About the snap: Green

Green


Date: 1987
Place: Near Ojai, south central California
Modus operandi: Riding my motorbike on a pleasure trip
Weather: Perfect leather jacket weather
Time: 11 am
Gear: Pentax ME Super, 40mm Pancake Takumar
Medium: Kodachrome 64
Me: Awestruck by the lack of any color except green
My age: 36

This lovely cherry orchard was impossible to miss, and it was a moment’s work to capture this monochromatic palette featuring my favorite color. Look hard and you will see a deer on the right.

My landscape photography was much influenced by a Dutch photographer named Kees van den Berg – hard to find anything on him nowadays – and his simple use of color.

The little 40mm ‘pancake’ lens, so nicknamed as it was very small and flat, made for a fine travelling companion with the very compact ME Super body. Pentax continues to make pancake lenses for its DSLRs and should be applauded for it. You can see another one of my snaps with the pancake here.

A good message needs few words

A picture is worth a thousand words ….

Now and then a photograph selling a product comes along that makes the jaw drop. One of those “Why didn’t I think of that”, or “Oh! my gosh!” things.

I don’t know the age of this one, but the design suggests the 1950s. But two words are needed, and the result, I think you will agree, is genius.

Few products rise to the status of becoming a non-proper noun. Hoover, Scotch tape, Spam (now a pejorative, of course, though arguably it always was if you have tried the original). This one is for Hoover:

For more examples of original graphic design and photography, visit Monoscope.

A Lightroom user’s experience

Guest writer Roy Hammans shares his experience with Adobe’s Lightroom

Roy Hammans writes a guest column today on his experiences with Lightroom with some Aperture comparisons. You can see Roy’s fine photography here.

I downloaded the beta of Adobe Lightroom as soon as it became available last year because I was looking for a good Digital Asset Management package. I’d been an avid Rawshooter user (which Adobe bought and absorbed into Lightroom) since that came out, but lately had not used it so much as I found its image management features limited. It also didn’t easily integrate with the Adobe products I was using (Photoshop and InDesign, mainly).

I ran the Lightroom beta on my Windows PC for a few months and was convinced that it would work for me, even with the few rough edges in the pre-release version – which were mostly smoothed out in the final release. I liked the way Adobe gave users the opportunity to use it and submit feedback – and that they acted on that feedback. It does need lots of RAM though, 1GB minimum, and a fast processor – Pentium 4 minimum in my view for Windows PC users.

I bought the full version as soon as it was available and have not been disappointed. It handled just about everything I threw at it and I found I was opening Photoshop less and less. I could process large photo-shoots in a fraction of the time I had done previously.

Then, after ten years of PC use, I moved (back) to using a Mac when Photoshop CS3 came out earlier this year. Lightroom installed on my Intel Core Duo iMac straight out of the (same) box. Unlike all the other Adobe products, this one is multi-platform, Mac or PC on the same CD.

Ninety percent of the images I make now are processed entirely in Lightroom, unless I need to add masks, special effects or use other Photoshop tools. Opening in Photoshop directly from Lightroom works like a dream, and whether you are shooting RAW files (as every serious user should), or JPGs, your original image file is left completely untouched, of course. When I need to use Photoshop, editing a copy (with Lightroom adjustments) is the most common path I take and Lightroom automatically links the edited copy with the original (although this is optional) stacking it next to the original in the lightbox view.

Ah, the views: the five modules – Lightbox, Develop, Slideshow, Print, Web – pretty much follow a logical work-flow similar to that used in the days of film. Moving between the modules is quick and painless, mouse or keyboard driven, as are most of the Lightroom commands. Aperture lets you do anything at any time, which many claim is an advantage, but I actually like the concept of ‘views’ as you can say “Right, I’ve finished processing, now lets move on to print a ‘contact sheet’ or create a web page.” As an inveterate ‘fiddler’ I need to close an operation and move on. Anyway, you can always go back at any stage and make changes, which is echoed through the workflow without further intervention.

Here are screenshots of the five ‘views’ offered by Lightroom:


The Library view


The Develop view


The Slideshow view


The Print view


The Web view

It works even better on the Mac than it did on my Windows PC, but that’s probably due to the 2GB RAM and faster processor. The real joy however is that I could, if I wanted to, keep the database (which is where Lightroom stores all its activity) and all my images on an external hard drive, shared between the Mac and the PC. I’ve tried this and it works. Of course, I can’t run Lightroom from the same database simultaneously on both platforms (why would I want to?) but I can open it on either machine, see exactly the same image library, with same image manipulations, and work on whichever platform I want.

After getting the Mac I did try out both Aperture and Capture One which, together with iView, provided a very solid image processing and storage environment. There was nothing I could do in these that I couldn’t do in Lightroom however – and it just seemed a lot easier to work in Lightroom as it feels like a 21st century interface; Aperture is still a bit ’20th century’ and reminds me of Excel.

Aperture is a good program for sure, but to my mind it’s lacking the responsive development and improvements we’ve seen in LR. I’ve trained a few non-photographers that need to handle a lot of images using Lightroom and they have all found it easy and intuitive. I don’t think they would take to Aperture as quickly.

There appears to be a lot more ‘mousework’ needed with Aperture, moving around between icon groups that are fitted into every available piece of screen real estate, selecting, adjusting, moving around constantly. One major difference that many consider a handicap for Lightroom is the inability to separate the menu palettes and drag them onto a second screen. I certainly do this in Photoshop, but have never felt the need to do it in Lightroom – but then I am working on a wide screen and like everything in one place.

Version 1.1 of LR offers several features that give it an edge over Aperture, in my view. Speed has to be first on the list, with background tasking used extensively – but it does of course depend on how big your image library is – and the speed of your processor. The Clarity tool has to be next; sure you can do pretty much the same in Photoshop using a combination of local and mid-tone contrast enhancement, but it takes a bit of work. The Tone Curve and dynamic click-and-drag adjustment – very cool. The plug-in architecture – many folk have already produced a raft of new develop presets and web page modules that you can just load and run (for free). Finally, although I much prefer to work on Macs, an awful lot of people still use Windows and I have recommended Lightroom to many of them. I can’t do that with Aperture.

Better sound

Not just for QTVRs

Good sound in a computer system is a nice thing to have, especially if you are interested in making QTVR pictures with sound or generally regard sound as part of the picture making experience. For those still in their first childhood I suppose these make for louder explosions with computer games – a genre, I confess, that leaves me in despair of the future of mankind.

Looking back on the Apple Macs I have owned, each has had sound worse than its predecessor. The iMac G4 ‘screen-on-a-stick’ came with decent separate speakers, and had so-so sound quality. The iMac G5 has downward pointing speakers, dictated by the slimness obsession at Apple, and had poor sound quality. The iBook G4 had upward pointing speakers – poor quality but not bad for the small size. And finally, the sound quality of the miniscule rear-facing (what were they thinking of?) speakers in the MacBook is simply execrable. Little volume and what there is comes out horribly distorted.

I checked around and the dominant approach seems to be USB-powered external speakers. These leave me unimpressed on paper as the maximum power they can generate, based on the modest current delivered over USB, cannot be great. Chat boards mostly concur. Then I chanced upon the Logitech Z-4i.

These come with a woofer/amplifier and two separates for mid-range and treble. A separate wired controller permits adjustment of the overall sound level and includes a small knob for adjusting the level of the woofer only. Neat and it works. If you like boom, crank it up. But it’s the power specs that matter here, for a device driven from the earphone outlet. Logitech states that each satellite can output 8.5 watts RMS, with the massive woofer putting out up to 23 watts RMS. That’s power!

In use they will play louder than most users will ever need and the quality white finish matches the MacBook perfectly. These are not remotely portable, but that’s the trade-off for good sound. The bulky woofer enclosure can be placed out of the way (mine is under my desk) as low notes are non-directional. The satellites go either side of your monitor. Plug these in and the MacBooks wretched, nasty little speakers are automatically switched off.

Recommended, especially at the $70 price (that’s about $69.95 more than Apple spent on the MacBook’s speakers) – an outstanding value. They come with a two year warranty and my listening to Horowitz playing Chopin’s Barcarolle as I type is as it should be. The rumble of the low notes on his magnificent Steinway Model D concert grand is not far from the real thing. True, the Steinway would be nice to have but is a tad spendy at $100,000+! Plus there’s the waiting list to endure …. still, I did get to touch it when it toured through Los Angeles a few years ago. Horowitz had two in his Fifth Avenue apartment in New York!

Snags? None so far.