Twenty-four blissful months.

As a street snapper I am convinced that someone on Panny’s design team for the G1 shares my avocation. It’s been two years now since I bought mine and the file counter now says 13,566, so I have been averaging over 500 snaps monthly with this little wonder and have never been happier.

Lock-ups? None. Breakdowns? None. Bad exposures? One or two which were my fault. Backache from carrying the camera? None. Obtrusiveness? None.

To see what I wrote after one year of ownership click here. I haven’t checked but can say with reasonable assurance that 95% of those snaps have been made with the splendid 14-45mm kit lens, the rest shared by the Oly 9-18 and Panny 45-200mm optics.

What would I change? Not much. With less than 1% of my snaps being out of focus (I use auto everything except ISO where I mostly use ISO 320) and maybe some of those in poor lighting being grainier than I would like, faster focus and a better sensor is about all I would ask, both claimed enhancements in the G3 body which I have on order. The latter seems to be forever out of stock but it’s not like I am dying without it. I skipped the G2 as I have no use for the movie mode or touch screen and the sensor was unchanged. Indeed, the only time I use the LCD screen in the G1 is to check battery charge status.

These two happy years have proved to this street snapper that the eye and brain are muscles like any other. Use them often and they become sharper, faster, more acute. The fitness for purpose of Panny’s G1 has done wonders for my vision and reactions, taking me back to those early years with the Leica M3 when I was still a young pup making his way in tired old monochrome.

But results talk and BS walks, so here’s a little bit of fun.

Sitting happily in a coffee shop on 24th Street in San Francisco’s Mission District I set myself the task of snapping the next twenty or so interesting passers by while munching my cream cheese bagel and drinking the fine cup of joe served there.

I liked ten of the twenty – all were well exposed and so on, but these have the most interesting faces. A diversity of cultures, styles and dress which makes this vibrant area so fascinating for the street snapper. My window seat afforded me a wide angle of view, making anticipation easier. It’s amazing how fleeting these moments are.

Enjoy, and here’s to the Panasonic G1, the best street snapper yet. Time stamps are below each snap.