Category Archives: Photographers

Goodbye Kodachrome, hullo freedom.

Bitter sweet feelings.

Kodachrome was the first and last color slide film I used, before migrating to color negative when emulsions equalled and exceeded Kodachrome for quality and contrast range. Then along came digital and film was no more.

Kodak gave its last roll of Kodachrome to National Geographic snapper Steve McCurry and his last picture on the last roll was of the Parsons, Kansas cemetery, the town with the last Kodachrome processing lab. So even if you can find some Kodachrome, you can no longer get it processed.

The last snap on the last roll. Parsons, Kansas.

Click the picture for the NPR article.

It is not this journal’s goal to indulge in political discussion. However, when the hydra of politics begins to threaten our most basic freedoms, it is important to draw attention to the reality. In England, for example, a nation increasingly resembling a police state, just try pointing your camera at something when a cop is present. In France, woe betide you if you wear a rag on your head. As goes Europe, so goes America. How long before our first photographer is incarcerated as a ‘threat’ to national security?

But not all was bad with the year just ending. Most significantly, we have seen the stirrings of global free speech through the courageous acts of an Australian journalist whose WikiLeaks publication has started exposing all governments for the frauds and cheats they are. Those seeking proof need look no further than the outpourings of vituperation and threat from those very governments so clearly exposed. If you were an unelected apparatchik of a government which afforded you easy money for no work, you too would consider your job mightily threatened by this sort of thing and that is what we are seeing in the press today.

So for all of you believing that the First Amendment to the US Constitution is a Good Thing in need of daily defense and support, all of you tired of perpetual war, all of you disgusted with a world ruled by banksters and corrupt oil men and purchased politicians and morally bankrupt diplomats and warmongers and despots and torturers, wrapping themselves in the flag, caring nothing about the next generation, let me take a moment to remind you of the words of that great piece of US constitutional prose:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

I fondly hope that all global hegemonies are mightily exposed by what is happening in the world of disclosure and look forward, perhaps naïvely, to a better future.

So Kodachrome, thanks for a great past and Mr. WikiLeaks, thank you for a promising future. We can but hope that US gaols remain free of photographers.

For an earlier version of this brave journalist, one who worked before the invention of cameras, click here.

And you can read all about Kodachrome here

Grossinger’s

Jonathan Haeber’s new book.

Jonathan Haeber takes pictures of dying architecture, and has been profiled here before.

His fine new book documents the decaying Grossinger’s resort in New York’s Catskills, where generations escaped for fresh air and entertainment from the hell hole that was New York City’s sweat shops.

The fine book with a riveting narrative by the photographer can be had for the very modest sum of $24 by clicking here. I recommend it highly.

My Years in Alaska – 1977-1980

A start in America.

These pieces generally run annually in time for Hanukkah and Christmas.

A year ago I wrote of my Years in Retail, chronicling my last few years in England before boarding that PanAm flight to Seattle, WA, one way ticket clutched firmly in hand.

I was en route to Anchorage, Alaska where my firm had agreed to transfer me for a two year tour. I had worked with Americans in London and their work ethic, technical skill and sheer joie de vivre had told me that was where I needed to be. I had no intention of ever returning to UK residency, if I could swing the immigration thing.

My Leica M3 accompanied me in the cabin of the jumbo jet, which was barely half full. The years of cattle class had yet to come. With its 35, 50 and 90mm lenses it had served me well since 1971 and now, six years later, was still everything I ever wanted in a camera. It would continue to do duty for another amazing 31 years. But as my one way journey was to the New World, I resolved to give up monochrome film and started using Kodachrome. This was as much expediency as choice, for I knew I would not have a darkroom again for many years. In the event, history discloses that my darkroom years were over, for good. And thank goodness for that. I always simply hated darkroom work, forcing myself to become good against all the mental obstacles of this supreme waste of time.

When the PanAm jet touched down at SeaTac airport on November 16, 1977 I was bankrupt. My assets comprised the Leica, one suit from C&A, three shirts, a couple of ties in purest polyester, a turntable, a few LPs, and some ancillary sound gear. And four thousand dollars in debt, half borrowed from my sister in Seattle, where I was to spend the next few days and the rest from my employer. The former was spent on warm clothing for the brutal Alaskan winter, the latter on my first car when I got to the frozen north.

Why Alaska? Simple. First, the business opportunity was great. The TransAlaska Oil Pipeline had just gone live, the state was awash in money and the opportunity for lucrative consulting work abundant, aided by an entrenched and complacent competition. Yes, the climate was fearsome but you got six months of cold and six months of sun. Coming from London I was used to 9 months of wet and grey and 3 months of sun, so you might argue that was an improvement. But, most importantly, one of the dictates of obtaining resident alien status – meaning freedom of employment with anyone who would care to have me with no visa to expire – was the so called Labor Certification process in which one had to prove that he was not taking a job from an American. Not so easy to do in New York City; pretty easy in Anchorage, Alaska. If you could prove that and stay out of gaol, your temporary work visa and permit magically became a green card, easily the most valuable piece of bureaucratic paper I would ever get in my life.

And a young man – I was all of 26 – cares little about a bit of cold when opportunity beckons. I could have the best of what I had earned in England, meaning my education and accent, and the best of what America offered, infinite opportunity and low taxation. Here was a country that adulated entrepreneurs and risk, even though it may have had a massive inferiority complex about class and breeding so, although poor as a church mouse, I franchised the hell out of the fact that I spoke better English than most of my former countrymen. And it was certainly not a language in common use in my new home.

Having never been in America before my sense of the country was shaped by a couple of influences. English snobbery (“Thomas, why would you want to go there? It’s full of Americans” my boss told me when I informed him I was quitting London), American friends I worked with in England, the Times of London before it was destroyed by an Australian barbarian and, of course, the movies. The Times had informed me that America was led by a genuine, primal idiot in the guise of one Jimmy Carter (they were right) and the movies told me it was big. They were right too. Now you might think that immigrating to a nation led by someone whose forbears probably married too much within the family was not the move of a wise man, but if you knew just how bad things were in 1970s England, you would have moved, too.

So when my sister drove me along the Seattle freeways, six lanes in each direction in a car the size of a house, I would be lying were I to say I was not awestruck. That and the incredible warmth with which everyone welcomed you made the first few days of culture shock easy. Even five day later, on November 21, 1977, as I landed at an already frozen Anchorage and drove down the (one) freeway into town, ice fog swirling all around, I was undaunted. This was opportunity writ large. And yes, it was bloody cold. Don’t ever ask me to feel sorry for you or your climate – you have no idea until you have spent a couple of winters in Alaska.

My very first week in Alaska saw my first Thanksgiving Day. Now I confess I had never heard of the occasion before. In England, after all, there was little to give thanks for. So when Don Peterson and his family welcomed me with open arms to their home that November, 1977, it’s fair to relate that I was bowled over by a table set with turkey and more food than one could imagine. There were yams and sweet potatoes, both new to me, enormous hams, bowls of stuffing, apple and cherry pies galore and kids and neighbors everywhere. The warmth and openness of this welcome was something I would experience time and again in this great nation and still feel to this day. Americans, for all their faults, are the warmest and most generous people on earth. Thank you, Don.

Work progressed well. My technical skills had already been honed in American ways after several years in London working for Americans and I was just hungrier than the competition, quite literally at first. A typical immigrant. No wonder the welfare losers in America are threatened by us. I had to work off my four grand debt, make a deposit on a rental and generally keep body and soul together. Thank goodness for expense accounts.

After the first winter whose long nights and four hour days left room for little other than work, I began to settle in and started thinking of taking pictures once more. And in this wonderland whose acreage Texas could fill a few times, it was easy to revel in a landscape cast on a truly vast scale. I did the rational thing and moved from Anchorage a few miles up the one freeway in town to Eagle River to better commune with nature. Or something. It seemed like a good idea at the time.

Wasilla at forty below.

Is that forty Celsius or Fahrenheit? No difference. 40 below is the same on both scales. Meaning beyond Bloody Cold.

The climate did, in honesty, take some getting used to. In the winter you kept your camera under wraps, whipping it out to take a picture. Forty below – call it sixty below with wind chill – is no joke. Indeed. there’s a law in Alaska which says that if you see a stranded motorist in the winter you are required to give him a lift. The alternative would be hundreds of Texan oilmen frozen in the ditch into which they had just driven their Cadillacs. I’ll leave you to judge whether that’s a good thing or not. The default putdown for boastful Texans was “If we hear any more from you, we’ll divide Alaska in two and make you the third biggest state”.

Cook Inlet. Site of many an earthquake.

This is very much earthquake country. Somewhat biblically, the Big One took out Anchorage on Good Friday 1964, confirming the belief in one half of the population that there is a God and equally strongly convincing the remainder that there is none.

Matanuska Valley, spring.

The Matanuska Valley, immediately north of Anchorage, is an incredibly fertile area for fruit, veg and marihuana growing, owing to a favorable combination of rich volcanic soil and 20+ hour days in the summer. The scale of the landscape was like nothing I had ever seen before. Or since. And I include the Grand Canyon, the Tetons and Yosemite in that judgement.

Owing to the vast size of Alaska, everyone flies. As often as not that’s to Hawaii, to escape the winter blues, or to Seattle for some R&R. Anchorage airport remains one of the more frightening places on earth. When you are not landing in vicious cross-winds, you are waiting on the frozen runway with crews hosing the wings down with ethylene glycol in a desperate attempt to remove ice and make their shape conform to something that actually provides lift.

Anchorage airport. A dangerous place.

The colors and vistas are simply to die for.

Another view of Cook Inlet.

Alaska remains the leading expert in sucking at the public teat. The wastrel eskimo tribes benefit mightily from oil royalties and the state enjoys the highest per capita income of federal pork in the United States. Such is the wealth created by oil that after my first year of residence the state passed a law abolishing state income tax. It gets better. Any resident for over a year got a tax free dividend from the state from the so called Permanent Fund where all that oil money resides. A real, live, spendable check! It was about this time that I began to realize that my decision to immigrate to the US was a sound one ….

One of my clients was in Barrow, and you cannot get further north than that in the US. 723 miles from Anchorage, if you must ask. The Alaska Airline pilots – no one with sense flew any other airline as these guys really know their stuff – would land their Boeing 727s on the gravel which passed for an airstrip. Not until I flew into the old Hong Kong airport many years later was there a more dangerous place to land. The town was rich from oil and when us whiteys walked down Main Street we would be greeted with cries of derision from the drunken and drugged natives whose sole entitlement to massive oil royalties was the luck of birthright and whitey’s guilt complex.

Barrow, Alaska.

You can see the love and environmental caring of the native Alaskans writ large in the following picture, not to mention Uncle Sam’s proclivity for stating the obvious. The sign was rather wasted on them in any case, as most are illiterate. Ah! the nobility of the native American, subsisting on a diet of illicit drugs, booze and whale blubber.

North end of Main Street, Barrow, Alaska. Keep going and you are in the Arctic Ocean.

After a year in Eagle River I determined I had had enough of this communing with nature stuff, not least as calling the tow truck every snowfall to pull my car out of the snow drift into which I had just plowed was getting really old. The colors in late summer sun in Anchorage were acid bright – etched almost.

Fourth Avenue, Anchorage.

West Fireweed Lane.

You can see my apartment – the penthouse top right – below. Sounds grand, but in reality this was a bust high end condo project which I rented for a song.

500 West Fireweed Lane, Anchorage. July 19, 1980.

And last, and far from least, the move back downtown made for some good company which it was my great joy to experience.

The author with a friend, Anchorage, 1979. Nothing beats an English accent.

The picture was taken by my friend Michael Hawker, still an Anchorage resident to this day and now a Congressman!

Having committed to two years in Anchorage the conclusion of that contract still saw me waiting on the people at the Immigration and Naturalization Service – an outfit whose customer manner makes the IRS seem like Mother Teresa – for that much desired green card. It wasn’t until September, 1980 that the Green Card finally came through and on the same day I walked into the managing partner’s corner office and stated simply that I would be leaving for New York within the month. And so it proved to be. I had done my service and left the state with maybe $30,000 in my pocket, having started $4,000 in the hole.

Sitting next to a businessman on the plane he wondered about how long I had spent in Anchorage on learning that my new home would be Manhattan.

“Well, to be exact, it was 2 years, 9 months, 11 days, 14 hours, 12 minutes and 32 seconds. But who’s counting?”

It was October 1, 1980.

I was finally on the way to the center of the world, New York City. My Leica M3 once again accompanied me in the cabin with its three lenses. Now a resident ‘alien’ I could work wherever I pleased.

All pictures taken with a Leica M3 with 35mm Summaron, 50mm Summicron and 90mm Elmar lenses, on Kodachrome 64.

* * * * *

Click here for an index of all the Biographical pieces.

ZumoCast

Your own iPad cloud.

I have some 800 uncompressed movies stored on a 4+4 terabyte ganged series of hard drives, attached to a MacMini which is connected to our TV. Uncompressed because one day I believe 100″ LCD screens will be affordable and compression drops quality. That 100″ screen will need a high quality original DVD file. These movie files, in VOB format, average 4-6gB each and while you can copy these to your iPad there are two snags.

First, you will run out of space on the iPad very quickly, and you are wasting resources as an uncompressed file is unnecessary for the iPad’s small screen. Second, you are wasting your time as the iPad cannot play VOB files; it’s limited to m4v/H264 video files which average 1.2-1.3gB. So I have a few favorite movies on the iPad which I have converted to m4v using Handbrake and RipIt (where needed) but the process is very inefficient. Conversion averages 30 minutes, and I have to rotate the files on and off the iPad owing to its very limited storage.

Well, there is a miracle app for the Mac and your iPad which does everything you could possibly wish. It’s called ZumoCast and it makes your Mac or PC into your own cloud storage. It will access your movie, picture or music files over the air and can access these whether they are on the Mac or on HDDs attached to the Mac. And here’s the magic part. ZumoCast converts those monster VOB files to m4v on the fly and displays them perfectly on the iPad after a few seconds of buffering using our home wifi. To set Zumo up you download the Mac app, tell it which folders you would like your iPad to see, install the iPad app and click away. The movie quality on the iPad’s screen is superb.

So now my iPad has access to the 4tB of storage attached to the Mini, access to the Mini itself and access to any other Intel Mac on the network where I have installed the Zumo Mac app. Unless I have the Mini doing some processor intensive task like a backup there is no stuttering, multitasking works fine and for music files I can route the sound to any network device in the home. The Macs in the home have suddenly become my own cloud storage, accessible from the iPad.

Two other items of lunacy – Zumo says the iPad app works over 3G as well as wifi (I have not tried that as my iPad does not have 3G), and ZumoCast is free. Quite how their business model works I have no idea as there are no ads, but free is good.

Showing the folders on the MacMini made available to ZumoCast on ther iPad – including four remote ‘Movies’ HDDs.

AirPlay works fine for sound but not for video.

The iTunes library on the remote Mac works beautifully with AirPlay.

A movie directory from one of the remote HDDs seen in ZumoCast on the iPad.

Stanley Kubrick’s ‘Eyes Wide Shut’ – the original VOB file plays on the iPad over the air.

If you want to store the converted file on your iPad, ZumoCast allows you to do that though it’s hard to see why you would need to do this – maybe for viewing/listening where you have no wifi or 3G access? The stored file will be in the appropriate iPad format.

Limitations: ZumoCast cannot play copy protected DRM files – like older iTunes music purchases or any iTunes movie purchases. However, if your content has all been ripped from DVDs and CDs, like mine, this is not a problem.

ZumoCast compared to Apple’s Remote iPad app: ZumoCast doesn’t care what format your remote file – music or video – is stored in, as long as there’s no DRM. Further, you do not have to have iTunes running on the remote Mac for the iPad app to work as ZumoCast addresses the remote files directly, not through iTunes. Remote will play DRM files on the remote Mac but that Mac must have iTunes running. So it seems the only time you would prefer Remote is when the remote file has DRM.

So with ZumoCast you can use the iPad as a remote controller for your file servers where your music and video files, regardless of format, reside, and watch them on the iPad; further, for sound tracks you can route the sound to your AirPlay device of choice. There is no need to perform format conversion to suit the limited range supported by iTunes or the iPad and storage is not an issue as your files never make it to the iPad, the latter being used solely as a routing and display device. Inspired.

Alfred Stieglitz

A change agent.

The American photographer Alfred Stieglitz (1864-1946) took photography out of its early frou frou era and into the modern world. He was not only a fine photographer, he was also a great promoter of other artists, including photographers, painters and writers, primarily through his 291 Gallery in New York. In all things artistic, Stieglitz was on the cutting edge of the avant garde.

The Steerage, 1908

His best known image is The Steerage where, as a passenger on board the first class section of a ship to France he chanced on the image of the fourth class passengers in what was known as ‘The Steerage’ – maybe because the people were herded in there like steers. Rent the PBS documentary on Stieglitz from Netflix and you will hear how, when he first saw the crowd, he was fixated by the straw topper and the white suspenders; he dashed back to his cabin for his monster plate camera, one exposure left, and captured this stunning image – no one had moved. Twenty-five years later a young Cartier-Bresson was doing much the same, albeit with a strong dose of surrealism added, but he could bang away over three dozen times, with his pocket sized Leica. Not that he needed to.

Even in his earlier work, Stielglitz’s sense of immediacy was in abundant evidence.

The Terminal, 1893

This is the New York location where horses pulling streetcars, before the days of electrification, were changed. The photograph is electric, not just for its historical interest but also because of the sense that you are there. You can almost smell what’s happening.

Stieglitz was a class act, selfless in his support of fellow artists not least, in later life, of his great love Georgia O’Keeffe, another transformational American modern painter.

Stieglitz in middle age.

The PBS documentary is an excellent place to start if you are new to Alfred Stieglitz.