Category Archives: Photographs

One more step

America makes another huge step forward.

So much of the world so desperately wants America to be good and great again, that it bears recalling one of the ugliest times in the nation’s history, best characterized by this Dorothea Lange depression era picture.


Mississippi, June 1937

Some seventy years after Lange snapped this picture, bigotry and racism remain nascent in much of our nation, but we rise above this, moving on joyfully.

The bursting blood vessels, the guns, the bibles, the braying of hounds and the clinking of manacles become ever more distant as America once more has the opportunity of being a beacon of light and progress. The senescent purported ‘hero’ (when Americans say ‘hero’ they usually mean ‘victim’) and his boastful ignoramus of a running mate will now return to the cesspool whence they came, hopefully never to be heard from again. An America whose leaders denigrate education, intelligence and thoughtful reflection is not one I want anything to do with. Judging by yesterday’s polling, I am not alone.

It’s been a long time since January 20, 1980, the last time Americans proudly held their heads high and thought “This is what we stand for. This is the example we will set”. Since that time we have seen an America guilty of unilateral military aggression, the abolition of many rights granted us in the Constitution, and crimes of greed unparalleled in our short history. I, along with many of my fellow Americans, hope that the new administration will once more make America an example, not the pariah it has become.

Those who appreciate Lange’s iconic photograph understand.

Color abstraction

The mind’s eye

I can never resist this sort of thing – a tight collection of shapes, reflections, textures and a little color.


Panasonic LX1, 1/250, f/8, ISO 100. 16:9 Widescreen format.

The car’s price tag, visible in the original, states $28,888, so you can guess this was taken in the San Francisco Bay Area with its large Chinese population, the number ‘8’ being a symbol of good luck in that culture.

A little tweak here ….

…. a little color there.

The beauty of the adjustments in Lightroom (I’m on 1.4.1) is that the results are seen instantly on the screen and the sliders for these are really quite intuitive – not something that can be said of the industrial might of Photoshop with its poor user interface. Further, unlike Aperture, which I no longer use, you do not need the latest liquid helium cooled MacPro with 16 gB of RAM and the latest $2,000 graphics card to run the thing at half decent speed – an old iMac G4 more than suffices and you can probably pick one of those up for $50 with a nice big screen at a yard sale.


Canon 5D, 24-105mm at 58mm, 1/250, f/8, ISO 100

Here you can see the bland original (underneath) and the final versions of this snap. The final adjustments can be seen here from Lightroom’s History panel – look at the right hand column of data.


Adjustment history for the image above

That seems like a lot of work until you realize it took about a minute or so to do, aided by the nice large 21.6″ Samsung LCD screen attached to my MacBook. Exotic? Hardly. Available today for under $200 from many makers. Viewsonic now lists a 22″ screen for as low as $160 – a perfect accessory for the MacBook’s small screen whose gloss finish does little to help photographers. The aftermarket screens come with matt surfaces, as they should. Another example where Apple’s marketing focus does little to serve users. Unless you are in a pretty dark room, the glossy screen is a real pain to use, but Apple no longer markets a matt screen version.

The Vibrance and Clarity sliders are especially useful in giving your image ‘pop’, but I find it’s easy to overdo things. A little goes a long way. Unlike the 50mm Canon f/1.4 optic, the 24-105mm L zoom used here displays no color fringing. Instead you get severe barrel distortion at 24mm, not something that’s visible here.

Afternoon languor

Warm sun.

This is the sort of thing I can never resist. Warm sun, old bricks (note the earthquake reinforcing plates – this can only be California!) and one of the very best lenses ever made at any price.


5D, 200mm f/2.8 ‘L’, 1/8000, f/4, ISO 400

Bistro Laurent really has no business being a world class restaurant in a hick town like Paso Robles, but there it is and the food is to die for! Scan the wine list and you will find the Zinfandel wine made from my grape crop – it’s the Peachy Canyon Winery “Especial” 2004 – if you are lucky your local store may have some left, but that’s a long shot as the crop is small and the wine sells out quickly.

In the Shadow of the Moon

What America needs now.

It seems oddly fitting that this past Friday, the culmination of Wall Street’s (and America’s) worst week ever, that a friend should have sent me In the Shadow of the Moon, a NASA documentary about the twelve men who have walked on the surface of the moon.

In these digital days it’s hard to recall that the still photography gear used by these brave men was nothing more than a Hasselblad 500EL or two fitted with a long roll film magazine and upgraded with some low temperature lubricants to make sure nothing froze up. Americans, as cavalier with the environment as ever, concluded that it would be cheaper to dump the bodies on the moon than to bring them back to earth. Indeed, in the 1970s, the Victor Hasselblad company ran a classic advertising campaign pointing out that Hasselblads, lightly used, were to be had free. All you needed was a round trip to the lunar surface to get yours.

In this documentary you can see various moon walkers banging away with their 500ELs, a large digital counter clearly visible on the right side of the film magazine to remind them how many of their 200 shots they had used.


The Hasselblad 500EL model used by the moon walkers

This film has some so-so movie pictures (the technology of small movie cameras really was pretty mediocre back in 1969) and some tremendous still pictures. These astrophysicists, mechanical engineers and scientists, passing for astronauts, were so elevated by a shared spirit of ecstasy in their journey that their photographic skills rose magically to a new plane as the whole world rooted for America to pull off the Apollo 11 landing.

While most know of the great snap Armstong took of Aldrin, Armstong’s figure reflected in Aldrin’s face mask, there are two special moments that caught my attention. One is a movie frame showing the blast off of the lunar lander on its way to dock with the orbital module before returning to earth. I had never seen this and remember well the feeling of dread that there was only one chance to get this right. As the lander blasts off, the American flag in the lunar surface rocks mightily on its pole. Buzz Aldrin later reported that he glanced up briefly from his instrument checks and saw the flag fall over from the blast, something not visible in the video.


The Apollo lunar lander blasts off from the lunar surface, Old Glory in the blast

The other, also a movie picture, is easily the most beautiful and heart warming in the whole movie. For all their protestations about the beauty of the lunar surface, there is no disguising that the orb of earth from space is a very special thing, and the moment the parachutes deploy in a superb aerial shot, we are all united as one race sharing our adulation of this most perfect of places. This still frame does not begin to do that magical moment justice.


Apollo 11 returns to earth

On a broader scale, the Apollo program reminds us how strong leadership can inspire a nation and the world. The astronauts speak eloquently of their reception worldwide pointing out that, wherever they go, they are greeted with the words “We did it”. That sounds right. The greatest, most generous nation on earth did not seek to keep this to itself but wanted to share its joy and wide eyed spirit of discovery with the world.

Another point to note is the life changing effect the moon trips had on all concerned. Most speak eloquently and mystically of the experience and while logical thinkers will continue extolling Darwinian evolution over creationism, when you see that orb of blue and white approaching, well, you do tend to think of some sort of Supreme Being because it seems too perfect to maybe just have happened.

This is a special piece of film and photography and a recommended antidote to a period in which America’s bleeding is infecting the whole world. American hegemony may be fading, who knows?, but I have yet to encounter anyone, no matter how anti-American, who would argue that a world with Chinese leaders would be a better place.