Category Archives: Photography

Fire sale

Cameras, Hardware, Photography

Bad omen

What do Porsches, iPhones and Leicas have in common? Luxury brands all, that’s certain. But what you will never find is these premier products selling at a 50% discount for a recently introduced and still current model.

So when I saw this yesterday, the message was clear:




Panny fire sale

Think this is a bargain? Think that parts will long be available for a camera from a maker which just sold its sensor division after years of struggle? Think the iPhone and computational photography does not rule the roost? Think that cell phone camera technology does not do 80% of what the big digital body with its clumsy lenses does? Plus another 100% which the whopper cannot do at all?

Think again.

It’s a new world for camera hardware. The Panny occupies the old world and will not be there much longer. My Panny MFT bodies and lenses? Sold the day after I bought the iPhone 11 Pro.

How to destroy a legacy

Cameras

Give your brand to the Russkies.




The unspeakable in pursuit of the unbeatable.

Great move, Leica. Have the sausage fingered Russkies cannibalize your brand, with your permission. I recall selling Zenit SLRs as a kid working holiday jobs in camera stores in the 1960s. Not only do they remain the worst made machine I have ever handled, like their makers the product literally stank, once you removed it from the box. At least, unlike this piece of detritus, they were cheap.

That Kraut Commie Mark was right. Capitalism will hang itself with its own rope. Heck, there may even be morons out there who will shell out $7,000 for this garbage. Leica, what are you thinking of? Maybe it’s time for a medical check up for the CEO?

Of current interest

Cameras, Photography

After the clearance.

I made mention, a while back, that my gear cabinet now looks like this:





The superb camera(s) in the iPhone 11 Pro had seen all my MFT and FF gear off to eBay before all that hardware became so many worthless door stops. In terms of dynamic range, versatility, image quality, night mode, Deep Fusion, tons of computational magic and compactness, nothing compares to this superb camera …. which also happens to do lots of other things when called for. Your DSLR is as sophisticated as a hammer in comparison.

I have no regrets about that decision as I am not a collector, a species which I have never understood. Why you would want a machine in the home which is never used for its intended purpose beats me, and always has. Further, all those unused shutters and gear trains will die almost as quickly as the electronic components in modern hardware, leaving you with useless junk.

So the other day I found myself thinking what of the hardware on the market holds any interest for this photographer after, that is, upcoming iPhone Pro releases.

Well, one obvious choice is the medium format Hasselblad which weds a decent sized sensor with large pixels (meaning low noise) in a compact package.




50mp and little change from $9k with the 45mm lens.

The camera is light. Weighing in at 2.6lbs with the 45mm (35mm FFE) lens – it’s a relative featherweight for this sensor format – it has no flapping mirror, a near silent shutter and auto-focus. Reviews suggest it’s not that fast to use so studio and landscape genres suggest themselves as prime subjects.

The other camera of interest is the Leica M10-D, a street snapper where Leitz has mercifully deleted the LCD screen every camera seems to come with, allowing the snapper to get on with the job of pressing the button. That’s totally in keeping with the original Leica M aesthetic and design intent back to the M3 in 1954 and earlier.




24mp and a whopping $11,290 + tax with the 35mm Summicron.

In all my years of using digital bodies I have never used the LCD screen for anything other than formatting the card. If you cannot visualize what you are photographing until after the event and need instant confirmation, well that’s fine, but not my working method. Viewfinder, focus, compose, click, move on. Check the technical details later. 2.1 lbs for the combination which is almost as much as the Hasselblad.

Think about that.

But the Leica has a disabling feature for these aging eyes. No auto focus. In this day and age paying $3k for an MF lens with a rangefinder of middling accuracy is simply not on.

As for all the rest of them, all those tedious DSLRs and mirrorless bodies with no computational intelligence and nothing to distinguish one from another …. yawn.

Butt ugly. $60k+.

Mac Pro

Had to get the wheels, too.

For an index of all my Mac Pro articles, click here.

There’s a new American Express card out named the AMEX Plutonium, and of course they sent me one. It’s a sweet deal and there’s no charge for the radioactivity, which decays quickly. There’s no credit limit and if you spend $1mm a year they waive the annual $50k fee. And the interest rate is only 10% a month, which beats the local Mob’s.

Well, says, I, better get with the action and earn that freebie, so I decided to splash out on the new Mac Pro. Yup, it’s butt ugly, but I have a mechanic who will gut one of my spare regular Mac Pros and install the hardware inside that elegant box. And he’s only charging $5k to do the work! Too bad he doesn’t take AMEX.

Anyway, to jolly things along I decided to max out the new MP’s specs, so here’s what I ended up with:


Had to get the Apple monitor – it’s only twice the price of the identical Dell. Loaded her up with 768GB of memory at only 3x the market rate, a snip at $10k.


The stand is only $1,000 more. Had to have it.


Ugly as sin, so I’m having it rehoused.


Forget the stock legs. I’m going with the rollers for a mere $400 more.

I hope it arrives soon as it should allow me to email and play Pong much faster. I also charged a new Rolls and a Bentley on the Plutonium – a man needs variety – so now I am well on the way to the free annual fee. I’m going to show the new Roller at local shows with the new Mac Pro in the passenger seat.

Looking to the future

iPhone, Photography

Small sensors rule.


Apple’s latest acquisition.

Let’s face it, the photography world needs yet another 35 mm f/1.4 or 24-70 mm f/2.8 lens for full frame as much as it needs a hole in the head.

The future is not with more optics but with better computational photography and Apple knows this better than anyone, with the dramatic improvements in quality visible in the output of the iPhone 11 Pro. Yes, those Sony optics and sensors in the iPhone 11 Pro are tremendous but the secret sauce is in the code. Any phone maker can buy the optics from Sony. Only Apple has the code and the fabulous A13 CPU to drive all those instructions. So Apple’s latest acquisition makes eminent sense while the competition at the major SLR manufacturers continues to make optics no one needs. Like the Pentagon, these camera makers are fighting the previous war.

It’s the likes of Sony and Nikon who should be buying these businesses with their smarts, not Apple, if they are to have any chance of survival. I think those chances fall daily. These companies are like Kodak whose board of directors believed film would never die.

Apple has already shown with its latest cell phones that the need for bulky digital gear falls daily. To all those skeptics who say that small sensors will never equal the output from big gear, I would remind them of what Oscar Barnack accomplished with the Leica a century ago. “Small camera, big picture“ applies as much today as it did when Oscar was a lad.

The photography future is with small, leaving just a few masochists to hump around heavy equipment bags and tripods. Increasingly, their results are indistinguishable from those produced by cell phones in capable hands.