To know her work is to understand.

Few would dispute that the greatest movie about the Olympics is Olympia, Leni Riefenstahl’s 1936 masterpiece chronicling the Aryan master race in the 1936 Olympics. It shows perfect specimens of the nordic man-god ideal variously chucking the discus, running like a gazelle (albeit slower than the schwartzer untermensch Jesse Owens), and generally being, well, white and superior. Sure it’s dated (whitey is unlikely to win much of anything in the modern sham known as the Olympic Games) but the photography is superb.

The movie follows on from one far greater, perhaps the most evil film ever made, Triumph of the Will. Watch it with an open mind and you, too, will be swept up in the cleverly managed tension which builds throughout the movie until her slightly less than Aryan leader finally makes his appearance for the 1934 Nazi Party rally in Nuremberg. The style is one of a succession of still images rather than that of a movie. Between Riefenstahl’s adulation of this bad man and the Propaganda Ministry’s financing, she produced the greatest fake documentary yet made. I was forcibly struck by just how plagiarized her work has become in watching the old version of Spartacus with Kirk Douglas and just about any of the tedious Star Wars epics from Geroge Lucas (a man who has never met an actor he can direct). Look at any of the crowd scenes of the armies of bad guys from either director and you have a shameless rip off of the best/worst in Riefenstahl’s propaganda masterpiece. Look at the post war The Third Man and you have all her camera angles writ large by director Carol Reed. She left an indelible mark on the documentary genre.

Hitler’s favorite film maker supervises filming

Sure.

She was just following orders.

A big lens and no moral compass, Riefenstahl participates enthusiastically in the 1934 Nuremberg Nazi party rally.

They should have whacked her at Nuremberg – where could have been more appropriate? – along with all the others in 1946, and have saved the world another 50 plus years of her denials and apologia. Her total absence of shame rightly confines her to this journal’s Hall of Shame.