which result.

A bayou alligator is shot prior to becoming a handbag.

The other two pieces illustrate the Bay of Bengal’s increasing salt content, a result of global warming, and Chernobyl’s catastrophic aftermath, including an outstanding interactive map showing areas with stil dangerous radiation levels around the blast site.

‘Once’ is recommended to all iPad users who enjoy documentary photograhy with a powerful message. Mine is an iPad 1 running the latest iOS5 and I rout the pictures and videos to a big screen to which an AppleTV is connected. A great way of seeing photographs, though display on the iPad’s screen is almost as good.

At $3 an issue you are not adding to the world’s recycling problem while supporting great artists.

Simple animation

A time lapse movie is easy to make.

Our 9 year old son likes to get traditional games from Mindware, a source which specializes in non-electronic toys and games with the common theme of making a child (or adult assistant!) think.

His latest is a study in criminality, also known as the building of Manhattan. First you assemble a jigsaw puzzle of Manhattan, complete with cutouts for all the buildings, then you insert the buildings in chronological order showing how Manhattan, as we know it today, grew. The oldest is the 1812 City Hall, the newest the Millennium Tower, that monument to hubris and stupidity which is an open invitation to terrorists for an action replay of 9/11.

When assembling the puzzle, Winston reminded me that he had taken a movie animation class during his summer holidays, so it was a matter of moments to set up the G3 on a tripod, hand him the wireless remote and instruct him to press the button after each building was inserted. This he proceeded to do with great aplomb, giving the remote a dramatic swing and press each time. David O. Selznick would have been proud.

You can download the result by clicking the picture below. Two things are immediately obvious – the white balance control in the Panasonic G3 sucks (as it did in the G1) and I really should have used a constant light source like an electronic flash. A couple of frames are unsharp, probably the G3 waking from sleep and failing to focus in time. Further the inevitable bumps of the tripod make the result move around a bit. Finally, the Statue of Liberty was not the oldest structure, but as a proud American, Winston insisted of placing it first.

Click the image to download.

I have a pretty good knowledge of Manhattan’s architecure from having lived there many years and because architecture fascinates me, so it was no surprise to find that the easiest buildings to place were those built before 1960 with the hardest dating from the International Style boxes which dominated the subsequent decade. I mean, how do you tell one smooth-sided slab from another? I’ll make honorable exceptions for Seagram for its quality and Lever House for its airiness, both on Park Avenue, but the rest of that period would benefit from a wrecking ball. And if you want something quite unsurpassed for sheer ugliness, try the grandly named 1 New York Plaza on Water Street at the tip of Manhattan, where I worked at Salomon Brothers in the 1980s. The miscreant designing this had some sort of obsession with those early touch type elevator buttons because that’s all it resembles.

While you can get a far higher quality result than in this case, the technique involved is simple. Dump all the pictures into iPhoto, click Command-A to select all, then drop them in a New Project in iMovie. I used iMovie ’09. Hit Command-A in iMovie to select all the images then hit C for Crop. Click on Crop to avoid the Ken Burns effect default, which does not work for time lapse movies. Then export the movie (‘Share’). This one has 127 images/buildings, one second for each. The download is just 11mB in size.

Odysseys and Photographs

Book review.

Click for the Amazon listing.

This book profiles four famous National Geographic photographers spanning the transition from large format glass plates to 35mm Leica Kodachromes. The sense of arduous discovery, the difficulty and danger of the expeditions these men undertook and the unstinting commitment of the National Geographic Society to exposing its readership to the unknown is hard to convey.

The men profiled – Maynard Owen Williams, Luis Marden, Volkmar Wentzel and Thomas Abercrombie – are all exceptional. Whether polyglots, great writers (true photjournalists), technologists (Marden was an expert pilot and scuba diver) or humanitarians (Abercrombie became a Muslim, so committed was he to the Arabic way of life from his travels), all were superb photographers.

There are many fascinating tidbits here, such as NG’s reluctance to take Marden’s Leica negatives seriously. Then Kodachrome came along and all that changed.

But the prevailing memory from reading this beautifully printed book is of the photographs, never less than special, often breathtaking.

You can pay up at Amazon for this $40 tome or get one from Edward R Hamilton, as I did, for all of $3.95. I order books there by the dozen and whether you buy one or a hundred, shipping is $3.95. That’s quite a bargain had you tried to lift the last delivery into your home as I did. I’m going to need the money saved on shipping to pay the chiropractor.

The economics of art books continue to leave me befuddled. Why would anyone want to lose so much money? Thank goodness they do, though, as it makes for an inexpensive library.

Bill Cunningham

In a class of one.

The New York Times fashion photographer, Bill Cunningham, is a special person. His avocation is the photography of fashion in the real world. He records what people are wearing on the streets of Manhattan, the fashion center of the world, and has been doing so for fifty years.

Cunningham with one of his 27 bikes.

The best way to learn about this remarkably self effacing photographer is to rent the documentary about his work Bill Cunningham New York where you see him at work. He rides his bike all over Manhattan and is now on his 27th, the previous 26 having been stolen over the years! That’s New York for you.

The work is not great in the sense of representing iconic images of a time and place. But its comprehensive nature over decades shows how taste and style in clothing changes, a fascinating subject in itself.

Some favorite quotes:

  • I eat with my eyes.
  • All the designers come to Paris to steal.
  • Clothes keep us alive.
  • I have never owned a television and I rarely go to the movies.
  • I just like fashion as an art form, dressing the body.
  • My dear, it’s not work, it’s pleasure.
  • He who seeks beauty will find it. (On receiving the Legion d’Honneur).

The movie is highly recommended and you will not fail to be charmed by Cunningham’s personality, ascetic lifestyle, work ethic and sheer joie de vivre.

You can read more at the New York Times by clicking here.