Not for 3:2 fans.
Leica M10, 21mm Voigtländer Color-Skopar Aspherical at f/16, ISO200.
I use David Farkas’s LRc M10 preset as a starting point for processing. It brightens colors without going ‘full Ektar’.
A cousin of red.
Click the last image for a big version.
Kodak Ektar 100 does a good job with orange. So does the M10 in the last image, the difference being a large jump in resolution thanks to the fine 24mp sensor in the M10. The 35mm f/2 Canon, some 5 decades old, is outstanding.
Leica M3 and M10, 35mm f/2 Canon LTM. Noritsu 1800 TIF film scans (first four images) by The Film Developing Co.
Super saturated azure.
The blues from Kodak Ektar 100 are reminiscent of the exaggerated azure produced by the iPhone.
Leica M3, 35mm f/2 Canon LTM and 90mm f/2.8 Tele-Elmarit. Noritsu 1800 TIF scans by The Film Developing Co.
A flashback.
Kodak Ektar 100 is probably the closest you can get to Kodachrome reds, that film last being sold in 2009.
Both on Kodak Ektar 100 with TIF scans from The Film Developing Co.