Category Archives: Hardware

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Should Apple make a stand alone camera?

Capitalizing on its software and hardware advances.

In an end-of-2019 piece I wrote:

“I have had two transformative iPhone experiences – in 2007 when I bought iPhone 1 on the day it became available, and this year when I bought the iPhone 11 Pro which will change the photography hardware landscape permanently. All of the big makers will be gone in a few years. The iPhone’s camera is an order of magnitude better, doing things the clumsy SLR offerings can only dream of. The remaining reasons to buy clunky gear are that you need high definition from really long lenses – a couple of guys at Nat Geo – and because showing up at the Vogue studios with an iPhone to snap today’s supermodel just does not earn machismo points.”

So should Apple make a stand alone camera?

Apple has made a stand alone camera before. That was in 1997 and sensors were not up to much and, face it, the product looked like a door stop.

But now, with computational software making bad images great, with image quality rivaling that from big, clunky gear, and Sony’s superb lenses and sensors in the iPhone 11 Pro, is it not time for Apple to capitalize on its imaging prowess and make a true camera?

I no longer think this make sense. No one who has used the latest iPhone as a camera wants to revert to interchangeable lenses and all the bulk and weight of the traditional digital body. When you have computational photography working for you, a feature missing from every stand alone camera out there, who needs the clutter of lenses and gadget bags? Heck, even tripods are passé. On the other hand, most serious snappers using the iPhone will confirm that its ergonomics are pretty awful. There is a total absence of physical buttons and dials with all those satisfying, confirming clicks, and gripping the thing steadily – and keeping digits out of the way of the ultra wide lens’s field of view – is not easy. However, I do not think that Apple is about to return to physical controls in its pocket devices any more than it is likely to add a mechanical keyboard to the iPhone.

No, there’s lots of room for ergonomic improvement within the constraints of the iPhone’s small size and now, with chief designer Jony Ive no longer with the company, I expect that ergonomics will improve fast. Ive confused svelte with easy to use and his obsession with light weight and looks resulted in devices increasingly hard to hold and with mediocre battery life. A minuscule increase in thickness in the iPhone 11 fixed the battery life issue for good – good for a day of really hard use with ease – and I expect that the iPhone 12 will revert to the square sides design of the magnificent iPhone 4.


The iPhone 4 of 2011.

Aperture wheel? Not needed, as each image is stored with a depth map, allowing depth of field to be adjusted in post processing. Shutter speed wheel? Nah. With OIS shutter speeds don’t matter a whole lot and in action images burst sequences allow the best image to be easily chosen. Point of best exposure? Just touch the screen. So after much use of cameras in the iPhone I am coming around to concluding that the desire for physical controls is so much refusal to adapt and change. All that’s needed is a carcass design which allows this slippery-as-an-eel device to be held with solid purchase for the fingers. You know, like that iPhone of a decade ago.

Plus who wants a stand alone device robbed of all the functionality of the regular iPhone?

P.S. Apple – a longer fourth lens would be nice!

The BenQ PD3200Q 32 inch monitor

Bringing in the New Year.



The 32″ BenQ monitor running Lightroom. Strong daylight over my shoulder does not distract.

My Apple 30″ Cinema Display was bought ‘pre-owned’ 5 years ago and saw daily use.

Elegantly housed and with a minimum of controls, it was easily calibrated, did not drift over time and was a joy to use. The 16:10 aspect ratio was squarer than the more common 16:9 and worked well with my applications and needs.

It failed at Christmas and was over a decade old. Originally selling for $3,300 I had paid just $400 for mine and that’s what its replacement, the BenQ PD3200Q cost new from Amazon. It went into service yesterday and comes with a 3 year parts, backlight and labor warranty. There are cheaper displays in the 32″ size range but BenQ has a tradition of catering to photographers and the display comes pre-calibrated, with the calibration chart included, no less:



Included calibration chart for my 32″ BenQ monitor.

Sadly, the aspect ratio is 16:9, and 16:10 no longer seems to exist. The stand adds a counterbalanced height adjuster to the tilt function, the latter shared with the old Apple Cinema Display.

Out of the box I found the Brightness setting of 72 too bright and turned it down using the easy to use touch buttons to 56. These buttons are located on the bottom right of the bezel and are only lit when being adjusted. To their right is an illuminated off-white on-off indicator which turns orange when the display is in sleep mode. The display’s power supply is integrated; there is no separate power supply transformer.

I measured illumination uniformity across the screen – extreme edge, center edge, center. There was no noticeable difference.

While this is a 2560 x 1440 display, I much prefer the larger font setting, thus:



Scale setting for the monitor.

This is yet another reason not to spend money on a 4K primary display, where the font size is ridiculously small.

There is a plethora of outlets and pass-throughs sprinkled along the side, rear and underside of the panel. The near useless ‘instruction sheet’ – one of those ‘no words’ things beloved of the Germans and now the Japanese – shows 2 USB3 power-in sockets, 4 USB3 power-outs, line-in and line-out (for external speakers), a Hockey Puck connector and four video outputs – DP, HDMI, DVI and mini DP. The DP cord provided is terminated with a mini DP connector, but I prefer the more robust DP to DP locking connectors and spent an additional $7 at Amazon for one. HDMI and DVI cables are also provided, so there is no lack of video connectivity. There’s an instruction manual on a provided CD (CD? Really?) but I did not bother looking at it.

The Hockey Puck is an exercise in redundancy:



The Hockey Puck.

The purpose is to activate and use the on screen display menus to adjust the monitor. As this is done once in a blue moon, and is easily accomplished using the touch panel referenced earlier, this is just so much useless clutter on your desktop, serving no useful purpose.

How is the color balance and fidelity? Perfect out of the box. This excellent performance out of the box is reason alone to pay a little more for this display. There is no light leakage and the construction quality, fit and finish are excellent. The display surface is semi-matte and does not suffer from specular reflections.

Interestingly, the side panel also has an SDHC socket for your camera’s storage card. As my only camera is now the iPhone 11 Pro, which I connect to the Mac Pro using a Lightning cable, this adds no useful function for me but will be appreciated by many still using old technology.

So what’s not to like? Like every pitch black device in the home – hi-fi gear, TVs, toasters and so on – it’s butt ugly. The stand is an exercise in industrial competence and has all the charm and warmth of one of Brunel’s inventions from the Industrial Age. The screen will rotate through 90 degrees and as it’s already huge at 32″ diagonally, that’s just plain dumb, and will place lots of strain on your connecting cables. There are built in speakers but even modest external ones (I use old Logitechs) will be better.

I drive the display using an Nvidia GTX980 video card in my 2010 Mac Pro. I checked it with the ancient Nvidia GT120 using a mini DP connector and it works fine, though the video rendering can be slow with this prehistoric piece of hardware.

Gaming use? Search me and look elsewhere. This site is for grown-ups, not children.

For photographers needing a traditional display which comes properly calibrated, and who do not want the small fonts that 4K delivers, the 32″ BenQ PD3200Q is recommended.



Did I mention it’s ugly? The QR attachment for the stand conceals standard VESA wall mounting threads.

Amos Chapple on the iPhone 11 Pro

The virtue of carelessness.

A few days ago I wrote this to a photographer friend:




The virtue of carelessness.

Not a couple of days later an excellent pictorial by New Zealand photographer Amos Chapple from the cultural center of the world, Murmansk in Russkieland, says this:




Chapple on the iPhone 11 Pro’s camera.

To see Chapple’s outstanding images and share in his iPhone 11 experience, click the image below.




Russkies discuss invasion plans. Click the image for details.

It bears repeating that the quality of the Android competition is only relevant to your choice if your data either have no value or you enjoy having your device hacked by Ivan. Want security? Stick with iOS.

As regards the author’s complaint of Night Mode not always working with the telephoto lens, it actually never works with that optic. It’s currently restricted to the standard and wide lenses.

Fire sale

Bad omen

What do Porsches, iPhones and Leicas have in common? Luxury brands all, that’s certain. But what you will never find is these premier products selling at a 50% discount for a recently introduced and still current model.

So when I saw this yesterday, the message was clear:




Panny fire sale

Think this is a bargain? Think that parts will long be available for a camera from a maker which just sold its sensor division after years of struggle? Think the iPhone and computational photography does not rule the roost? Think that cell phone camera technology does not do 80% of what the big digital body with its clumsy lenses does? Plus another 100% which the whopper cannot do at all?

Think again.

It’s a new world for camera hardware. The Panny occupies the old world and will not be there much longer. My Panny MFT bodies and lenses? Sold the day after I bought the iPhone 11 Pro.

How to destroy a legacy

Give your brand to the Russkies.




The unspeakable in pursuit of the unbeatable.

Great move, Leica. Have the sausage fingered Russkies cannibalize your brand, with your permission. I recall selling Zenit SLRs as a kid working holiday jobs in camera stores in the 1960s. Not only do they remain the worst made machine I have ever handled, like their makers the product literally stank, once you removed it from the box. At least, unlike this piece of detritus, they were cheap.

That Kraut Commie Mark was right. Capitalism will hang itself with its own rope. Heck, there may even be morons out there who will shell out $7,000 for this garbage. Leica, what are you thinking of? Maybe it’s time for a medical check up for the CEO?